lowered her eyes, rubbed at his calluses again. She shook her head slowly. "He doesn't want to go to space."

The clock clicked loudly in the closed room.

"I thought I ought to tell you, so you won't say anything to him about it," she added.

Old Donegal looked grayer than before. After a long silence, he rolled his head away and looked toward the limp curtains.

"Open the window, Martha," he said.

Her tongue clucked faintly as she started to protest, but she said nothing. After frozen seconds, she sighed and went to open it. The curtains billowed, and a babble of conversation blew in from the terrace of the Keith mansion. With the sound came the occasional brassy discord of a musician tuning his instrument. She clutched the window-sash as if she wished to slam it closed again.

"Well! Music!" grunted Old Donegal. "That's good. This is some shebang. Good whiskey and good music and you." He chuckled, but it choked off into a fit of coughing.

"Donny, about Ken—"

"No matter, Martha," he said hastily. "Space-medic's pay is good."

"But, Donny—" She turned from the window, stared at him briefly, then said, "Sure, Donny, sure," and came back to sit down by his bed.

He smiled at her affectionately. She was a man's woman, was Martha—always had been, still was. He had married her the year he had gone to space—a lissome, wistful, old-fashioned lass, with big violet eyes and gentle hands and gentle thoughts—and she had never complained about the long and lonely weeks between blast-off and glide-down, when most spacers' wives listened to the psychiatrists and soap-operas and soon developed the symptoms that were expected of them, either because the symptoms were chic, or because they felt they should do something to earn the pity that was extended to them. "It's not so bad," Martha had assured him. "The house keeps me busy till Nora's home from school, and then there's a flock of kids around till dinner. Nights are a little empty, but if there's a moon, I can always go out on the porch and look at it and know where you are. And Nora gets out the telescope you built her, and we make a game of it. 'Seeing if Daddy's still at the office,' she calls it."

"Those were the days," he muttered.

"What, Donny?"

"Do you remember that Steve Farran song?"

She paused, frowning thoughtfully. There were a lot of Steve Farran songs, but after a moment she picked the right one, and sang it softly ...

Her voice cracked, and she laughed. Old Donegal chuckled weakly.

"Fried mush," he said. "That one made the cats wilt their ears and wail at the moon.

"I feel real crazy," he added. "Hand me the king kong, fluff-muff."

"Keep cool, Daddy-O, you've had enough." Martha reddened and patted his arm, looking pleased. Neither of them had talked that way, even in the old days, but the out-dated slang brought back memories—school parties, dances at the Rocketport Club, the early years of the war when Donegal had jockeyed an R-43 fighter in the close-space assaults against the Soviet satellite project. The memories were good.

A brassy blare of modern "slide" arose suddenly from the Keith terrace as the small orchestra launched into its first number. Martha caught an angry breath and started toward the window.

"Leave it," he said. "It's a party. Whiskey, Martha. Please—just a small one."

She gave him a hurtful glance.

"Whiskey. Then you can call the priest."