fainter and fainter, and at last nearly died out; and he resigned himself to his fate as a slave for life.

But one day a handsome middle-aged gentleman, in the dress of one of his own countrymen, attended by a great officer of the Dey, entered the ship-yard, and called up before him the American captives. The stranger was none other than Joel Barlow, Commissioner of the United States to procure the liberation of slaves belonging to that government. He took the men by the hand as they came up, and told them they were free. As you might expect, the poor fellows were very grateful; some laughed, some wept for joy, some shouted and sang, and threw up their caps, while others, with David Matson among them, knelt down on the chips, and thanked God for the great deliverance.

“This is a very affecting scene,” said the Commissioner, wiping his eyes. “I must keep the impression of it for my Columbiad”;—and drawing out his tablet, he proceeded to write on the spot an apostrophe to Freedom, which afterwards found a place in his great epic.

David Matson had saved a little money during his captivity, by odd jobs and work on holidays. He got a passage to Malaga, where he bought a nice shawl for his wife and a watch for each of his boys. He then went to the quay, where an American ship was lying just ready to sail for Boston.

Almost the first man he saw on board was Pelatiah Curtis, who had rowed him down to the port seven years before. He found that his old neighbor did not know him, so changed was he with his long beard and Moorish dress, whereupon, without telling his name, he began to put questions about his old home, and finally asked him if he knew a Mrs. Matson.

“I rather think I do,” said Pelatiah; “she's my wife.”

“Your wife!” cried the other. “She is mine before God and man. I am David Matson, and she is the mother of my children.”

“And mine too!” said Pelatiah. “I left her with a baby in her arms. If you are David Matson, your right to her is outlawed; at any rate she is mine, and I am not the man to give her up.”

“God is great!” said poor David Matson, unconsciously repeating the familiar words of Moslem submission. “His will be done. I loved her, but I shall never see her again. Give these, with my blessing, to the good woman and the boys,” and he handed over, with a sigh, the little bundle containing the gifts for his wife and children.

He shook hands with his rival. “Pelatiah,” he said, looking back as he left the ship, “be kind to Anna and my boys.”

“Ay, ay, sir!” responded the sailor in a careless tone. He watched the poor man passing slowly up the narrow street until out of sight. “It's a hard case for old David,” he said, helping himself to a fresh cud of tobacco, “but I'm glad I've seen the last of him.”

When Pelatiah Curtis reached home he told Anna the story of her husband and laid his gifts in her lap. She did not shriek nor faint, for she was a healthy woman with strong nerves; but she stole away by herself and wept bitterly. She lived many years after, but could never be persuaded to wear the pretty shawl which the husband of her youth had sent as his farewell gift. There is, however, a tradition that, in accordance with her dying wish, it was wrapped about her poor old shoulders in the coffin, and buried with her.

The little old bull's-eye watch, which is still in the possession of one of her grandchildren, is now all that remains to tell of David Matson,—the lost man.

John G. Whittier.

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THE SANDPIPER.

THE PORTRAIT.

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THEY were a family that had long outlived their grandeur,—the Fotheringtons. And though the last generation had been kept alive with traditions of it, the present one knew those traditions only as vague dreams that might or might not be true, and which, either way, had nothing at all to do with their absolute want of bread and butter, other than as having fostered past pride they had hindered honest labor. Of all those great colonial possessions, nothing remained to them but the rambling old house and its well-worn hereditaments; and though various parts even of the old mansion itself had been sold and moved away, still much more room remained than was needed by the mother and her five children,—the mother, whose woful condition had brought her to an utter contempt of the ancestral Fotheringtons, the children, who yet preserved a certain happiness in the midst of their poverty in remembering that at their great-grandfather's wedding a hundred guests were entertained for a week in the house after princely fashion. Not that the Fotheringtons of to-day did not present a decent appearance;—gowns were turned, and ribbons were