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قراءة كتاب The Atlantic Monthly, Volume 15, No. 91, May, 1865 A Magazine of Literature, Art, and Politics
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The Atlantic Monthly, Volume 15, No. 91, May, 1865 A Magazine of Literature, Art, and Politics
THE
ATLANTIC MONTHLY.
A Magazine of Literature, Art, and Politics.
VOL. XV.—MAY, 1865.—NO. XCI.
Entered according to Act of Congress, in the year 1865, by Ticknor and Fields, in the Clerk's Office of the District Court of the District of Massachusetts.
Transcriber's Note: Minor typos have been corrected and footnotes moved to the end of the article. Table of contents has been created for the HTML version.
Contents
WITH THE BIRDS.
GOLD EGG.—A DREAM-FANTASY.
OUT OF THE SEA.
MY STUDENT LIFE AT HOFWYL.
THE GRAVE BY THE LAKE.
ICE AND ESQUIMAUX.
NOTES OF A PIANIST.
DIPLOMACY OF THE REVOLUTION.
OUR BATTLE-LAUREATE.
DOCTOR JOHNS.
THE CHIMNEY-CORNER.
NEEDLE AND GARDEN.
CASTLES.
FAIR PLAY THE BEST POLICY.
REVIEWS AND LITERARY NOTICES.
RECENT AMERICAN PUBLICATIONS.
WITH THE BIRDS.
Not in the spirit of exact science, but rather with the freedom of love and old acquaintance, would I celebrate some of the minstrels of the field and forest,—these accredited and authenticated poets of Nature.
All day, while the rain has pattered and murmured, have I heard the notes of the Robin and the Wood-Thrush; the Red-Eyed Flycatcher has pursued his game within a few feet of my window, darting with a low, complacent warble amid the dripping leaves, looking as dry and unruffled as if a drop of rain had never touched him; the Cat-Bird has flirted and attitudinized on my garden-fence; the House-Wren stopped a moment between the showers, and indulged in a short, but spirited, rehearsal under a large leaf in the grape-arbor; the King-Bird advised me of his proximity, as he went by on his mincing flight; and the Chimney-Swallows have been crying the child's riddle of "Chippy, chippy, cherryo," about the house-top.
With these angels and ministers of grace thus to attend me, even in the seclusion of my closet, I am led more than ever to expressions of love and admiration. I understand the enthusiasm of Wilson and Audubon, and see how one might forsake house and home and go and live with them the free life of the woods.
To the dissecting, classifying scientist a bird may be no more perfect or lovable than a squirrel or a fish; yet to me it seems that all the excellences of the animal creation converge and centre in this nymph of the air; a warbler seems to be the finishing stroke.
First, there is its light, delicate, aërial organization,—consequently, its vivacity, its high temperature, the depth and rapidity of its inspirations, and likewise the intense, gushing, lyrical character of its life. How hot he is! how fast he lives!—as if his air had more oxygen than ours, or his body less clay. How slight a wound kills him! how exquisite his sensations! how perfect his nervous system! and hence how large his brain! Why, look at the cerebral development of this tiny songster,—almost a third larger, in proportion to the size of its body, than that of Shakspeare even! Does it mean nothing? You may observe that a warbler has a much larger brain and a much finer cerebral organization throughout than a bird of prey, or any of the Picus family even. Does it signify nothing? I gaze into the eyes of the Gazelle,—eyes that will admit of no epithet or comparison,—and the old question of preëxistence and transmigration rises afresh in my mind, and something like a dim recognition of kinship passes. I turn this Thrush in my hand,—I remember its strange ways, the curious look it gave me, its ineffable music, its freedom, and its ecstasy,—and I tremble lest I have slain a being diviner than myself.
And then there is its freedom, its superior powers of locomotion, its triumph over time and space. The reptile measures its length upon the ground; the quadruped enjoys a more complete liberation, and is related to the earth less closely; man more still; and the bird most of all. Over our heads, where our eyes travel, but our bodies follow not,—in the free native air,—is his home. The trees are his temples and his dwellings, and the breezes sing his lullaby. He needs no sheltering; for the rain does not wet him. He need fear no cold; for the tropics wait upon his wings. He is the nearest visible representation of a spirit I know of. He flies,—the superlative of locomotion; the poet in his most audacious dreams dare confer no superior power on flesh and blood. Sound and odor are no more native to the air than is the Swallow. Look at this marvellous creature! He can reverse the order of the seasons, and almost keep the morning or the sunset constantly in his eye, or outstrip the west-wind cloud. Does he subsist upon air or odor, that he is forever upon the wing, and never deigns to pick a seed or crumb from the earth? Is he an embodied thought projected from the brain of some mad poet in the dim past, and sent to teach us a higher geometry of curves and spirals? See him with that feather high in air, dropping it and snapping it up again in the very glee of superabundant vitality, and in his sudden evolutions and spiral gambollings seeming

