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قراءة كتاب Gómez Arias Or, The Moors of the Alpujarras, A Spanish Historical Romance.

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Gómez Arias
Or, The Moors of the Alpujarras, A Spanish Historical Romance.

Gómez Arias Or, The Moors of the Alpujarras, A Spanish Historical Romance.

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دار النشر: Project Gutenberg
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wished your Highness to believe," observed Don Alonso. "Moreover, I use no compulsion; they love each other well, and I only am concerned that their marriage should not be celebrated before I march against el Feri de Benastepar. In the face of danger I would then feel tranquil, from the consciousness that there was one to protect my child, should aught happen to her father in this hazardous expedition."

"The daughter of Don Alonso de Aguilar"—replied the queen—"can never need one to supply her father's place whilst Isabella lives. She shall remain constantly with me, and I shall be gratified to manifest by my attention and kindness to Leonor, the high estimation in which I hold her father. But how does it happen that you are not the Mantenedor of the lists in the games of to-morrow?"

"One more capable than myself has already assumed the charge. Besides, I can feel little interested with the display of a tournament, when we are shortly to meet the enemy in mortal encounter. These sports suit well with gay young cavaliers, but not with veterans like myself. Those gallant knights have admiring ladies to look upon their prowess, and reward their success. But my only ambition is to sustain the laurels earned in bloody fray against the enemy of my country,—to gain the approbation of that country, and the favor of its greatest ornament,—my noble sovereign."

The resolute and manly tone in which Don Alonso spoke, perfectly accorded with the frankness and generosity of his character. He bent his knee as he pressed to his lips the extended hand of his queen.

"And well hast thou deserved that favor," she exclaimed, "my best, and most faithful friend: thy country will pay with gratitude thy long proved services. Go; prosper in thy brilliant career!"

The remainder of the day was passed in preparations for the games of the morrow. Gallant knights were busily engaged in preparing their accoutrements, and examining their armour, whilst many a fair hand was as anxiously occupied in ornamenting the devices, and arranging the colours of the favored knight. The city was thronged with visitors, the inhabitants of the adjacent country having been attracted by the fame of the reported games, insomuch that Granada could not hold her numerous guests. For more accommodation, numerous temporary tents had been pitched along the smiling plain of the Vega. The voices of vacant joy and revelry were heard on all sides, and the warriors and irregular groups, moving along in all the recklessness of anticipated pleasure, presented a gay and lively picture.

CHAPTER III.

Cada uno dellos mientes tiene al so,
Abrazan los escudos delant los corazones:
Abaxan las lauzas abueltas con los pendones;
Enclinaban las caras sobre los arzones:
Batien los cavallos con los espolones,
Tembrar quierie la tierra dod eran movedores.
Poema del Cid.

The morning arrived, and the entrances to the lists were thronged by the inhabitants of Granada and their visitors; all anxious to witness a display which it was expected would surpass in magnificence any thing of the kind they had ever seen. A large piece of ground, perfectly level and free from impediment, had been appropriately chosen without the walls of the city, for the exhibition of the games of strength, valour, and skill, and a temporary gallery had been constructed, extending on either side to the extremity of the lists. At the end nearest the city, was erected a temporary wooden fortress, painted in imitation of stone-work, curiously fabricated, covered over with canvas, and capable of containing a number of men-at-arms. On the front turret of this castle streamed a large banner, on which was emblazoned a red cross decorated with gold, being the arms of the order of Calatrava, of which the Mantenedor[3] was the grand master. Other smaller banners were placed around it, and they appertained to the four knights, who had volunteered to support the Mantenedor, and who, in conjunction with him, were bound to accept the challenge of all knights adventurers disposed to encounter them. On each side of the castle were two tents, before which were placed the pennon and shield of the knights to whom they belonged, and at the entrance stood a squire, ready to meet the demands of all comers.

Directly facing the castle, at the other extremity of the lists, was pitched a large and magnificent pavilion, ornamented with little pennons, and numberless armorial devices curiously interwoven with gold and silver thread on green silk brocade. Before it were artificially grouped swords, lances, shields, and every description of armour, emblematical of the intent to which the pavilion was appropriated, it being set apart for the use of those knights who were willing to enter the lists against the Mantenedor and his assistants. About the middle of the gallery on the right of the castle, a platform had been erected for the accommodation of the queen and her retinue. It was covered with scarlet cloth, and shaded by a rich canopy of purple brocade, on the top of which were seen the royal and united arms of Arragon and Castile shining in burnished gold. The whole of this platform was occupied by the maids of honour, and other principal ladies, as well as the noblemen and gentlemen of the court. In front of the place occupied by the queen, were stationed the umpires of the tournament, whose duty it was to decide the merits of the candidates, and award the prizes. Other places on either side of the throne were allotted to the various nobility and gentry of Granada, whilst the two extremities of this gallery and the whole of the other were assigned to the public, without any claim to precedence, but that of a priority of occupation.

And now the ponderous bells of the cathedral filled the air with their tolling; and immediately the bands of martial instruments within the lists, struck up a glorious and enlivening strain, in signal of the queen's approach.

At length she made her appearance, surrounded by a numerous suite, and heartily was she welcomed by the multitude, whose joy at the sight of their beloved sovereign was equal to the anticipated pleasure of the tournament.

Isabella was sumptuously attired in a rich dress of crimson velvet, ornamented with pearls. A delicate and costly scarf, of the finest lace, was attached to the back part of her head, and covered with its graceful folds her beautiful neck and shoulders. On this splendid scarf were wrought in gold thread, lions and castles, and other insignia of the arms of Spain. The queen wore likewise the crosses of the orders of Santiago and Calatrava, richly studded with diamonds and precious gems of immense value.

The lists now offered a most dazzling and noble spectacle. On one side was displayed all the splendour of the court, and the sparkling jewellery, the costly attire, and the waving plumes indicated the spot where the rank and beauty of Spain was assembled in all its glory and magnificence. Indeed towards this part of the lists the attention was more particularly directed, as in all courteous exhibitions of martial prowess, the interest is chiefly centered in those objects, to win whose smile lances are broken and helmets shivered.—Nor was the feeling of enthusiasm on beholding this scene lessened by the appearance of the opposite gallery, which, though more humble, nevertheless contributed, by the variety and gaiety of their costume, together with the cheerful animation expressed in their countenances, to the general effect of the picture. Then the proud display of all the panoplies of the court; the rich waving

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