Weinbrunnen Schwalbach.”—Reminiscences of the Whitby Visit.—Opening of Fechter’s Season at the Lyceum.—John Leech at a Party at Mr. W. P. Frith’s, 13th of October—At the Weekly Punch Dinner, 26th of October.—Serious Change for the Worse.—His Death.—Shock caused by his Death in London and the Provinces.—His Funeral.—Shirley Brooks’ Memorial in Punch.

pp. 315-335.

CHAPTER XVI.

Hablot Knight Browne (“Phiz”).—Invincible Tendency to Exaggeration.—Charles Lever’s Opinion.—Weakness and Attenuation of his Figures.—Compared with John Leech.—Tendency to Reproduce.—All his Heroes closely Resemble One Another.—Charles Lever’s Complaint on this Score.—Great Ability of the Artist.—“Ralph Nickleby’s Visit to his Poor Relations.”—Newman Noggs.—Squeers.—Mrs. Nickleby’s Lunatic Admirer.—“Pecksniff’s Reception of the New Pupil.”—“Pleasant Little Family Party at Mr. Pecksniff’s.”—“Warm Reception of Mr. Pecksniff by his Venerable Friend.”—Quilp and Samson Brass.—Quilp and the Dog.—Mrs. Jarley’s Waxwork Brigand.—Capture of Bunsby by Mrs. Macstinger.—“Sunday under Three Heads.”—The Jack Sheppard Mania of 1840.—“The Way to the Gallows made Easy and Pleasant.”—“Phiz” not a Born Comic Artist.—Excellence in Depicting Graver Subjects.—“The Dombey Family.”—“Mrs. Dombey at Home.”—“Abstraction and Recognition.”—“The Dark Road.”—“Carker in his Hour of Triumph.”—“Bleak House.”—Why Browne suited Charles Dickens’s Requirements.—Coolness between Artist and Author.—One of Browne’s Finest Illustrations.—Decline of Book Etching.—Browne without an Idea of his Own.—Powerful Assistance rendered to Novelists by Book Illustrators of his day.—Sketches and Studies.—Death of the Artist.

pp. 336-354.

CHAPTER XVII.

Kenny Meadows.—“Portraits of the English.”—A Thoroughly Useful Man.—Some Works Illustrated by Meadows.—His Merits Unequal.—His Contempt for Nature.—An Early Illustrator of Punch.—His Illustrated Shakespeare.—Some Excellent Work of Meadows.—His Death.—Robert William Buss.—Recommended to Illustrate “Pickwick” on Seymour’s Death.—Etchings Suppressed.—The “Buss Plates” not his at all.—His Paintings.—Lectures on Caricature and Graphic Satire.—Comic Publications which preceded or ran side by side with Punch.—Alfred William Forrester (Alfred Crowquill).—“A General Utility Man.”—Crowquill a Caricaturist.—His Talent and Cleverness.—Some of His Paintings.—Charles H. Bennett.—“Shadows.”—“Shadow and Substance.”—“Origin of Species.”—Taken on the Punch Staff.—Early Death.—Theatrical Performances for the Benefit of his Family.—Kate Terry.—Thackeray as a Comic Artist.—Satire on Charles Lever.—Unfitted to Illustrate his own Novels, and why.—His Genius Displayed in Literature not in Art.—Illustrations to “Vanity Fair” Considered.—Anthony Trollope on this Subject.

pp. 355-380.

CHAPTER XVIII.

First Work of Richard Doyle.—Receives his Art Training from his Father.—Joins Punch.—The Peace-at-any-Price Party.—The Troubles of 1848.—The Sea-Serpent of Revolution Upsetting the Monarchical Cock-boats.—Lord Brougham.—Richard Doyle’s Dream of the Future of Ireland.—The Window Tax.—“Manners and Customs of Ye Englishe.”—“The Month” upon Exeter Hall.—Establishment of the Papal Hierarchy in England.—The Causes of Doyle’s Retirement from Punch Explained.—Unselfishness of His Conduct.—Ultimate Consequences on his Prospects.—Number of his Punch Illustrations.—Caricatures of Richard Doyle.—“Brown, Jones, and Robinson.”—Works Illustrated by Doyle.—Mr. Hamerton’s Criticism on his Illustrations to “The Newcomes.”—His Death.—John Tenniel.—Joins Punch at the Commencement of Troublous Times.—Death of the Duke of Wellington.—Battle of Oltenitza.—Lord Aberdeen as the “Courier of St. Petersburg.”—Lord Aberdeen tries to Hold in the British Lion.—England the Unready.—“Peace” Seated on the Garrison Gun.—Punch’s Low Estimate of the Third Napoleon.—An “International Poultry Show.”—“The Eagle in Love.”—“Playing with Edged Tools.”—“An Unpleasant Neighbour.”—Louis Closes his Firework Shop “to please Johnny.”—Miss Britannia Refuses to Dance again with Louis.—Mr. Tenniel one of the most Versatile of Modern Designers.—Examples of his Graphic Satire.—Notice of his Cartoons Closes with 1864, in Accordance with the Plan of the Work.—His Comic Powers.

pp. 381-400.

LIST OF ILLUSTRATIONS.