pointed the figure straight at Macpherson's door, and set it going. Then the two conspirators waited, like Guy Fawkes in his cellar.

The automaton marched across the road and in at the open door, talking to itself loudly in a hoarse, unnatural voice.

Macpherson was writing at his table, and looked up.

The figure walked bang through a small collection of flower-pots, sent a chair flying, tramped heavily in the spittoon, and then brought up against the table with a loud crash and stood still. It was talking all the time.

"I have here," it said, "a most valuable work, an Atlas of Australia, which I desire to submit to your notice. The large and increasing demand of bush residents for time-payment works has induced the publishers of this——"

"My God!" said Macpherson, "it's a canvasser. Here, Tom Sayers, Tom Sayers!" and he whistled and called for his dog. "Now," he said, "will you go out of this office quietly, or will you be thrown out? It's for yourself to decide, but you've only got while a duck wags his tail to decide in. Which'll it be?"

"—— works of modern ages," said the canvasser. "Every person subscribing to this invaluable work will receive, in addition, a flat-iron, a railway pass for a year, and a pocket-compass. If you will please sign this order——"

Just here Tom Sayers came tearing through the office, and without waiting for orders hitched straight on to the canvasser's calf. To Macpherson's amazement the piece came clear away, and Tom Sayers rolled about on the floor with his mouth full of a sticky substance which seemed to surprise him badly.

The long Scotchman paused awhile before this mystery, but at last he fancied he had got the solution. "Got a cork leg, have you?" said he—"Well, let's see if your ribs are cork too," and he struck the canvasser an awful blow on the fifth button of the waistcoat.

Quicker than lightning came that terrific right-hand cross-counter. Macpherson never even knew what happened to him. The canvasser's right hand, which had been adjusted by his inventor for a high blow, had landed on the butt of Macpherson's ear and dropped him like a fowl. The gasping, terrified bull-dog fled the scene, and the canvasser stood over his fallen foe, still intoning the virtues of his publication. He had come there merely as a friend, he said, to give the inhabitants of Ninemile a chance to buy a book which had recently earned the approval of King O'Malley and His Excellency the Governor-General.

The Genius and his mate watched this extraordinary drama through the window. The stimulant habitually consumed by the Ninemilers had induced in them a state of superlative Dutch courage, and they looked upon the whole affair as a wildly hilarious joke.

"By Gad! he's done him," said the Genius, as Macpherson went down, "done him in one hit. If he don't pay as a canvasser I'll take him to town and back him to fight Les Darcy. Look out for yourself; don't you handle him!" he continued as the other approached the figure. "Leave him to me. As like as not, if you get fooling about him, he'll give you a clout that'll paralyse you."

So saying, he guided the automaton out of the office and into the street, and walked straight into a policeman.

By a common impulse the Genius and his mate ran rapidly away in different directions, leaving the figure alone with the officer.

He was a fully-ordained sergeant—by name Aloysius O'Grady; a squat, rosy little Irishman. He hated violent arrests and all that sort of thing, and had a faculty of persuading drunks and disorderlies and other fractious persons to "go quietly along wid him," that was little short of marvellous. Excited revellers, who were being carried by their mates, struggling violently, would break away to prance gaily along to the lock-up with the sergeant. Obstinate drunks who had done nothing but lie on the ground and kick their feet in the air, would get up like birds, serpent-charmed, to go with him to durance vile.

As soon as he saw the canvasser, and noted his fixed, unearthly stare, and listened to his hoarse, unnatural voice, the sergeant knew what was the matter; it was a man in the horrors, a common enough spectacle at Ninemile. He resolved to decoy him into the lock-up, and accosted him in a friendly, free-and-easy way.

"Good day t'ye," he said.

"—— most magnificent volume ever published, jewelled in fourteen holes, working on a ruby roller, and in a glass case," said the book-canvasser. "The likenesses of the historical personages are so natural that the book must not be left open on the table, or the mosquitoes will ruin it by stinging the portraits."

It then dawned on the sergeant that this was no mere case of the horrors—he was dealing with a book-canvasser.

"Ah, sure," he said, "fwhat's the use uv tryin' to sell books at all, at all; folks does be peltin' them out into the street, and the nanny-goats lives on them these times. Oi send the childer out to pick 'em up, and we have 'em at me place in barrow-loads. Come along wid me now, and Oi'll make you nice and comfortable for the night," and he laid his hand on the outstretched palm of the figure.

It was a fatal mistake. He had set in motion the machinery which operated the figure's left arm, and it moved that limb in towards its body, and hugged the sergeant to its breast, with a vice-like grip. Then it started in a faltering and uneven, but dogged, way to walk towards the river.

"Immortial Saints!" gasped the sergeant, "he's squazin' the livin' breath out uv me. Lave go now loike a dacent sowl, lave go. And oh, for the love uv God, don't be shpakin' into me ear that way;" for the figure's mouth was pressed tight against the sergeant's ear, and its awful voice went through and through the little man's head, as it held forth about the volume. The sergeant struggled violently, and by so doing set some more springs in motion, and the figure's right arm made terrific swipes in the air. A following of boys and loafers had collected by this time. "Blimey, how does he lash out!" was the remark they made. But they didn't interfere, notwithstanding the sergeant's frantic appeals, and things were going hard with him when his subordinate, Constable Dooley, appeared on the scene.

Dooley, better known as The Wombat because of his sleepy disposition, was a man of great strength. He had originally been quartered at Sydney, and had fought many bitter battles with the notorious "pushes" of Bondi, Surry Hills and The Rocks. After that, duty at Ninemile was child's play, and he never ran in fewer than two drunks at a time; it was beneath his dignity to be seen capturing a solitary inebriate. If they wouldn't come any other way, he would take them by the ankles and drag them after him. When the Wombat saw the sergeant in the grasp of an inebriate he bore down on the fray full of fight.

"I'll soon make him lave go, sergeant," he said, and he caught hold of the figure's right arm, to put on the "police twist". Unfortunately, at that exact moment the sergeant touched one of the springs in the creature's breast. With the suddenness and severity of a horse-kick, it lashed out with its right hand, catching the redoubtable Dooley a thud on the jaw, and sending him to grass as if he had been shot.

For a few minutes he "lay as only dead men lie". Then he got up bit by bit, wandered off home to the police-barracks, and mentioned casually to his wife that John L. Sullivan had come to town, and had taken the sergeant away to drown him. After which, having given orders that anybody who called was to be told that he had gone fifteen miles out of town to serve a summons on a man for not registering a dog, he locked himself up in a cell for the rest of the day.

Meanwhile, the Cast-iron Canvasser, still holding the sergeant tightly clutched to its breast, was marching straight towards the river. Something had disorganised its vocal arrangements, and it was now positively shrieking in the sergeant's ear, and, as it yelled, the little man yelled still