class="smcap">The Syon Cope. South Kensington Museum.

68 329   Italian Embroideries designed by Pollaiolo; worked by Paolo da Verona. Sixteenth century. 69 330   Spanish Altar Frontal. The Arms of Castile embroidered in gold with pearls. Ashridge. Plâteresque style, seventeenth century. 70 337 113 Consular Ivories. Two diptychs. 1. Zurich, Wasser-Kirche. Inscribed to Consul Areobindus, A.D. 434. 2. At Halberstadt. No date. From Bock’s “Lit. Gew.” 71 363   Aelfled’s Orphrey, signed by her. Durham Cathedral Library. 72 363   St. Gregory and St. John (Prophet), from Aelfled’s orphrey. Durham. English work, tenth century. 73 365   St. Dunstan in adoration, drawn by himself. Bodleian Library, Oxford. Tenth century. 74 369   Small Parsemé Patterns from Strutt’s “Royal and Ecclesiastical Antiquities of the English from 1100 to 1530.” 75 369   English Patterns of embroidery. 1. Panel of a screen in Hornby Church, Yorkshire. 2. Dress on a painted window in St. Michael’s Church, York. 3. Woven material of the Towneley Copes. 76 375   Opus Anglicanum, twelfth century. British Museum. 77 376   Typical English Ornaments for ecclesiastical embroideries, twelfth century. 78 377   Dunstable Pall. Temp. Henry VII. 79 378   Vintners’ Company Pall. Henry VII. 80 378   Henry VII.’s Cope, from Stoneyhurst; designed by Torrigiano, the sculptor of his tomb. 81 382   Spanish Work. Temp. Henry VIII. 82 383   English “Spanish Work.” Temp. Henry VIII. 83 389   Cushion Cover, Hatfield House. Temp. Elizabeth. 84 390   Oriental “Tree and Beast” Pattern. Cockayne-Hatley. Temp. James I. 85 391   English Crewel Work. Indian design. Temp. James I.

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