1917, by the "Plays and Players" organization. A revival was also given in Boston, produced in the old manner, "and the first rows of seats were reserved for those of the audience who appeared in the costume of the time."

The play in its first edition is rare, but, in 1887, it was reprinted by the Dunlap Society. The general reader is given an opportunity of judging how far Jonathan is the typical Yankee, and how far Royall Tyler cut the pattern which later was followed by other playwrights in a long series of American dramas, in which the Yankee was the chief attraction.[3]

Dedication Page in the First Edition of "The Contrast"

ADVERTISEMENT

The Subscribers (to whom the Editor thankfully professes his obligations) may reasonably expect an apology for the delay which has attended the appearance of "The Contrast;" but, as the true cause cannot be declared without leading to a discussion, which the Editor wishes to avoid, he hopes that the care and expence which have been bestowed upon this work will be accepted, without further scrutiny, as an atonement for his seeming negligence.

In justice to the Author, however, it may be proper to observe that this Comedy has many claims to the public indulgence, independent of its intrinsic merits: It is the first essay of American genius in a difficult species of composition; it was written by one who never critically studied the rules of the drama, and, indeed, had seen but few of the exhibitions of the stage; it was undertaken and finished in the course of three weeks; and the profits of one night's performance were appropriated to the benefit of the sufferers by the fire at Boston.

These considerations will, therefore, it is hoped, supply in the closet the advantages that are derived from representation, and dispose the reader to join in the applause which has been bestowed on this Comedy by numerous and judicious audiences, in the Theatres of Philadelphia, New-York, and Maryland.

PROLOGUE

Written by a young gentleman of New-York, and spoken by Mr. Wignell.