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قراءة كتاب Right on the Scaffold, or The Martyrs of 1822 The American Negro Academy. Occasional Papers No. 7
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Right on the Scaffold, or The Martyrs of 1822 The American Negro Academy. Occasional Papers No. 7
brought his well-laid scheme to ruin. He was about to die, and it was Wrong not Right which with streaming eyes he saw triumphant. Perhaps, in that solemn moment, he remembered the time, years before, when he might have sailed for Africa, and there have helped to build, in freedom and security, an asylum for himself and people, where all of the glad dreams of his strenuous and stormy life might have been realized, and also how he had put behind him the temptation, “because” as he expressed it, “he wanted to stay and see what he could do for his fellow creatures in bondage.” At the thought of it all, the triumph of slavery, the treachery of black men, the immedicable grief which arises from wasted labors and balked purposes, and widespreading failures, is it surprising that in that supreme moment hot tears gushed from the eyes of that stricken but lion-hearted man?
But to return to the last picture of the martyrs before their judges: “Rolla when arraigned affected not to understand the charge against him, and when it was at his request further explained to him, assumed with wonderful adroitness, astonishment, and surprise. He was remarkable throughout his trial, for great presence of composure of mind. When he was informed he was convicted and was advised to prepare for death, though he had previously (but after his trial) confessed his guilt, he appeared perfectly confounded, but exhibited no signs of fear. In Ned’s behavior there was nothing remarkable, but his countenance was stern and immovable, even whilst he was receiving the sentence of death; from his looks it was impossible to discover or conjecture what were his feelings. Not so with Peter, for in his countenance were strongly marked disappointed ambition, revenge, indignation, and an anxiety to know how far the discoveries had extended, and the same emotions were exhibited in his conduct. He did not appear to fear personal consequences, for his whole behavior indicated the reverse: but exhibited an evident anxiety for the success of their plan, in which his whole soul was embarked. His countenance and behavior were the same when he received his sentence, and his only words were on retiring, ‘I suppose you’ll let me see my wife and family before I die,’ and that not in a supplicating tone. When he was asked a day or two after, if it was possible he could wish to see his master and family murdered who had treated him so kindly, he only replied to the question by a smile.”
The unquailing courage, the stern fidelity to engagements, and the spirit of devotion and self-sacrifice which characterized so signally the leaders of this slave plot, culminated, it seems to me, in the unbending will and grandeur of soul of Peter Poyas, during those last, tragic days, in Charleston. I doubt if in six thousand years the world has produced a finer example of fortitude and greatness of mind in presence of death, than did this Negro slave exhibit in the black hole of the Charleston workhouse, when conversing with his Chief and Rolla and Ned Bennett, touching their approaching death, and the safety of their faithful and forlorn followers, he uttered thus intrepid injunction: “Do not open your lips! Die silent as you shall see me do.” Such words, considering the circumstances under which they were spoken, were worthy of a son of Sparta or of Rome, when Sparta and Rome were at their highest levels as breeders of iron men.
It is verily no light thing for the Negroes of the United States to have produced such a man, such a hero and martyr. It is certainly no light heritage, the knowledge, that his brave blood flows in their veins. For history does not record, that any other of its long and shining line of heroes and martyrs, ever met death, anywhere on this globe, in a holier cause or a sublimer mood, than died this Spartan-like slave, more than three quarters of a century ago.
May some future Rembrandt have the courage, as the genius, to paint that tragic and imposing scene, with its deep shadows and high lights as I see it now, the dark and hideous dungeon, the sombre figures and grim faces of the four glorious black martyrs, with Peter in the midst, speaking his deathless words: “Do not open your lips! Die silent as you shall see me do.”
“Right forever on the scaffold,
Wrong forever on the Throne,
Yet that scaffold sways the future,
And, behind the dim unknown,
Standeth God within the shadow,
Keeping watch above His own.”

