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Mark Twain: A Biography. Volume I, Part 1: 1835-1866

Mark Twain: A Biography. Volume I, Part 1: 1835-1866

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The Project Gutenberg EBook of Mark Twain, A Biography, Vol. 1, Part 1, 1835-1866, by Albert Bigelow Paine

This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net

Title: Mark Twain, A Biography, Vol. 1, Part 1, 1835-1866 The Personal And Literary Life Of Samuel Langhorne Clemens

Author: Albert Bigelow Paine

Release Date: August 21, 2006 [EBook #2982]

Language: English

*** START OF THIS PROJECT GUTENBERG EBOOK MARK TWAIN, A BIOGRAPHY, ***

Produced by David Widger

MARK TWAIN A BIOGRAPHY

THE PERSONAL AND LITERARY LIFE OF SAMUEL LANGHORNE CLEMENS
BY ALBERT BIGELOW PAINE

VOLUME I, Part 1: 1835-1866

TO CLARA CLEMENS GABRILOWITSCH WHO STEADILY UPHELD THE AUTHOR'S PURPOSE TO WRITE HISTORY RATHER THAN EULOGY AS THE STORY OF HER FATHER'S LIFE

AN ACKNOWLEDGMENT

Dear William Dean Howells, Joseph Hopkins Twichell, Joseph T. Goodman, and other old friends of Mark Twain:

I cannot let these volumes go to press without some grateful word to you who have helped me during the six years and more that have gone to their making.

First, I want to confess how I have envied you your association with Mark Twain in those days when you and he "went gipsying, a long time ago." Next, I want to express my wonder at your willingness to give me so unstintedly from your precious letters and memories, when it is in the nature of man to hoard such treasures, for himself and for those who follow him. And, lastly, I want to tell you that I do not envy you so much, any more, for in these chapters, one after another, through your grace, I have gone gipsying with you all. Neither do I wonder now, for I have come to know that out of your love for him grew that greater unselfishness (or divine selfishness, as he himself might have termed it), and that nothing short of the fullest you could do for his memory would have contented your hearts.

My gratitude is measureless; and it is world-wide, for there is no land so distant that it does not contain some one who has eagerly contributed to the story. Only, I seem so poorly able to put my thanks into words.

Albert Bigelow Paine.

PREFATORY NOTE

Certain happenings as recorded in this work will be found to differ materially from the same incidents and episodes as set down in the writings of Mr. Clemens himself. Mark Twain's spirit was built of the very fabric of truth, so far as moral intent was concerned, but in his earlier autobiographical writings—and most of his earlier writings were autobiographical—he made no real pretense to accuracy of time, place, or circumstance—seeking, as he said, "only to tell a good story"—while in later years an ever-vivid imagination and a capricious memory made history difficult, even when, as in his so-called "Autobiography," his effort was in the direction of fact.

"When I was younger I could remember anything, whether it happened or not," he once said, quaintly, "but I am getting old, and soon I shall remember only the latter."

The reader may be assured, where discrepancies occur, that the writer of this memoir has obtained his data from direct and positive sources: letters, diaries, account-books, or other immediate memoranda; also from the concurring testimony of eye-witnesses, supported by a unity of circumstance and conditions, and not from hearsay or vagrant printed items.

MARK TWAIN

A BIOGRAPHY I
ANCESTORS

On page 492 of the old volume of Suetonius, which Mark Twain read until his very last day, there is a reference to one Flavius Clemens, a man of wide repute "for his want of energy," and in a marginal note he has written:

"I guess this is where our line starts."

It was like him to write that. It spoke in his whimsical fashion the attitude of humility, the ready acknowledgment of shortcoming, which was his chief characteristic and made him lovable—in his personality and in his work.

Historically, we need not accept this identity of the Clemens ancestry. The name itself has a kindly meaning, and was not an uncommon one in Rome. There was an early pope by that name, and it appears now and again in the annals of the Middle Ages. More lately there was a Gregory Clemens, an English landowner who became a member of Parliament under Cromwell and signed the death-warrant of Charles I. Afterward he was tried as a regicide, his estates were confiscated, and his head was exposed on a pole on the top of Westminster Hall.

Tradition says that the family of Gregory Clemens did not remain in England, but emigrated to Virginia (or New Jersey), and from them, in direct line, descended the Virginia Clemenses, including John Marshall Clemens, the father of Mark Twain. Perhaps the line could be traced, and its various steps identified, but, after all, an ancestor more or less need not matter when it is the story of a descendant that is to be written.

Of Mark Twain's immediate forebears, however, there is something to be said. His paternal grandfather, whose name also was Samuel, was a man of culture and literary taste. In 1797 he married a Virginia girl, Pamela Goggin; and of their five children John Marshall Clemens, born August 11, 1798, was the eldest—becoming male head of the family at the age of seven, when his father was accidentally killed at a house-raising. The family was not a poor one, but the boy grew up with a taste for work. As a youth he became a clerk in an iron manufactory, at Lynchburg, and doubtless studied at night. At all events, he acquired an education, but injured his health in the mean time, and somewhat later, with his mother and the younger children, removed to Adair County, Kentucky, where the widow presently married a sweetheart of her girlhood, one Simon Hancock, a good man. In due course, John Clemens was sent to Columbia, the countyseat, to study law. When the living heirs became of age he administered his father's estate, receiving as his own share three negro slaves; also a mahogany sideboard, which remains among the Clemens effects to this day.

This was in 1821. John Clemens was now a young man of twenty-three, never very robust, but with a good profession, plenty of resolution, and a heart full of hope and dreams. Sober, industrious, and unswervingly upright, it seemed certain that he must make his mark. That he was likely to be somewhat too optimistic, even visionary, was not then regarded as a misfortune.

It was two years later that he met Jane Lampton; whose mother was a Casey —a Montgomery-Casey whose father was of the Lamptons (Lambtons) of Durham, England, and who on her own account was reputed to be the handsomest girl and the wittiest, as well as the best dancer, in all Kentucky. The Montgomeries and the Caseys of Kentucky had been Indian fighters in the Daniel Boone period, and grandmother Casey, who had been Jane Montgomery, had worn moccasins in her girlhood, and once saved her life by jumping a fence and out-running a redskin pursuer. The Montgomery and Casey annals were full of blood-curdling adventures, and there is to-day a Casey County next to Adair, with a

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