قراءة كتاب Eyeshine

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‏اللغة: English
Eyeshine

Eyeshine

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دار النشر: Project Gutenberg
الصفحة رقم: 5

brook
back of
fields redden and
given to wheat.

A house is a machine
processing the water of living
a replenished cistern,
birds paying a call, a minor animal
brushing past
an ivy-railed fence.

[32]


PRIMAVERA

A poem is perishable and,
like it,
so much of life is spent
in intervals -
the jarring second
regaining consciousness,
a post-mortem flick
of the lank equestrian eyelid
that signals morning's first crepuscular move.

... a little salad consciousness
about the tumescent room
with the sentient purr of a cat;
her musky oils
a green verdure
lapping primordial scent
to engross a little readiness
as the day progresses
to its Oedipal stage
and arrested development.

[33]

THE ENCOUNTER

Today surprised me
like a red fox blurting
out of an October thicket -
empty, dry, the burst of its
energy camouflaged much as
that fox, solemn and cold,
biding his time
till he thought I
        passed.

[34]

MAGPIE TONGUES

Trillium breath, an ounce
of feathered growth unravels
in the cloves of the silent forest.
The rain is heavy with the stamp
of perfumed trees realizing
slight restraint on bursting seed.

Cloaked in fragrance, tufts
of mossy step kiss the opening earth,
a basement horizon presumes
the darling test of flower
across dale & rustling nook,
then undresses moist greenery
with sumptuous eye.

The last is hardest -
cat crimson, a fire weed sunset lotion,
the rain erased away;
nobody special harangues the leaves
but birds steal in quietly with
tenderness clothed of verdure
to pinch a leafy oasis about
their forest haunt.

[35]

PLUMS & VINE

Plums and vine (as the Atlantic is green)
intone the heavy church wall
with errant sprigs, so Heaven sent
they are big with earthly passion
racing for the sky.

Madonna Poverta in her midst
with the pulpit clutching Light -
so gnarled, like bush, that each crevice
reeks with stone
all stooped under such worldly avarice.

[36]

PERHAPS

Perhaps the sky once was shadows,
the moon lisped 'mongst April's song.
Now, those warm lips ease
departing sorrow
like pressed flowers
emptied from hallowed ground.

[37]

APPROACHING THIRTY (Lauds and Matins)

Laconic tears or Botticelli's Venus
holding the years
like tresses
in a wistful pose.

Tenebrous youth accosted
by callow Time
bleeds the heart
with spring aloes.
No comfortable shibboleths
to restrain the wriggling polyps
in the skin or nestling hair.

Gerundive in movement,
each particled whimper
of the clock surrounds
a cloistered second
poised about the bearded target.
As far as you know, nothing unusual.

A total of eight hundred months
but grammar school sums,
spiel & mileage
to drift across a lifetime.
At thirty, the best half of the potage
is gruel hand drawn from
the sabulous pot.

[38]

PASSAGEWAYS

Greet the days -
        greet the moon,
                gather the stars...

Man is not at one with himself -
collars the infidel ways of his
race under pressure domes of widening silence.

I scan the horizon barely cognizant
of the metallic bits that pierce
the night's crown - no
jewelled orb stabs this queen's spectre.
I am running and lost. . . ever slow
to breech this reasoning.

Honeysuckle mist with armfuls
of orange lilies with scent stronger
than the carriage needed in their gathering.

Place the constellations upon their heads,
the colour so transcends.

And then there are the bludgeoned
stars fallen into the eyes of
my farmhouse scene.
The sphinx moth that darns the night
with her acrobatics escapes the wreath
of troubled moon that places about
her proboscised head.
Let her stone the night in peace,
feel palpitations on her ocean breast.

The darting of stone cracks in fissures
along the causeway to the stonehouse
is certain and sure.
A definite mood projects
the starling tunnels,
forlorn now with limpid darkness,
crushed lavender from the pews
of thoughtful night.

There are armfuls of crushed bats
in the passageway to my heart,
each reeking with squeals
to alarm the most frightened princess.
Only one has stained the pass key
and I must find her.

A toad abides the thoughtful recess
broken under the wall.
He is a good toad and mourns
the night creaking from the river bed.
A monster dragon to the insects
making a living near the light -
a source of amused contempt to lepidoptrists
squeezing the eye's circle,
pressing her to release her giddy charms.

At morning, skeletal remains
shall stain the blighted chain (mood collector, toad, moth)
but, for now, only the night buzzes with alarm,
cracking her secrets with each tiny monster
hurled at light's intrusion into dark.

Perchance I shall narrow
down the divide, position alarms,
remind myself I am inured to the
mood & scent that mans this cosmic bandwagon.
I hold up flowers to remind me
light escapes through jelly
and that rare LUMINESCENCE exists only
in lost bat chambers
buried deep near the recesses
of the snake.

The cry of havoc,
all those armfuls of collapsed lilies
breaking under the toil of enforced handshakes
leaves me like a broken lamp.
I have no more shades to patch
the plinths or barricade my heart.
I have left my love on bended knee
in a land I choose to forget.

[39]

KINDLING

As a matter of fact,
ovens do carry a glazed stare,
fireplaces are wont to parry
thoughts to kindling
before their stoop and
on breathless summer nights
one is hard

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