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قراءة كتاب Vigée Le Brun

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Vigée Le Brun

Vigée Le Brun

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دار النشر: Project Gutenberg
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MASTERPIECES
IN COLOUR
EDITED BY —
T. LEMAN HARE



VIGÉE LE BRUN
1755-1842





PLATE I.—MARIE ANTOINETTE. Frontispiece

(At Versailles)

The first portrait that Vigée Le Brun painted, in her twenty-fourth year (1779) of Marie Antoinette. Here is no hint of the tragedy that was to overwhelm the handsome young daughter of Austria; all was as yet but gaiety and roses and sunshine and pleasant airs, and the glamour that hovers about a throne. But there are signs of the imperious temper of her house, combined with the levity and frivolity of manners which were so early to make her unpopular.

Plate I.






Vigée Le Brun


BY HALDANE MACFALL



ILLUSTRATED WITH EIGHT
REPRODUCTIONS IN COLOUR



Title page art



LONDON: T. C. & E. C. JACK
NEW YORK: FREDERICK A. STOKES CO.
1907




CONTENTS

I.   The Beginnings
II.   The Wonderful Child
III.   Marriage and Motherhood
IV.   Marie Antoinette
V.   Sweet Exile
VI.   The End




LIST OF ILLUSTRATIONS

Plate    
I.   Marie Antoinette
     At Versailles
Frontispiece
II.   Madame Vigée Le Brun and Child
     In the Louvre
 
III.   Madame Vigée Le Brun and Child
     In the Louvre
 
IV.   Portrait of Madame Vigée Le Brun
     In the National Gallery, London
 
V.   The two elder Children of Marie Antoinette
     At Versailles
 
VI.   Portrait of Madame Molé-Raymond
     In the Louvre
 
VII.   Marie Antoinette and her Children
     At Versailles
 
VIII.   Peace bringing back Plenty
     In the Louvre
 




Vigée Le Brun

I

THE BEGINNINGS

In Paris, in the Rue Coquillière, Louis the Fifteenth being King of France—or rather the Pompadour holding sway thereover—there lived a witty, amiable fellow who plied the art of painting portraits in oils and pastels after the mediocre fashion that is called "pleasing." This Louis Vigée and his wife, Jeanne Maissin, moved in the genial enthusiastic circle of the lesser artists, passing through their sober day without undue excitement; for fame and wealth and the prizes of life were not for them. Boucher was lord of art; and La Tour and Greuze and Chardin were at the height of their genius; but honest Louis Vigée could but plod on at his pleasing portraits, and sigh that the gods had not borne to him the immortal flame.

Yet he was to come near to the glory of it—nearer than he thought. 'Twas a pity that he was robbed of the splendour of basking in the reflected radiance, and by a fish's bone.

It was to have its beginning in that year after the indolent but obstinate king, having fallen foul of his Parliaments in his game of facing-both-ways in the bitter strife 'twixt Church and people, patched up a peace with the Parliament men.


PLATE II.—MADAME VIGÉE LE BRUN AND CHILD

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