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قراءة كتاب How I Filmed the War A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.

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How I Filmed the War
A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.

How I Filmed the War A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.

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دار النشر: Project Gutenberg
الصفحة رقم: 5
The Roll Call of the Seaforths at "White City," Beaumont Hamel, July 1st, 1916 168 Fagged Out in the "White City" After We Retired To Our Trenches, July 1st, 1916 168 The Germans make a Big Counter Attack at La Boisselle and Ovillers, July 3rd and 4th, 1916 176 Men of Scotland Rushing a Mine Crater at the Deadly "Hohenzollern Redoubt" 176 Filming the King during his Visit to France in 1916. He is Accompanied by President Poincaré, Sir Douglas Haig, General Joffre and General Foch 184 His Majesty the King, with President Poincaré, in France, 1916 206 Her Majesty, the Queen of the Belgians, taking a Snap Of me at Work while Filming the King 218 The Prince of Wales Speaking with Belgian Officers at La Panne, Belgium 218 The First "Tank" that went into Action, H.M.L.S. "Daphne." September 15th, 1916 222 The Battlefield of "Ginchy" 224 Reserves Watching the Attack at Martinpuich, September 15th, 1916 224 Over the Top at Martinpuich, Sept. 15th, 1916 228 Two Minutes to Zero Hour at Martinpuich, Sept. 15th, 1916 228 The Highland Brigade Going Over the Top at Martinpuich, September 15th, 1916 234 Lord Kitchener's Last Visit To France 256 Filming Our Guns in Action during the Great German Retreat to St. Quentin, March, 1917 268 The Quarry from which I Crawled to Film the German Trenches in Front of St. Quentin, 1917 290 Our Outpost Line within 800 Yards of St. Quentin 302

PART I


HOW I FILMED THE WAR

CHAPTER I

a few words of introduction

Fate has not been unkind to me. I have had my chances, particularly during the last two or three years, and—well, I have done my best to make the most of what has come my way. That and nothing more.

How I came to be entrusted with the important commission of acting as Official War Office Kinematographer is an interesting story, and the first few chapters of this book recount the sequence of events that led up to my being given the appointment.

Let me begin by saying that I am not a writer, I am just a "movie man," as they called me out there. My mind is stored full to overflowing with the impressions of all I have seen and heard; recollections of adventures crowd upon me thick and fast. Thoughts flash through my mind, and almost tumble over one another as I strive to record them. Yet at times, when I take pen in hand to write them down, they seem to elude me for the moment, and make the task more difficult than I had anticipated.

In the following chapters I have merely aimed at setting down, in simple language, a record of my impressions, so far as I can recall them, of what I have seen of many and varied phases of the Great Drama which has now been played to a finish on the other side of the English Channel. Most of those recollections were penned at odd moments, soon after the events chronicled, when they were still fresh in mind, often within range of the guns.

It was my good fortune for two years to be one of the Official War Office Kinematographers. I was privileged to move about on the Western Front with considerable freedom. My actions were largely untrammelled; I had my instructions to carry out; my superiors to satisfy; my work to do; and I endeavoured to do all that has been required of me to the best of my ability, never thinking of the cost, or consequences, to myself of an adventure so long as I secured a pictorial record of the deeds of our heroic Army in France. I have striven to make my pictures worthy of being preserved as a permanent memorial of the greatest Drama in history.

That is the keynote of this record. As an Official Kinematographer I have striven to be, and I have tried all the time to realise that I was the eyes of the

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