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قراءة كتاب The Early Short Fiction of Edith Wharton — Part 1

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The Early Short Fiction of Edith Wharton — Part 1

The Early Short Fiction of Edith Wharton — Part 1

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دار النشر: Project Gutenberg
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gables to the sky, it might have been its own funeral monument. "Tombs in the chapel? The whole place is a tomb!" I reflected. I hoped more and more that the guardian would not come. The details of the place, however striking, would seem trivial compared with its collective impressiveness; and I wanted only to sit there and be penetrated by the weight of its silence.

"It's the very place for you!" Lanrivain had said; and I was overcome by the almost blasphemous frivolity of suggesting to any living being that Kerfol was the place for him. "Is it possible that any one could NOT see—?" I wondered. I did not finish the thought: what I meant was undefinable. I stood up and wandered toward the gate. I was beginning to want to know more; not to SEE more—I was by now so sure it was not a question of seeing—but to feel more: feel all the place had to communicate. "But to get in one will have to rout out the keeper," I thought reluctantly, and hesitated. Finally I crossed the bridge and tried the iron gate. It yielded, and I walked under the tunnel formed by the thickness of the chemin de ronde. At the farther end, a wooden barricade had been laid across the entrance, and beyond it I saw a court enclosed in noble architecture. The main building faced me; and I now discovered that one half was a mere ruined front, with gaping windows through which the wild growths of the moat and the trees of the park were visible. The rest of the house was still in its robust beauty. One end abutted on the round tower, the other on the small traceried chapel, and in an angle of the building stood a graceful well-head adorned with mossy urns. A few roses grew against the walls, and on an upper window-sill I remember noticing a pot of fuchsias.

My sense of the pressure of the invisible began to yield to my architectural interest. The building was so fine that I felt a desire to explore it for its own sake. I looked about the court, wondering in which corner the guardian lodged. Then I pushed open the barrier and went in. As I did so, a little dog barred my way. He was such a remarkably beautiful little dog that for a moment he made me forget the splendid place he was defending. I was not sure of his breed at the time, but have since learned that it was Chinese, and that he was of a rare variety called the "Sleeve-dog." He was very small and golden brown, with large brown eyes and a ruffled throat: he looked rather like a large tawny chrysanthemum. I said to myself: "These little beasts always snap and scream, and somebody will be out in a minute."

The little animal stood before me, forbidding, almost menacing: there was anger in his large brown eyes. But he made no sound, he came no nearer. Instead, as I advanced, he gradually fell back, and I noticed that another dog, a vague rough brindled thing, had limped up. "There'll be a hubbub now," I thought; for at the same moment a third dog, a long-haired white mongrel, slipped out of a doorway and joined the others. All three stood looking at me with grave eyes; but not a sound came from them. As I advanced they continued to fall back on muffled paws, still watching me. "At a given point, they'll all charge at my ankles: it's one of the dodges that dogs who live together put up on one," I thought. I was not much alarmed, for they were neither large nor formidable. But they let me wander about the court as I pleased, following me at a little distance—always the same distance—and always keeping their eyes on me. Presently I looked across at the ruined facade, and saw that in one of its window-frames another dog stood: a large white pointer with one brown ear. He was an old grave dog, much more experienced than the others; and he seemed to be observing me with a deeper intentness.

"I'll hear from HIM," I said to myself; but he stood in the empty window-frame, against the trees of the park, and continued to watch me without moving. I looked back at him for a time, to see if the sense that he was being watched would not rouse him. Half the width of the court lay between us, and we stared at each other silently across it. But he did not stir, and at last I turned away. Behind me I found the rest of the pack, with a newcomer added: a small black greyhound with pale agate-coloured eyes. He was shivering a little, and his expression was more timid than that of the others. I noticed that he kept a little behind them. And still there was not a sound.

I stood there for fully five minutes, the circle about me—waiting, as they seemed to be waiting. At last I went up to the little golden-brown dog and stooped to pat him. As I did so, I heard myself laugh. The little dog did not start, or growl, or take his eyes from me—he simply slipped back about a yard, and then paused and continued to look at me. "Oh, hang it!" I exclaimed aloud, and walked across the court toward the well.

As I advanced, the dogs separated and slid away into different corners of the court. I examined the urns on the well, tried a locked door or two, and up and down the dumb facade; then I faced about toward the chapel. When I turned I perceived that all the dogs had disappeared except the old pointer, who still watched me from the empty window-frame. It was rather a relief to be rid of that cloud of witnesses; and I began to look about me for a way to the back of the house. "Perhaps there'll be somebody in the garden," I thought. I found a way across the moat, scrambled over a wall smothered in brambles, and got into the garden. A few lean hydrangeas and geraniums pined in the flower-beds, and the ancient house looked down on them indifferently. Its garden side was plainer and severer than the other: the long granite front, with its few windows and steep roof, looked like a fortress-prison. I walked around the farther wing, went up some disjointed steps, and entered the deep twilight of a narrow and incredibly old box-walk. The walk was just wide enough for one person to slip through, and its branches met overhead. It was like the ghost of a box-walk, its lustrous green all turning to the shadowy greyness of the avenues. I walked on and on, the branches hitting me in the face and springing back with a dry rattle; and at length I came out on the grassy top of the chemin de ronde. I walked along it to the gate-tower, looking down into the court, which was just below me. Not a human being was in sight; and neither were the dogs. I found a flight of steps in the thickness of the wall and went down them; and when I emerged again into the court, there stood the circle of dogs, the golden-brown one a little ahead of the others, the black greyhound shivering in the rear.

"Oh, hang it—you uncomfortable beasts, you!" I exclaimed, my voice startling me with a sudden echo. The dogs stood motionless, watching me. I knew by this time that they would not try to prevent my approaching the house, and the knowledge left me free to examine them. I had a feeling that they must be horribly cowed to be so silent and inert. Yet they did not look hungry or ill-treated. Their coats were smooth and they were not thin, except the shivering greyhound. It was more as if they had lived a long time with people who never spoke to them or looked at them: as though the silence of the place had gradually benumbed their busy inquisitive natures. And this strange passivity, this almost human lassitude, seemed to me sadder than the misery of starved and beaten animals. I should have liked to rouse them for a minute, to coax them into a game or a scamper; but the longer I looked into their fixed and weary eyes the more preposterous the idea became. With the windows of that house looking down on us, how could I have imagined such a thing? The dogs knew better: THEY knew what the house would tolerate and what it would not. I even fancied that they knew what was passing through my mind, and pitied me for my frivolity. But even that feeling probably reached them through a thick fog of listlessness. I had an idea that their distance from me was as nothing to my remoteness from them. In the last analysis, the impression they produced was that

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