قراءة كتاب The Gorgeous Isle: A Romance; Scene-- Nevis, B.W.I. 1842

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‏اللغة: English
The Gorgeous Isle: A Romance; Scene-- Nevis, B.W.I. 1842

The Gorgeous Isle: A Romance; Scene-- Nevis, B.W.I. 1842

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دار النشر: Project Gutenberg
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ILLUSTRATIONS

“‘But what a joy to see you in colour.
How does it happen?’”
  FRONTISPIECE
“At this point she became aware that
Warner was standing beside her”
  74
“‘I never wish to see you again’”   174
“Then she left the room again”   216

NOTES

Bath House. This hotel was erected in 1804 at a cost of £40,000, although built entirely by slaves. Its varied and brilliant career came to an end some time in the forties. The tide of fashion turned, and as it was too large for a private residence, it was left to the elements. Earthquakes have riven it, hurricanes unroofed it, and time devoured it, but it is still magnificent in its ruin.

Atlantis. Bacon, in “The New Atlantis,” assumes America to be the fabled continent of Atlantis, which, according to his theory, was not submerged, but flooded to such an extent that all the inhabitants perished except the few that fled to the highest mountain tops. I have, however, preferred to adopt the Platonic theory, as at once more plausible and interesting.

Queen Elizabeth’s Ring. West Indian tradition gives this historic ring to the Warner family, as related in the story. It descended in the direct line to Colonel Edward Warner, who bequeathed it by will to his brother, Ashton Warner, as “a diamond ring in shape of a heart, given by Queen Elizabeth to the Earl of Essex.” This will, dated 27th of December, 1732, was proved in the Probate Court of Canterbury, England, on the 21st of February following. From Ashton Warner it descended to his son Joseph, and at the date of the story was in the possession of Charles Warner, Esq., Solicitor-General of Trinidad, B. W. I.


The Gorgeous Isle

CHAPTER I

Bath House, the most ambitious structure ever erected in the West Indies, and perhaps the most beautiful hotel the world has ever seen, was the popular winter refuge of English people of fashion in the earlier half of the nineteenth century. This immense irregular pile of masonry stood on a terraced eminence rising from the flat border of Nevis, a volcano whose fires had migrated to less fortunate isles and covered with some fifty square miles of soil that yielded every luxury of the Antilles. There was game in the jungles, fish in the sea, did the men desire sport; there were groves of palm and cocoanut for picnics, a town like a bazaar, a drive of twenty-four miles round the base of the ever-beautiful ever-changing mountain; and a sloop always ready to convey the guests to St. Kitts, Montserrat, or Antigua, where they were sure of entertainment from the hospitable planters. There were sea baths and sulphur baths; above all, the air was light and stimulating on the hottest days, for the trade winds rarely deserted Nevis and St. Kitts, no matter what the fate of the rest of that blooming archipelago.

Bath House was surrounded by wide gardens of tropical trees, ferns, and flowers of gay and delicate hues. Its several terraces flamed with colour, as well as its numerous little balconies and galleries, and the flat surfaces of the roof: the whole effect being that of an Eastern palace with hanging gardens, a vast pleasure house, designed for some extravagant and voluptuous potentate. Anything less like an hotel had never been erected; and the interior, with its lofty pillared rooms, its costly mahogany furniture, its panels and hangings of rich brocades, the thick rugs on the polished floors, if more European than Oriental, equally resembled a palace; an effect in no wise diminished by the brilliant plumage of the guests. If the climate compelled them to forswear velvet and satin, their “muslins were from Bengal and their silks from Benares”; and as the daughters of the planters emulated these birds of fashion in all things, Nevis in winter would have been independent of its gorgeous birds and flowers: the bonnets were miracles of posies and plumes, and the crinoline set off the costly materials, the flounces and fringes, the streamers and rosettes, the frills of lace old and new. And as the English Creoles with their skin like porcelain, and their small dainty figures, imitated their more rosy and well-grown sisters of the North, the handsome strapping coloured wenches copied their island betters in materials which if flimsy were no less bright; so it is no matter for wonder that the young bloods came from London to admire and loiter and flirt in an enchanted clime that seemed made for naught else, that the sons of the planters sent to London for their own finery, and the young coloured bucks strutted about like peacocks on such days as they were not grinding cane or serving the reckless guests of Bath House in the shops of Charlestown.

That was the heyday of Nevis, a time of luxury and splendour and gaiety unknown on even the most fertile of the other islands, for none other was ever bold enough to venture such an hotel; and if the bold adventurer came to grief, as was inevitable, still all honour to him for his spirit, and the brief glory he gave to the loveliest island of the Caribbees.


CHAPTER II

When Anne Percy smiled her mouth looked ripe and eager for pleasure, her eyes sparkled with youth and gaiety, but when shy or thoughtful or impatient her mouth was too large and closely set, her low thick brows made her eyes look sullen and opaque, their blue too dark even for beauty. It was a day when “pencilled” eyebrows inspired the sonnet, when mouths were rosebuds, or should be for fashion’s sake, when forms were slight and languid, and a freckle was a blemish on the pink and white complexions of England’s high-born maidens. Anne was tanned by the winds of moor and sea, she had a superb majestic figure, and strode when she took her exercise in a thoroughly unladylike manner. She had not an attribute, not even an affectation, in common with the beauties of Bath House; and the reigning novelists of the day, Disraeli, Bulwer, Dickens, Lady Blessington, Mrs. Norton, would never have modelled a heroine of romance on her. There were plenty of fine women in England even then, but they were not in fashion, and when fate took them to court they soon learned to reduce their proportions, mince their gait, and bleach their complexions.

But Anne had not yet been to court and had arrived that day

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