Psalm-Book

228 VII. Enter Mephistopheles 253 VIII. A Nocturnal Visit 270 IX. At the Weaver’s Stone 278 Sir Sidney Colvin’s Note 284 Glossary of Scots Words 297

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THE EBB-TIDE

A Trio and Quartette

WRITTEN IN COLLABORATION WITH

LLOYD OSBOURNE

“There is a tide in the affairs of men”

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NOTE BY MR. LLOYD OSBOURNE

Stevenson and I little knew, when we began our collaboration, that we were afterwards to raise such a hornets’ nest about our ears. The critics resented such an unequal partnership, and made it impossible for us to continue it. It may be that they were right; they wanted Stevenson’s best, and felt pretty sure they would not get it in our collaboration. But when they ascribed all the good in our three books to Stevenson and all the bad to me, they went a little beyond the mark. It is a pleasure to me to recall that the early part of both “The Wrecker” and “The Ebb-Tide” was almost entirely my own; so also were the storm scenes of the Norah Creina; so also the fight on the Flying Scud; so also the inception of Huish’s scheme, the revelation of it to his companions, his landing on the atoll with the bottle of vitriol in his breast. On the other hand, the Paris portion of “The Wrecker” was all Stevenson’s, as well as the concluding chapters of both the South Sea books.

It is not possible to disentangle anything else that was wholly mine or his—the blending was too complete, our method of work too criss-crossed and intimate. For instance, we would begin by outlining the story in a general way; this done, we marshalled it into chapters, with a few explanatory words to each; then it was for me to write the first draft of Chapter I. This I would read to him, and if satisfactory it was laid to one side; but were it not, I would rewrite it, embodying his criticisms. Each chapter in turn was fully discussed in advance before I put pen to paper; and in this way, though the actual first draft was in my own hand, the form of the story continually took shape under Stevenson’s eyes. When my first draft of the entire book was finished he would rewrite it again from cover to cover.

I can remember nothing more delightful than the days we thus passed together. If our three books are in no wise great, they preserve, it seems to me, something of the zest and exhilaration that went into their making—the good humour, the eagerness.

We were both under the glamour of the Islands—and that life, so strange, so picturesque, so animated, took us both by storm. Kings and beachcombers, pearl-fishers and princesses, traders, slavers, and schooner-captains, castaways, and runaways—what a world it was! And all this in a fairyland of palms, and glassy bays, and little lost settlements nestling at the foot of forest and mountain, with kings to make brotherhood with us, and a dubious white man or two, in earrings and pyjamas, no less insistent to extend to us the courtesies of the “beach.”

It was amid such people, and amid such scenes, that “The Ebb-Tide” and “The Wrecker” were written.

Lloyd Osbourne.

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PART I

THE TRIO

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THE EBB-TIDE

CHAPTER I

NIGHT ON THE BEACH

Throughout the island world of the Pacific, scattered men of many European races, and from almost every grade of society, carry activity and disseminate disease. Some prosper, some vegetate. Some have mounted the steps of thrones and owned islands and navies. Others again must marry for a livelihood; a strapping, merry, chocolate-coloured dame supports them in sheer idleness; and, dressed like natives, but still retaining some foreign element of gait or attitude, still perhaps with some relic (such as a single eye-glass) of the officer and gentleman, they sprawl in palm-leaf verandahs and entertain an island audience with memoirs of the music-hall. And there are still others, less pliable, less capable, less fortunate, perhaps less base, who continue, even in these isles of plenty, to lack bread.

At the far end of the town of Papeete, three such men were seated on the beach under a purao-tree.

It was late. Long ago the band had broken up and marched musically home, a motley troop of men and women, merchant clerks and navy officers, dancing in its wake, arms about waist and crowned with garlands. Long ago darkness and silence had gone from house to house about the tiny pagan city. Only the street-lamps shone on, making a glow-worm halo in the umbrageous alleys, or drawing a tremulous image on the waters of the port. A sound of snoring ran among the piles of lumber by the Government pier. It was wafted ashore from the graceful clipper-bottomed schooners, where they lay moored close in like dinghies, and their crews were stretched upon the deck under the open sky or huddled in a rude tent amidst the disorder of merchandise.

But the men under the purao had no thought of sleep. The same temperature in England would have passed without remark in summer; but it was bitter cold for the South Seas. Inanimate nature knew it, and the bottle of cocoa-nut oil stood frozen in every bird-cage house about the island; and the men knew it, and shivered. They wore flimsy cotton clothes, the same they had sweated in by day and run the gauntlet of the tropic showers; and to complete their evil case, they had no breakfast to mention, less dinner, and no supper at all.

In the telling South Sea phrase, these three men were on the beach. Common