قراءة كتاب Birds, Illustrated by Color Photography, Vol. 2, No. 3 September 1897

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‏اللغة: English
Birds, Illustrated by Color Photography, Vol. 2, No. 3
September 1897

Birds, Illustrated by Color Photography, Vol. 2, No. 3 September 1897

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دار النشر: Project Gutenberg
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little box for me, I occupy it. My song is quite varied, but you will always recognize me by my call note, Chek! Chek! Chek! Some people say they hear me repeat “Maids, maids, maids, hang on your teakettle,” but I think this is only fancy, for I can sing a real song, admired, I am sure, by all who love

Song Sparrow.


THE CUCKOO.

O

UR first introduction to the Cuckoo was by means of the apparition which issued hourly from a little German clock, such as are frequently found in country inns. This particular clock had but one dial hand, and the exact time of day could not be determined by it until the appearance of the Cuckoo, who, in a squeaking voice, seemed to announce that it was just one hour later or earlier, as the case might be, than at his last appearance. We were puzzled, and remember fancying that a sun dial, in clear weather, would be far more satisfactory as a time piece. “Coo-coo,” the image repeated, and then retired until the hour hand should summon him once more.

To very few people, not students of birds, is the Cuckoo really known. Its evanescent voice is often recognized, but being a solitary wanderer even ornithologists have yet to learn much of its life history. In their habits the American and European Cuckoos are so similar that whatever of poetry and sentiment has been written of them is applicable alike to either. A delightful account of the species may be found in Dixon’s Bird Life, a book of refreshing and original observation.

“The Cuckoo is found in the verdant woods, in the coppice, and even on the lonely moors. He flits from one stunted tree to another and utters his notes in company with the wild song of the Ring Ousel and the harsh calls of the Grouse and Plover. Though his notes are monotonous, still no one gives them this appellation. No! this little wanderer is held too dear by us all as the harbinger of spring for aught but praise to be bestowed on his mellow notes, which, though full and soft, are powerful, and may on a calm morning, before the everyday hum of human toil begins, be heard a mile away, over wood, field, and lake. Toward the summer solstice his notes are on the wane, and when he gives them forth we often hear him utter them as if laboring under great difficulty, and resembling the syllables, “Coo-coo-coo-coo”.”

On one occasion Dixon says he heard a Cuckoo calling in treble notes, Cuck oo-oo, cuck-oo-oo, inexpressibly soft and beautiful, notably the latter one. He at first supposed an echo was the cause of these strange notes, the bird being then half a mile away, but he satisfied himself that this was not the case, as the bird came and alighted on a noble oak a few yards from him and repeated the notes. The Cuckoo utters his notes as he flies, but only, as a rule, when a few yards from the place on which he intends alighting.

The opinion is held by some observers that Nature has not intended the Cuckoo to build a nest, but influences it to lay its eggs in the nests of other birds, and intrust its young to the care of those species best adapted to bring them to maturity. But the American species does build a nest, and rears its young, though Audubon gives it a bad character, saying: “It robs smaller birds of their eggs.” It does not deserve the censure it has received, however, and it is useful in many ways. Its hatred of the worm is intense, destroying many more than it can eat. So thoroughly does it do its work, that orchards, which three years ago, were almost leafless, the trunks even being covered by slippery webbing, are again yielding a good crop.

In September and October the Cuckoo is silent and suddenly disappears. “He seldom sees the lovely tints of autumn, and never hears the wintry storm-winds’ voice, for, impelled by a resistless impulse, he wings his way afar over mountain, stream, and sea, to a land where northern blasts are not felt, and where a summer sun is shining in a cloudless sky.”

imageyellow-billed cuckoo.
From col. O. E. Pagin. Copyrighted by
Nature Study Pub. Co., 1897, Chicago.

 


THE RUBY-THROATED HUMMING BIRD.

Is it a gem, half bird,
Or is it a bird, half gem?
—Edgar Fawcett.

O

F all animated beings this is the most elegant in form and the most brilliant in colors, says the great naturalist Buffon. The stones and metals polished by our arts are not comparable to this jewel of Nature. She has it least in size of the order of birds, maxime miranda in minimis. Her masterpiece is the Humming bird, and upon it she has heaped all the gifts which the other birds may only share. Lightness, rapidity, nimbleness, grace, and rich apparel all belong to this little favorite. The emerald, the ruby, and the topaz gleam upon its dress. It never soils them with the dust of earth, and its aerial life scarcely touches the turf an instant. Always in the air, flying from flower to flower, it has their freshness as well as their brightness. It lives upon their nectar, and dwells only in the climates where they perennially bloom.

All kinds of Humming birds are found in the hottest countries of the New World. They are quite numerous and seem to be confined between the two tropics, for those which penetrate the temperate zones in summer stay there only a short time. They seem to follow the sun in its advance and retreat; and to fly on the zephyr wing after an eternal spring.

The smaller species of the Humming birds are less in size than the great fly wasp, and more slender than the drone. Their beak is a fine needle and their tongue a slender thread. Their little black eyes are like two shining points, and the feathers of their wings so delicate that they seem transparent. Their short feet, which they use very little, are so tiny one can scarcely see them. They rarely alight during the day. They have a swift continual humming flight. The movement of their wings is so rapid that when pausing in the air, the bird seems quite motionless. One sees him stop before a blossom, then dart like a flash to another, visiting all, plunging his tongue into their hearts, flattening them with his wings, never settling anywhere, but neglecting none. He hastens his inconstancies only to pursue his loves more eagerly and to multiply his innocent joys. For this light lover of flowers lives at their expense without ever blighting them. He only pumps their honey, and for this alone his tongue seems designed.

The vivacity of these small birds is only equaled by their courage, or rather their audacity. Sometimes they may be seen furiously chasing birds twenty times their size, fastening upon their bodies, letting themselves be carried along in their flight, while they peck fiercely until their tiny rage is satisfied. Sometimes they fight each other vigorously. Impatience seems their very essence. If they approach a blossom and find it faded, they mark their spite by a hasty rending of the petals. Their only voice is a weak cry of Screp, screp, frequent and repeated, which they utter in the woods from

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