said heavily, advanced to the table, picked up the Geiger counter, switched it on, and handed it across the table to the other man.

But while it was still an arm's length from Patrick, the clicks began to mount furiously, until they were like the chatter of a pigmy machine gun. Abruptly the clicks slowed, but that was only the counter shifting to a new scaling circuit, in which each click stood for 512 of the old ones.

With those horrid, rattling little volleys, fear cascaded into the room and filled it, smashing like so much colored glass all the bright barriers of words Effie had raised against it. For no dreams can stand against the Geiger counter, the Twentieth Century's mouthpiece of ultimate truth. It was as if the dust and all the terrors of the dust had incarnated themselves in one dread invading shape that said in words stronger than audible speech, "Those were illusions, whistles in the dark. This is reality, the dreary, pitiless reality of the Burrowing Years."

Hank scuttled back to the wall. Through chattering teeth he babbled, "... enough radioactives ... kill a thousand men ... freak ... a freak ..." In his agitation he forgot for a moment to inhale through the respirator.

Even Effie—taken off guard, all the fears that had been drilled into her twanging like piano wires—shrank from the skeletal-seeming shape beside her, held herself to it only by desperation.

Patrick did it for her. He disengaged her arm and stepped briskly away. Then he whirled on them, smiling sardonically, and started to speak, but instead looked with distaste at the chattering Geiger counter he held between fingers and thumb.

"Have we listened to this racket long enough?" he asked.

Without waiting for an answer, he put down the instrument on the table. The cat hurried over to it curiously and the clicks began again to mount in a minor crescendo. Effie lunged for it frantically, switched it off, darted back.

"That's right," Patrick said with another chilling smile. "You do well to cringe, for I'm death itself. Even in death I could kill you, like a snake." And with that his voice took on the tones of a circus barker. "Yes, I'm a freak, as the gentleman so wisely said. That's what one doctor who dared talk with me for a minute told me before he kicked me out. He couldn't tell me why, but somehow the dust doesn't kill me. Because I'm a freak, you see, just like the men who ate nails and walked on fire and ate arsenic and stuck themselves through with pins. Step right up, ladies and gentlemen—only not too close!—and examine the man the dust can't harm. Rappaccini's child, brought up to date; his embrace, death!

"And now," he said, breathing heavily, "I'll get out and leave you in your damned lead cave."

He started toward the window. Hank's gun followed him shakingly.

"Wait!" Effie called in an agonized voice. He obeyed. She continued falteringly, "When we were together earlier, you didn't act as if ..."

"When we were together earlier, I wanted what I wanted," he snarled at her. "You don't suppose I'm a bloody saint, do you?"

"And all the beautiful things you told me?"

"That," he said cruelly, "is just a line I've found that women fall for. They're all so bored and so starved for beauty—as they generally put it."

"Even the garden?" Her question was barely audible through the sobs that threatened to suffocate her.

He looked at her and perhaps his expression softened just a trifle.

"What's outside," he said flatly, "is just a little worse than either of you can imagine." He tapped his temple. "The garden's all here."

"You've killed it," she wept. "You've killed it in me. You've both killed everything that's beautiful. But you're worse," she screamed at Patrick, "because he only killed beauty once, but you brought it to life just so you could kill it again. Oh, I can't stand it! I won't stand it!" And she began to scream.