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قراءة كتاب God and Mr. Wells: A Critical Examination of 'God the Invisible King'
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God and Mr. Wells: A Critical Examination of 'God the Invisible King'
a little stirring of hope at the news that a fresh and keen intellect, untrammelled by the folk-lore theologies of the past, is applying itself to the problem. It is always possible, however improbable, that we may be helped a little forwarder on the path towards realization. One comes back to the before-mentioned analogy of flying. We had been assured over and over again, on the highest authority, that it was an idle dream. When we wanted to express the superlative degree of the impossible, we said "I can no more do it than I can fly." But the irrepressible spirit of man was not to be daunted by à priori demonstrations of impossibility. One day there came the rumour that the thing had been achieved, followed soon by ocular demonstration; and now we rub shoulders every day with men who have outsoared the eagle, and—alas!—carried death and destruction into the hitherto stainless empyrean.
It would seem, then, that there is no reason absolutely to despair of some advance towards a conception of the nature and reason of the universe. And it is certain that Mr. Wells's God would stand a better chance of satisfying the innate needs of the human intelligence if he had not (apparently) given up as a bad job the attempt to relate himself to the causal plexus of the All. Is he outside that causal plexus, self-begotten, self-existent? Then he is the miracle of miracles, a second mystery superimposed on the first. If, on the other hand, he falls within the system, he might surely manage to convey to his disciples some glimmering notion of his place in it. The birth-stories of Gods are always grotesque and unedifying, but that is because they belong to folk-lore. If this God does not belong to folk-lore, surely his relation to the Veiled Being might be indicated without impropriety. Mr. Wells, as we have seen, hints that his reticence may be due to the fact that he does not know. In that case this "modern" God is suspiciously like all the ancient Gods, whose most unfortunate characteristic was that they never knew anything more than their worshippers. The reason was not far to seek—namely, that they were mere projections of the minds of these worshippers, fashioned in their own image. But Mr. Wells assures us that this is not the case of the Invisible King.
Mr. Wells will scarcely deny that if it were possible to compress his mythology and merge his Invisible King in his Veiled Being, the result would be a great simplification of the problem. But this is not, in fact, possible; for it would mean the positing of an all-good and all-powerful Creator, which is precisely the idea which Mr. Wells rebels against,[1] in common with every one who realizes the facts of life and the meaning of words. Short of this, however, is no other simplification possible? Would it not greatly clarify our thought if we could bring the Invisible King into action, not, indeed, as the creator of all things, but as the organizer and director of the surprising and almost incredible epiphenomenon which we call life? Our scheme would then take this shape: an inconceivable unity behind the veil, somehow manifesting itself, where it comes within our ken, in the dual form of a great Artificer and a mass of terribly recalcitrant matter—the only medium in which he can work. In other words, the Veiled Being would be as inscrutable as ever, but the Invisible King, instead of dropping in with a certain air of futility, like a doctor arriving too late at the scene of a railway accident, would be placed at the beginning, not of the universe at large, but of the atomic re-arrangements from which consciousness has sprung. Can we, on this hypothesis (which is practically that of Manichæanism) hazard any guess at the motives or forces actuating the Invisible King,—or, to avoid confusion, let us say the Artificer—which should acquit him of the charge of being a callous and mischievous demon rather than a well-willing God? Can we not only place pain and evil (a tautology) to the account of sluggish, refractory matter, but also conjecture a sufficient reason why the Artificer should have started the painful evolution of consciousness, instead of leaving the atoms to whirl insentiently in the figures imposed on them by the stupendous mathematician behind the veil?
[1] In Mr. Britling Sees It Through, which is in some sense a prologue to God the Invisible King, we find an emphatic renunciation of the all-good and all-powerful God. "The theologians," says Mr. Britling, "have been extravagant about God. They have had silly, absolute ideas—that he is all powerful. That he's omni-everything.... Why! if I thought there was an omnipotent God who looked down on battles and deaths and all the waste and horror of this war—able to prevent these things—doing them to amuse himself—I would spit in his empty face" (p. 406).
A complete answer to this question would be a complete solution of the riddle of existence. That, if it be ever attainable, is certainly far enough off. But there are some considerations, not always sufficiently present to our minds, which may perhaps help us, not to a solution, but to a rational restatement, of the riddle.
It is possible to suppose, in the first place, that the Artificer, though entirely well-meaning, was not a free agent. We can construct a myth in which an Elder Power should announce to a Younger Power his intention of setting a number of sentient puppets dancing for his amusement, and regaling himself with the spectacle of their antics, in utter heedlessness of the agonies they must endure, which would, indeed, lend an additional savor to the diversion. This Elder Power, with the "sportsman's" preference for pigeons as against clay balls, would be something like the God of Mr. Thomas Hardy. Then we can imagine the Younger Power, after a vain protest demanding, as it were, the vice-royalty of the new kingdom, in order that he might shape its polity to high and noble ends, educe from tragic imperfection some approach to perfection, and, in short, make the best of a bad business. We should thus have (let us say) Marcus Aurelius claiming a proconsulate under Nero, and, with very limited powers, gradually substituting order and humanity for oppression and rapine. This fairy-tale is not unlike Mr. Wells's; but I submit that it has the advantage of placing the Invisible King, or his equivalent, in a conceivable relation to the whole mundane process.
Now let us proceed to the alternative hypothesis. Let us suppose that the Artificer was a free agent, and that he voluntarily, and in full view of the consequences, engineered the conjunction of atoms from which consciousness arose. He could have let it alone, he could have suffered life to remain an abortive, slumbering potentiality, like the fire in a piece of flint; yet he deliberately clashed the flint and steel and kindled the torch which was to be handed on, not only from generation to generation, but from species to species, through all the stages of a toilsome, slaughterous, immeasurable ascent. If we accept this hypothesis, can we acquit the Artificer of wanton cruelty? Can we view his action with approval, even with gratitude? Or must we, like Mr. Wells, if we wish to find an outlet for religious emotion, postulate another, subsequent, intermeddling Power—like, say, an American consul at the scene of the Turkish

