I'll Kill You Tomorrow

By Helen Huber

Illustrated by Kelly Freas

It was not a sinister silence. No silence is sinister until it acquires a background of understandable menace. Here there was only the night quiet of Maternity, the silence of noiseless rubber heels on the hospital corridor floor, the faint brush of starched white skirts brushing through doorways into darkened and semi-darkened rooms.

But there was something wrong with the silence in the "basket room" of Maternity, the glass-walled room containing row on row, the tiny hopes of tomorrow. The curtain was drawn across the window through which, during visiting hours, peered the proud fathers who did the hoping. The night-light was dim.

The silence should not have been there.

Lorry Kane, standing in the doorway, looked out over the rows of silent baskets and felt her blonde hair tighten at the roots. The tightening came from instinct, even before her brain had a chance to function, from the instincts and training of a registered nurse.

Thirty-odd babies grouped in one room and—complete silence.

Not a single whimper. Not one tiny cry of protest against the annoying phenomenon of birth.

Thirty babies—dead? That was the thought that flashed, unbidden, into Lorry's pretty head. The absurdity of it followed swiftly, and Lorry moved on rubber soles between a line of baskets. She bent down and explored with practiced fingers.

A warm, living bundle in a white basket.

The feeling of relief was genuine. Relief, even from an absurdity, is a welcome thing. Lorry smiled and bent closer.

Staring up at Lorry from the basket were two clear blue eyes. Two eyes, steady and fixed in a round baby face. An immobile, pink baby face housing two blue eyes that stared up into Lorry's with a quiet concentration that was chilling.

Lorry said, "What's the matter with you?" She spoke in a whisper and was addressing herself. She'd gone short on sleep lately—the only way, really, to get a few hours with Pete. Pete was an interne at General Hospital, and the kind of a homely grinning carrot-top a girl like Lorry could put into dreams as the center of a satisfactory future.

But all this didn't justify a case of jitters in the "basket room."

Lorry said. "Hi, short stuff," and lifted Baby Newcomb—Male, out of his crib for a cuddling.

Baby Newcomb didn't object. The blue eyes came closer. The week-old eyes with the hundred-year-old look. Lorry laid the bundle over her shoulder and smiled into the dimness.

"You want to be president, Shorty?" Lorry felt the warmth of a new life, felt the little body wriggle in snug contentment. "I wouldn't advise it. Tough job." Baby Newcomb twisted in his blanket. Lorry stiffened.

Snug contentment?

Lorry felt two tiny hands clutch and dig into her throat. Not just pawing baby hands. Little fingers that reached and explored for the windpipe.

She uncuddled the soft bundle, held it out. There were the eyes. She chilled. No imagination here. No spectre from lack of sleep.

Ancient murder-hatred glowing in new-born eyes.

"Careful, you fool! You'll drop this body." A thin piping voice. A shrill symphony in malevolence.

Fear weakened Lorry. She found a chair and sat down. She held the boy baby in her hands. Training would not allow her to drop Baby Newcomb. Even if she had fainted, she would not have let go.

The shrill voice: "It was stupid of me. Very stupid."

Lorry was cold, sick, mute.

"Very stupid. These hands are too fragile. There are no muscles in the arms. I couldn't have killed you."

"Please—I ..."

"Dreaming? No. I'm surprised at—well, at your surprise. You have a trained mind. You should have learned, long ago, to trust your senses."

"I don't