All out of doors looked darkly in at him

Through the thin frost, almost in separate stars,

That gathers on the pane in empty rooms.

What kept his eyes from giving back the gaze

Was the lamp tilted near them in his hand.

What kept him from remembering what it was

That brought him to that creaking room was age.

He stood with barrels round him––at a loss.

And having scared the cellar under him

In clomping there, he scared it once again

In clomping off;––and scared the outer night,

Which has its sounds, familiar, like the roar

Of trees and crack of branches, common things,

But nothing so like beating on a box.

A light he was to no one but himself

Where now he sat, concerned with he knew what,

A quiet light, and then not even that.

He consigned to the moon, such as she was,

So late-arising, to the broken moon

As better than the sun in any case

For such a charge, his snow upon the roof,

His icicles along the wall to keep;

And slept. The log that shifted with a jolt

Once in the stove, disturbed him and he shifted,

And eased his heavy breathing, but still slept.

One aged man––one man––can’t fill a house,

A farm, a countryside, or if he can,

It’s thus he does it of a winter night.

There’s a patch of old snow in a corner

That I should have guessed

Was a blow-away paper the rain

Had brought to rest.

It is speckled with grime as if

Small print overspread it,

The news of a day I’ve forgotten––

If I ever read it.

She stood against the kitchen sink, and looked

Over the sink out through a dusty window

At weeds the water from the sink made tall.

She wore her cape; her hat was in her hand.

Behind her was confusion in the room,

Of chairs turned upside down to sit like people

In other chairs, and something, come to look,

For every room a house has––parlor, bed-room,

And dining-room––thrown pell-mell in the kitchen.

And now and then a smudged, infernal face

Looked in a door behind her and addressed

Her back. She always answered without turning.

“Where will I put this walnut bureau, lady?”

“Put it on top of something that’s on top

Of something else,” she laughed. “Oh, put it where

You can to-night, and go. It’s almost dark;

You must be getting started back to town.”

Another blackened face thrust in and looked

And smiled, and when she did not turn, spoke gently,

“What are you seeing out the window, lady?”

“Never was I beladied so before.

Would evidence of having been called lady

More than so many times make me a lady

In common law, I wonder.”

17

“But I ask,

What are you seeing out the window, lady?”

“What I’ll be seeing more of in the years

To come as here I stand and go the round

Of many plates with towels many times.”

“And what is that? You only put me off.”

“Rank weeds that love the water from the dish-pan

More than some women like the dish-pan, Joe;

A little stretch of mowing-field for you;

Not much of that until I come to woods

That end all. And it’s scarce enough to call

A view.”

“And yet you think you like it, dear?”

“That’s what you’re so concerned to know! You hope

I like it. Bang goes something big away

Off there upstairs. The very tread of men

As great as those is shattering to the frame

Of such a little house. Once left alone,

You and I, dear, will go with softer steps

Up and down stairs and through the rooms, and none

But sudden winds that snatch them from our hands

Will ever slam the doors.”

“I think you see

More than you like to own to out that window.”

“No; for besides the things I tell you of,

I only see the years. They come and go

In alternation with the weeds, the field,

The wood.”

18

“What kind of years?”

“Why, latter years––

Different from early years.”

“I see them, too.

You didn’t count them?”

“No, the further off

So ran together that I didn’t try to.

It can scarce be that they would be in number

We’d care to know, for we are not young now.

And bang goes something else away off there.

It sounds as if it were the men went down,

And every crash meant one less to return

To lighted city streets we, too, have known,

But now are giving up for country darkness.”

“Come from that window where you see too much for me,

And take a livelier view of things from here.

They’re going. Watch this husky swarming up

Over the wheel into the sky-high seat,

Lighting his pipe now, squinting down his nose

At the flame burning downward as he sucks it.”

“See how it makes his nose-side bright, a proof

How dark it’s getting. Can you tell what time

It is by that? Or by the moon? The new moon!

What shoulder did I see her over? Neither.

A wire she is of