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Death Points a Finger

Death Points a Finger

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The Project Gutenberg EBook of Death Points a Finger, by Will Levinrew

This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net

Title: Death Points a Finger

Author: Will Levinrew

Release Date: October 6, 2009 [EBook #30187]

Language: English

*** START OF THIS PROJECT GUTENBERG EBOOK DEATH POINTS A FINGER ***

Produced by Robert Cody

Death Points A Finger

by Will Levinrew

Published by the Mystery League, New York and London.

1933

Other books by Will Levinrew (William Levine) are Poison Plague (1929), Murder on the Palisades (1930), Murder from the Grave (1930), and For Sale—Murder (1932)

Chapter I

The tempo was increasing to its highest pitch for the day. That highly complicated organism, a daily newspaper, which is apparently conceived in the wildest disorder, was about to "go to bed." Twenty typewriters were hammering out their finishing touches and concluding paragraphs to new stories. New leads were being written to old stories.

News machines, telegraph machines, two tickers were adding their quota to the infernal din. Male and female voices were punctuating the grimy air with yells of "copy boy". The men at the horseshoe shaped copy desk were echoing the cry. Boys rushed up to some of the typewriters, and, almost before the type bars ceased their clicking on the last words of a sentence, snatched out the sheet of copy paper from the machine.

The floor, tables, desks, chairs presented an appearance that would have made the owner of a respectable junk shop blush. Discarded copy paper and newspapers, cigarette stubs, burnt matches, strewed the floors. Coats and hats dumped anywhere, littered the desks and battered chairs.

As an obligato to the din, there came from deep in the bowels of the building the rumbling of the huge presses that were throwing out the papers of an earlier edition; a rumble that was felt as well as heard.

Suddenly, as if by magic, the din ceased; "dead line" had been reached. One lone typewriter came to a chattering halt. Men and women rose from their machines, where they had been sitting tense. Cigarettes were lit; the workers relaxed. There began a subdued chatter. Chaff and banter were exchanged, freely, good humoredly.

Only the visible evidence of a former disorder remained. The room was still untidy and grimy. Papers in unbelievable profusion heaped the floors and desks. The rumble in the basement ceased. In a few moments it began again. It was running off the final edition.

James Hale, star reporter on the New York Eagle, who had a few minutes ago been the personification of dynamic activity, was now trying to get a rise out of Marie LaBelle, editor of the Heart Balm column.

Marie was sitting slumped in the chair in front of the typewriter, trying to ignore his jibes. At the side of Marie's desk were the literary effusions from love sick males and females that were the daily grist of "her" department.

Marie glowered at Jimmy, perspiring profusely over Jimmy's witticisms. On the night before, there had been a crap game in which Pop Fosdick, head of the Eagle morgue, had participated. Pop had been a cub when Greeley, Bennett and Dana had been names to conjure with in the newspaper field. Pop still lived in his youth. He had an encyclopedic memory for names, places and dates, which made him so valuable in the morgue.

When a reporter was too lazy to look up some needed information himself, he would ask Pop. Pop would glower, growl, swear—and to hear him was a treat—and get the necessary data. On the night before, in the crap game, Pop had cleaned up the entire gang and broken up the game.

Marie LaBelle was cursing fluently the luck that on that occasion had seemed to run all in one direction—with Pop Fosdick. Marie hitched up the left half of his suspenders and began his old plaint:

"Think of that old geezer, old enough to—"

"Oh, I don't know," broke in one of the listeners. "It doesn't take much to see sevens—, and elevens. Even Pop—"

"I don't mean that," lied Marie. "I wasn't thinking of his luck last night. I was thinking of the remarkable manner in which a man of his age conducts that morgue. It isn't just memory either. He seems to have an uncanny intelligence about—"

"A man of his age," scoffed Jimmy. "He isn't the only one. I know one man who is, I believe, older than Pop—"

"We all know who that is, of course," jeered Roy Heath, the rewrite man, with his soft southern drawl. "Jimmy is now going to effuse about Professor Herman Brierly. Now, down South, in God's own country there are really remarkable old men. I grant that Professor Brierly is quite a chap for a Yankee; one would think he was a Southerner, but must we listen to—"

Pat Collins, a newcomer to the staff of the Eagle, interrupted.

"Shut up, Roy. I've heard a lot about this Brierly, but I know very little about him. Does Jimmy know him personally?"

"Know him?" drawled Heath. "Pat, to hear Jimmy talk, you'd think he created Brierly. Go on Jimmy, you got an audience."

Jimmy bristled. Roy had touched a sensitive spot, but he saw that this was just the superficial cynicism of the newspaperman. He saw the respectful interest that even these hardened reporters could not disguise. They shared his genuine admiration for the remarkable old scientist.

"Come on, Jimmy," urged Pat. "Tell me."

"You yellow journalists, with your minds running on lurid headlines, can hardly appreciate a man of his kind. Professor Herman Brierly is one of the four foremost scientists in the world today. He shuns publicity, really shuns it, and it is only because of his participation in several remarkable criminal cases that he has become generally known.

"He's nearly eighty years old. He doesn't wear glasses and I believe he still has all his teeth. He is little more than five feel tall, but built like a miniature Apollo; bushy white hair; deeply sunken blue eyes that seem to dissect one with sharp knives, and bushy black eyebrows.

"He has a passion for pure thought and has the finest analytical faculty of any man I know. He can truly be said to 'specialize' in a great many subjects. To him the distance from cause to effect or from effect to cause is a short and a simple one. He has not a superior in physics, chemistry, anatomy, physiology and the sciences generally. He is as familiar with the microscope as the ordinary man is with a pencil.

"It was some years ago that I got him interested in criminology. To his mind each crime is merely a scientific problem which he goes about solving as if it were any other scientific problem. It is only recently that he has begun to take an active interest in the human phases of criminology.

"He hates newspapers, newspapermen and loose thinking. He connects the last, loose thinking, with newspapers and reporters. I got in with him because his chief assistant and adopted son, John Matthews, was a classmate of mine in the university. John, if he lives long enough, will be as great a scientist as his chief. John, or Jack

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