"A month at Chatsworth would hardly suffice to count its beauties; but much may be done in a day, when eyes and ears are open, and the heart beats in sympathy with the beauties of Nature and of Art. It is, perhaps, best to visit the gardens of Chatsworth first; they are little more than half a mile to the north of the park; and there Sir Joseph Paxton is building his new dwelling, or rather adding considerably to the beauty and convenience of the old. In the Kitchen-Gardens, containing twelve acres, there are houses for every species of plant, but the grand attraction is the house which contains the Royal Lily (Victoria Regia), and other lilies and water-plants from various countries. It will be readily believed that the flower-gardens are among the most exquisitely beautiful in Europe; they have been arranged by one of the master minds of the age, and bear evidence of matured knowledge, skill, and taste; the nicest judgment seems to have been exercised over even the smallest matter of detail, while the whole is as perfect a combination as can be conceived of grandeur and loveliness. The walks, lawns, and parterres are lavishly, but unobtrusively, decorated with vases and statues; terraces occur here and there, from which are to be obtained the best views of the adjacent country; 'Patrician trees' at intervals form umbrageous alleys; water is made contributory from a hundred mountain streams and rivulets, to form jets, cascades, and fountains, which, infinitely varied in their 'play,' ramble among lilies, or—it is scarcely an exaggeration to say—fling their spray into the clouds, and descend to refresh the topmost leaves of trees that were in their prime three centuries ago. The most striking and original of the walks is that which leads through mimic Alpine scenery to the great conservatory; here Art has been most triumphant; the rocks, which, have been all brought hither, are so skilfully combined, so richly clad in mosses, so luxuriantly covered with heather, so judiciously based with ferns and water-plants, that you move among or beside them in rare delight at the sudden change which transports you from trim parterres to the utmost wildness of natural beauty. From these again you pass into a garden, in the centre of which is the conservatory, always renowned, but now more than ever, as the prototype of the famous Palace of Glass, which, in this Annus Mirabilis, received under its roof six millions of the people of all nations, tongues, and creeds. In extent, the conservatory at Chatsworth is but a pigmy compared with that which glorifies Hyde Park: but it is filled with the rarest Exotics from all parts of the globe—from 'farthest Ind,' from China, from the Himalayas, from Mexico; here you see the rich banana, Eschol's grape hanging in ripe profusion beneath the shadow of immense paper-like leaves; the feathery cocoa-palm, with its head peering almost to the lofty arched roof; the far-famed silk cotton-tree, supplying a sheet of cream-colored blossoms, at a season when all outward vegetable gayety is on the wane: the singular milk-tree of the Caraccas—the fragrant cinnamon and cassia—with thousands of other rare and little-known species of both flowers and fruits. The Italian Garden—opposite the library windows, with its richly colored parterres, and its clustered foliage wreathed around the pillars which support the statues and busts scattered among them, and hanging from one to the other with a luxurious verdure which seems to belong to the south—is a relief to the eye sated with the splendors of the palatial edifice.

"The water-works, which were constructed under the direction of M. Grillet, a French artist, were begun in 1690, when a pipe for what was then called 'the great fountain' was laid down; the height of twenty feet to which it threw water being, at that time, considered sufficiently wonderful to justify the hyperbolical language of Cotton:

It was afterward elevated to fifty feet, and then to ninety-four feet; but it is now celebrated as the most remarkable fountain in the world; it rises to the height of two hundred and sixty-seven feet, and has been named the Emperor Fountain, in honor of the visit of the Emperor of Russia to Chatsworth in 1844. Such is the velocity with which the water is ejected, that it is shown to escape at the rate of one hundred miles per minute; for the purpose of supplying it, a reservoir, or immense artificial lake, has been constructed on the hills, above Chatsworth, which is fed by the streams around and the springs on the moors drains being cut for this purpose, commencing at Humberly Brook, on the Chesterfield Road, two miles and a half from the reservoir, which covers eight acres; a pipe winds down the hill side, through which the water passes; and such is its waste, that a diminution of a foot may be perceived when the water-works have been played for three hours. Nothing can exceed the stupendous effect of this column, which may be seen for many miles around, shooting upwards to the sky in varied and graceful evolutions. From this upper lake the waterfalls are also supplied, which are constructed with so natural an