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قراءة كتاب Modern Painters, Volume 2 (of 5)
تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"
اللغة: English
الصفحة رقم: 3
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Chapter VI.—Of Unity, or the Type of the Divine Comprehensiveness.
| § 1. | The general conception of divine Unity. | 50 |
| § 2. | The glory of all things is their Unity. | 50 |
| § 3. | The several kinds of unity. Subjectional. Original. Of sequence, and of membership. | 51 |
| § 4 | Unity of membership. How secured. | 52 |
| § 5. | Variety. Why required. | 53 |
| § 6. | Change, and its influence on beauty. | 54 |
| § 7. | The love of change. How morbid and evil. | 55 |
| § 8. | The conducing of variety towards unity of subjection. | 55 |
| § 9. | And towards unity of sequence. | 57 |
| § 10. | The nature of proportion. 1st, of apparent proportion. | 57 |
| § 11. | The value of apparent proportion in curvature. | 60 |
| § 12. | How by nature obtained. | 61 |
| § 13. | Apparent proportion in melodies of line. | 61 |
| § 14. | Error of Burke in this matter. | 62 |
| § 15. | Constructive proportion. Its influence in plants. | 63 |
| § 16. | And animals. | 64 |
| § 17. | Summary. | 64 |
Chapter VII.—Of Repose, or the Type of Divine Permanence.
| § 1. | Universal feeling respecting the necessity of repose in art. Its sources. | 65 |
| § 2. | Repose how expressed in matter. | 66 |
| § 3. | The necessity to repose of an implied energy. | 66 |
| § 4. | Mental repose, how noble. | 67 |
| § 5. | Its universal value as a test of art. | 68 |
| § 6. | Instances in the Laocoon and Theseus. | 69 |
| § 7. | And in altar tombs. | 70 |
Chapter VIII.—Of Symmetry, or the Type of Divine Justice.
| § 1. | Symmetry, what and how found in organic nature. | 72 |
| § 2. | How necessary in art. | 72 |
| § 3. | To what its agreeableness is referable. Various instances. | 73 |
| § 4. | Especially in religious art. | 73 |
Chapter IX.—Of Purity, or the Type of Divine Energy.
| § 1. | The influence of light as a sacred symbol. | 75 |
| § 2. | The idea of purity connected with it. | 75 |
| § 3. | Originally derived from conditions of matter. | 76 |
| § 4. | Associated ideas adding to the power of the impression. Influence of clearness. | 76 |
| § 5. | Perfect beauty of surface, in what consisting. | 77 |
| § 6. | Purity only metaphorically a type of sinlessness. |