قراءة كتاب The Bow, Its History, Manufacture and Use 'The Strad' Library, No. III.

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The Bow, Its History, Manufacture and Use
'The Strad' Library, No. III.

The Bow, Its History, Manufacture and Use 'The Strad' Library, No. III.

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دار النشر: Project Gutenberg
الصفحة رقم: 2

BOW MAKERS.



PART II.

Bow Making.


MATERIALS. BRAZIL WOOD. HORSEHAIR. THE ACTION OF ROSIN.


QUALITIES ESSENTIAL IN A BOW MAKER. SHAPING THE STICK. SETTING THE Cambre. THE FACES. THE TRENCHES. THE NUT.


POSSIBLE REPAIRS. SPLICING. RENEWING CUPS. RESTORING THE NUT. RE-FACING.


RE-LAPPING. RE-HAIRING. CHOICE OF ROSIN.


THE PERFECTION OF THE MODERN BOW. DR. NICHOLSON'S PATENT BOW. VUILLAUME'S INVENTIONS. SELF-HAIRING BOWS. A FOLDING BOW. THE "KETTERIDGE BOW."



PART III.

The Art of Bowing.


THE UNDECIDED ASPECT OF TECHNIQUE. IMPORTANCE OF A KNOWLEDGE OF THE ANATOMY OF THE HAND. THE FUNCTION OF THE THUMB. INDIVIDUALITY IN TECHNIQUE.


BOWING HISTORICALLY CONSIDERED. THE OLDEST ENGLISH VIOLIN METHOD. SYMPSON'S INSTRUCTIONS IN BOWING. THOSE OF MACE (1676). THOSE OF VARIOUS MODERN MASTERS.


THE FINGERS OF THE RIGHT HAND. DIFFERENCES OF OPINION THEREON. SAUTILLÉ. THE LOOSE WRIST.


THE IMPORTANCE OF THE SLOW BOW. THE RAPID WHOLE BOW. STACCATO. BOWING STUDIES AND SOLOS. CONCLUSION.





PUBLISHER'S NOTE.


In this new impression of the late Mr. Saint-George's book opportunity has been taken to correct a few obvious errors, such as those occurring in the notices of the three bowmakers named Peccatte; the deaths of those makers which have occurred since the publication of the first edition have been noted, and a few fresh names have been added to the list contained in Chapter VIII. In other respects the text of the work remains practically as the author left it.





INDEX TO ILLUSTRATIONS.


PHOTO REPRODUCTIONS OF BOWS.
PLATE  
I. Head and nut of inlaid bow probably by Stradivari
II. Heads of three English bows showing evolution of design
III.
IV.
Heads of two violin, two viola, and one 'cello bow, by J. Dodd
V.
VI..
Heads of three violin bows and one 'cello bow, by François Tourte
VII. Heads of bows by Lupot
VIII. Two heads of bows by D. Peccatte and one by Panormo



ILLUSTRATIONS IN THE TEXT.
FIG.  
1. Locust, showing action of hind leg in producing note
2. Assyrian Trigonon

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