"Glad I'm not a sailorman to be going out on a morning like this! Sure you've remembered everything? Your cab should be here now. Just gone four. Heard the bells as I was dressing——"

Rattle of wheels on the granite setts—sharp, metallic ring of shod heels—a moment of looking for a number—a ring of the door-bell.

"Perty that's tae gang doon tae th' Queen's Dock wi' luggage.... A' richt, Mister! Ah can cairry them ma'sel'.... Aye! Weel! Noo that ye menshun it, Sur ... oon a mornin' like this.... Ma respeks, gents!"

There are no good-byes: the last has been said the night before. There could be no enthusiasm at four on a raw November's morning; it is best that I slip out quietly and take my seat, with a last look at the quiet street, the darkened windows, the quaint, familiar belfry of St. Jude's.

"A' richt, Sur. G'up, mere! Haud up, mere, ye!"

At a corner of the Square the night policeman, yawning whole-heartedly, peers into the cab to see who goes. There is nothing to investigate; the sea-chest, sailor-bag, and bedding, piled awkwardly on the 'dickey,' tell all he wants to know.

"A sailor for aff!"

Jingling his keys, he thinks maybe of the many 'braw laads' from Lochinver who go the same hard road.

Down the deserted wind-swept streets we drive steadily on, till house lights glinting behind the blinds and hurrying figures of a 'night-shift' show that we are near the river and the docks. A turn along the waterside, the dim outlines of the ships and tracery of mast and spar looming large and fantastic in the darkness, and the driver, questioning, brings up at a dim-lit shed, bare of goods and cargo—the berth of a full-laden outward-bounder. My barque—the Florence, of Glasgow—lies in a corner of the dock, ready for sea. Tugs are churning the muddy water alongside, getting into position to drag her from the quay wall; the lurid side-light gleams on a small knot of well-wishers gathered at the forward gangway exchanging parting words with the local seamen of our crew. I have cut my time but short.

"Come en there, you!" is my greeting from the harassed Chief Mate. "Are you turned a —— passenger, with your gloves and overcoat? You sh'd have been here an hour ago! Get a move on ye, now, and bear a hand with these warps.... Gad! A drunken crew an' skulkin' 'prentices, an' th' Old Man growlin' like a bear with a sore——"

Grumbling loudly, he goes forward, leaving me the minute for 'good-bye,' the late 'remembers,' the last long hand-grip.

Into the half-deck, to change hurriedly into working clothes. Time enough to note the guttering lamp, evil smell, the dismal aspect of my home afloat—then, on deck again, to haul, viciously despondent, at the cast-off mooring ropes.

Forward the crew—drunk to a man—are giving the Chief Mate trouble, and it is only when the gangway is hauled ashore that anything can be done. The cook, lying as he fell over his sailor bag, sings, "'t wis ye'r vice, ma gen-tul Merry!" in as many keys as there are points in the compass, drunkenly indifferent to the farewells of a sad-faced woman, standing on the quayside with a baby in her arms. Riot and disorder is the way of things; the Mates, out of temper with the muddlers at the ropes, are swearing, pushing, coaxing—to some attempt at getting the ship unmoored. Double work for the sober ones, and for thanks—a muttered curse. Small wonder that men go drunk to the sea: the wonder is that any go sober!

At starting there is a delay. Some of the men have slipped ashore for a last pull at a neighbourly 'hauf-mutchkin,' and at a muster four are missing. For a time we hold on at single moorings, the stern tug blowing a 'hurry-up' blast on her siren, the Captain and a River Pilot stamping on the poop, angrily impatient. One rejoins, drunken and defiant, but of the others there is no sign. We can wait no longer.

"Let go, aft!" shouts the Captain. "Let go, an' haul in. Damn them for worthless sodjers, anyway! Mister"—to a waiting Board of Trade official—"send them t' Greenock, if ye can run them in. If not, telephone down that we're three A.B.'s short.... Lie up t' th' norr'ard, stern tug, there. Hard a-port, Mister? All right! Let go all, forr'ard!" ... We swing into the dock passage, from whence the figures of our friends on the misty quayside are faintly visible. The little crowd raises a weakly cheer, and one bold spirit (with his guid-brither's 'hauf-pey note' in his pocket) shouts a bar or two of "Wull ye no' come back again!" A few muttered farewells, and the shore folk hurry down between the wagons to exchange a last parting word at the Kelvinhaugh. '... Dong ... ding ... DONG ... DONG....' Set to a fanfare of steam whistles, Old Brazen Tongue of Gilmorehill tolls us benison as we steer between the pierheads. Six sonorous strokes, loud above the shrilling of workshop signals and the nearer merry jangle of the engine-house chimes.

Workmen, hurrying to their jobs, curse us for robbing them of a 'quarter,' the swing-bridge being open to let us through. "Come oon! Hurry up wi' that auld 'jeely-dish,' an' see's a chance tae get tae wur wark," they shout in a chorus of just irritation. A facetious member of our crew shouts:

"Wot—oh, old stiy-at-'omes. Cahmin' aat t' get wandered?"—and a dockman answers:

"Hello, Jake, 'i ye therr? Man, th' sailormen maun a' be deid when th' Mate gied you a sicht! Jist you wait tae he catches ye fanklin' th' cro'-jeck sheets!"

We swing slowly between the pierheads, and the workmen, humoured by the dockman's jest, give us a hoarse cheer as they scurry across the still moving bridge. In time-honoured fashion our Cockney humorist calls for, 'Three cheers f'r ol' Pier-'ead, boys,' and such of the 'boys' as are able chant a feeble echo to his shout. The tugs straighten us up in the river, and we breast the flood cautiously, for the mist has not yet cleared and the coasting skippers are taking risks to get to their berths before the stevedores have picked their men. In the shipyards workmen are beginning their day's toil, the lowe of their flares light up the gaunt structures of ships to be. Sharp at the last wailing note of the whistle, the din of strenuous work begins, and we are fittingly drummed down the reaches to a merry tune of clanging hammers—the shipyard chorus "Let Glasgow flourish!"

Dawn finds us off Bowling, and as the fog clears gives us misty views of the Kilpatrick Hills. Ahead, Dumbarton Rock looms up, gaunt and misty, sentinel o'er the lesser heights. South, the Renfrew shore stretches broadly out under the brightening sky—the wooded Elderslie slopes and distant hills, and, nearer, the shoal ground behind the lang Dyke where screaming gulls circle and wheel. The setting out is none so ill now, with God's good daylight broad over all, and the flags flying—the 'Blue Peter' fluttering its message at the fore.

On the poop, the Captain (the 'Old Man,' be he twenty-one or fifty) paces to and fro—a short sailor walk, with a pause now and then to mark the steering or pass a word with the River Pilot. Of medium height, though broad to the point of ungainliness, Old Jock Leish (in his ill-fitting broadcloth shore-clothes) might have passed for a prosperous farmer, but it needed only a glance at the keen grey eyes peering from beneath bushy eyebrows, the determined set of a square lower jaw, to note a man of action, accustomed to command. A quick, alert turn of the head, the lift of shoulders as he walked—arms swinging in seaman-like balance—and the trick of pausing at a windward turn to glance at the weather sky, marked the sailing shipmaster—the man to whom thought and action must be as one.

Pausing at the binnacle to note the direction of the wind, he gives an exclamation of disgust.

"A 'dead muzzler,' Pilot. No sign o' a slant in the trend o' th' upper clouds. Sou'west, outside, I'm afraid.... Mebbe it's just as weel; we'll have t' bring up at th' Tail o' th' Bank, anyway, for these three hands, damn