ADVENTURES and RECOLLECTIONS
of
BILL O’TH HOYLUS END.

told by himself.

CHAPTER I. [1]

[Bill o’th Hoylus End might be termed a local Will-o’th-Wisp. He has been everything by turns, and nothing long. Now, a lean faced lad, “a mere anatomy, a mountebank, a thread bare juggler, a needy, hollow-ey’d, sharp looking wretch;” now acting the pert, bragging youth, telling quaint stories, and up to a thousand raw tricks; now tumbling and adventuring into manhood with yet the oil and fire and force of youth too strong for reason’s sober guidance; and now—well and now—finding the checks of time have begun to grapple him, he looks back upon the past and tells his curious stories o’er again. Verily, as Shakespeare declares in All’s Well, “the web of his life is of a mingled yarn, good and ill together;” and through it all there is a kind of history, just as

“There is a history in all men’s lives,
Figuring the nature of the times deceased.”

This son of Mischief, Art and Guile has stooped to many things but to conquer himself and be his own best friend; that is, according to the conception of the ordinary, respectable, get-on folk of the world. He has followed more or less the wild, shifting impulses of his nature—restless and reckless, if aimless and harmless; fickle and passionate, if rebelliously natural; exhausting his youth and manhood in fruitless action, and devoting the moments of reflection to the playful current of the muse’s fancy, forsooth, to the delectation of the more prosaic humanity in this his locality. A life of pleasure was ever his treasure, and he agrees, after experience of life’s fitful dream, that

E’en Pleasure acts a treacherous part,
She charms the scene, but stings the heart,
And while she gulls us of our wealth,
Or that superior pearl, our health,

[Yet, and these are the two lines he substitutes for the melancholy truth of an old poet],

Yet she restores for all the pains,
By giving Merit her exchange.

Though the poetic flame has flickered from time to time, it has never been extinguished. There is health and buoyancy still in his muse. It is the one thing essential, the one thing permanent in his nature—ever ready to impart the mystic jingle to pictures of fun and frolic, or perchance judgement and reflection. Thus, as the local Burns, he stands unrivalled. His poetic effusions speak for themselves, but there are other traits in his career which he wished to convey to the public, which might while away an occasional half-hour in the reading of his stories of the tricks of his boyhood, the adventures of his early manhood, and to learn how he became—well, what he is! He has been caught in divers moods and at sundry times, and his words have been taken in shorthand, the endeavour always being to keep the transcript as faithful as circumstances would allow. No pretence is here made to evolve a dramatic story, but rather to present Bill’s career simply and faithfully for public perusal; for to use Dr. Johnson’s words, “If a man is to write a panegyric, he can keep the vices out of sight; but if he professes to write a life he must represent it really as it was.”]

MY BIRTHPLACE, HOME AND PARENTAGE

It was on the 22nd day of March, 1836, in a village midway between Keighley and Haworth, in a cottage by the wayside, that I, William Wright, first saw light. The hamlet I have just alluded to was and now is known by the name of Hermit Hole: which name, by the way, is said to have been given to it owing to the fact that a once-upon-a-timeyfied hermit abided there. At the top end of the village stood a group of houses which, also, distinguished themselves by a little individuality, and go by the name of “Hoylus End.” My parents’ house was one of this group. All this is about my home. My father was James Wright, at one time a hand-loom weaver, latterly a weft manager at Messrs W. Lund & Sons, North Beck Mills, Keighley, a position which he held for somewhere about half a century. He was the son of Jonathan Wright, farmer, Damems. My mother was a daughter of Crispin Hill, farmer and cartwright, of Harden, and she enjoyed a relationship with Nicholson, the Airedale poet. I can trace my ancestry back for a long period. The Wrights at one time belonged to the rights of Damems. Then according to Whitaker’s “Craven” and “Keighley: Past and Present”, “Robert Wright, senior, and Robert Wright, junior,” ancestors of mine, fought with Earl de Clifford, of Skipton, on Flodden Field. I believe I am correct in saying that since that event the name of Robert has been retained in our family down to the present time—a brother of mine now holding the honour. Several of my ancestors, along with my grand father, are buried in the Keighley Parish Church-yard, at the east end. But it strikes me that I’m going astray a little.

A MUSICAL FATHER

Many old townsfolk—especially those musically inclined—will remember my father, who was a vocalist of no mean repute;—at least, this was said of him in general. Possessing a rich tenor voice, he was in great demand, both publicly and privately. He occupied the position of leading singer in the Keighley Parish Church Choir, at the time when the late Mr. B. F. Marriner and other gentlemen were prominently associated with the Church. His services were often requisitioned on the occasion of anniversaries of places of worship, &c. In those days, mind you, “t’anniversary Sunday” was regarded as a big and auspicious event. Great preparations were made for it, and when the service did take place people attended from miles around; I believe the singing was relied on as the chief “fetching” medium. But somehow or other I never did care much for singing—I really didn’t. Nevertheless I ought to say we had an abundance—I was going to say over-abundance—of singing in our house; indeed, the word used is not nearly sufficiently expressive—I had singing to breakfast, singing to dinner, singing to supper, singing to go to bed—Ah! My pen was going further, but I just managed to stop it. One really must, you know, represent things as they stand.

A MISCHIEVOUS BOYHOOD

But, as I have told you, I didn’t take to singing. I would ten times ten rather be “away to the woods, away!” I recollect that when I was a little boy—my parents said I was a little naughty boy—I got into endless scrapes. But people will talk. Roaming in the woods had an especial charm for me; and Peace Close Wood was my favourite haunt. Some people had the bad grace to let me hear that my visits to the wood were not very much sought for. It was said that I had a habit of peeling bark off as many trees as I could conveniently—sometimes it got to be inconveniently—manage, and, in fact, doing anything that wasn’t exactly up to the nines. I now feel rather sorry that I should have given my father and mother so much uneasiness, and cause my father so much expense. Of course the keeper of the wood soon got to know me and my eccentricities; it was a bad day for me when he did. It’s a sad thing for you when you get suspected of aught; if all doesn’t go like “square” you may look out for squalls. In my case, my father had to “turn-out” and pay for the damage I was said to have done to the trees; those upon which I left my mark had generally to come down—young trees—trees with plenty of life in them I took immensely to. But I have since thought they needn’t have pestered my father as much as they did. I had many