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قراءة كتاب The Red Moccasins: A Story
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for, there is no telling but that Sprigg, instead of being one of the worst boys in the world, he might have turned out to be one of the best—nearly as good, it may be, as a brave little George, the boy, you know, who cut his father's cherry tree with his little hatchet, and when the matter was inquired into, had the courage to own that he was the offender, even while fully expecting that his tender young legs would be made to smart for his adherence to principle. With so brave a start in life, our hero, when he and the time were ripe for it, might have figured as the hero of Mew Orleans, instead of General Jackson, and, qualified by that achievement, have made the American people just as good a President—kicking the national bank as unmercifully out of existence as ever Old Hickory did.
But leaving the might-have-been out of the question and taking things as we find them, Sprigg, by the time he had climbed to the top of his twelfth year, had more serious faults and more foolish ways than I feel willing to stop and take a list of, preferring to let them come out little by little of their own accord, which will seem less like telling tales away from home. One of his faults, however, the most conspicuous, though, by no means, the most grievous, I must mention here at the outset, it being that trait of his character which imparts to our story its particular color and drift. I allude to his vanity, which displayed itself in a ridiculous fondness for fine clothes, not to mention that he was, in every way, a very handsome boy; and the fools, as usual in such cases, had blabbed this into his ears, until he had grown to be as strutty and vain as a peacock.
Now, you smile to think that a boy, who lived in a log cabin and ate his bread and milk with a pewter spoon, and dressed in buckskin breeches and a coonskin cap, should fancy that he had anything to be vain of. But take the second thought; or, if you do not feel inclined to make the effort, I will, by a simple illustration of the point, save you the trouble. Is not turkey-cock just as proud of his homely feathers as peacock of his magnificent plumes? And after the battle fought, which leaves him but the tattered rag of a tail to display to the sun, will not turkey-cock spread that tattered rag of a tail as self-complacently, and strut as grandly and gobble as obstreperously as ever? Aye, that will he! And why? Because his tail—tag-rag or not—is all his own and nobody else's; though almost anybody else may have one which the sun would rather shine on. As with turkey-cock, so with an overwhelming majority of mankind.
CHAPTER II.
Our Hero Falls in Love.
It had only been three or four years since Jervis Whitney and his wife, Elster, had left their old home beyond the Alleghenies to find a new home here in the perilous wilds of green Kentucky, where they had built the cabin they lived in, and cleared the ground they tilled. Among their household goods, they had brought along with them quite a curious medley of such little notions as fancy ribbons and kerchiefs, books, big wood engravings, odd pieces of ware—china, silver and glass—odd pieces of family jewels, strings of bright-colored beads, and the like. Among the rest, were several locks of hair, some of which were gray, the others black or brown, golden-yellow, or flaxen, or white, as the case might be; locks of hair in those simple times being viewed pretty much in the same light that photographs now-a-days are, and, perhaps, even more highly prized and tenderly preserved.
As you have already anticipated, these little notions were gifts for dear remembrance sake from the loved ones they had left so far behind them and whom they were to meet no more for long, long years—perhaps, forever. Precious relics, which the lonely young pair took out, from time to time, to look at them; when, with a smile and a tear, they would tell of the sweet recollections, which this lock of hair, or that piece of chinaware, this book or that old picture was conjuring up from out the lights and shadows of such days as no land but brave old Virginia—happy old Virginia—ever knew.
Now, in this same pack, along with these odds and ends of dear remembrance, there chanced to be an old show bill, which Jervis and Elster had brought along with the rest just to keep them in mind of the happy, happy day, when they two had united their hearts and fortunes for life. On that self-same day they had gone to the show, which was blazed by this self-same show bill; and the occasion made their bridal tour as complete a thing of its kind as nothing short of a centennial could make in these latter days do for the like excursions. On the show bill, in a variety of fancy colors, such as we sometimes see in pictures of Daniel in the den of lions, and the like, were the representations of the animals which were to be seen at the show; and more, you may be sure, than were seen there on that day, or ever had been seen in the land, or ever shall be seen in the world, unless, indeed, what African travelers tell us, backed by Barnum and the man in the moon, should some day turn out to be true. To lend their rustic home a more genteel and civilized appearance, as well as to keep them in mind of the ever-to-be-remembered day just mentioned, Elster had tacked the show bill to the rough log wall of their best room, and against this, for a background, had hung their only looking-glass, with a comb case on one side and Jervis' jolly-faced silver watch on the other; while crowning the glass was a bunch of magnificent eagle feathers—a trophy of her husband's skill as a marksman.
Now, these pictures, flashy, extravagant and out of all nature, though they might seem to our age of chromo, crayon, perfection, had for this many a day been the delight of Sprigg's young eyes. But the one that charmed his fancy more than all the others was that of an Indian boy, apparently about his own age, riding a Shetland pony at a dashing gallop, with the right foot tip-toe on his charger's back, the left amusing itself in the air, the left hand holding the bridle-reins, the right hand flourishing aloft a savage little tomahawk. In the browband of the pony's bridle was stuck the staff of a small red flag, while the gallant young horseman himself was rigged out in leggins and hunting shirt of the fairest of buckskin, trimmed with the blackest of bearskin, a hat of gay feathers upon his head, and upon his feet a magnificent pair of red moccasins.
There was scarcely a day in the week, not even excepting Sunday, that Sprigg did not go and, planting himself before the old show bill, take a long look at the Indian boy and his Shetland pony. And more than a few times, after thus feasting his eyes, had he gone to his mother, where she would be plying her loom in the kitchen, when something like the following confab would take place between them:
"Mam, I do wish that I had a pair of red moccasins, such as the Indian boy in yonder has on!"
"And a red cap, too, such as Jack Monkey in yonder has on!" would his mother rejoin, as she paused in her work. Then resting her arm on the breast beam of the loom and regarding her rising hope with a half-fond, half-ridiculous smile, she would add:
"Still harping on the same old tune! Still hankering after the red tomfooleries! Well, suppose if a civilized white boy should happen to have a pair of red moccasins, what could he do with them?"
"I could wear them to quiltings and to log-rollings and to house-raisings and to shooting matches and to weddings—yes, and to church, too."
"Why, Sprigg, a church is the last place in the world where so outlandish a thing as a pair of red moccasins ought to be seen. How the old people would