sketches, brimful of humour and playful observation. John Webber, R.A., in 1776, accompanied Captain Cook on his third and last voyage, and made a drawing of Cook's death, which Byrne and Bartolozzi engraved. Two other Royal Academicians, Thomas and William Daniell, made India their sketching-ground, and in their great work on "Oriental Scenery," published in 1808, they devoted six volumes to a subject as fascinating as it was unhackneyed. Many other artists, too, travelled and made sketches for books, ranging from Girtin's Paris Views to Turner's "Rivers of France," and from Sir David Wilkie's Eastern sketches, reproduced in lithography by Nash, to the familiar work of Prout, Harding, J. F. Lewis, R.A., and Louis Haghe.

But these books on foreign travel, admirable as they were, did not eclipse the many volumes on British scenery and landscape antiquities. All the ablest men among the earlier water-colour painters—Hearne, Malton, Dayes, Girtin, Turner, Francia, Havell, De Wint, David Cox, Cotman—made topographical sketches for illustrations, and lucky is he who "finds" their earliest efforts. To-day, happily, there are signs of renewed life in the old taste for picture books on the beauty and romance of our own country. It is a taste that invigorates, storing the mind with tonic memories and filling the eyes with beautiful scenes and colours; and we may be sure that it needs for its gratification books which are easy to carry and to read. The great folio of other days, as heavy almost as a country squire, is rightly treasured in the British Museum, like the remains of the Neolithic Man discovered in Egypt.

The subject of the present book—the Border Country—should set us thinking, not of one holiday, but of many; and he who has once tasted the Border's keen rich air will long to return both to it and to the traditions that dwell among the vast landscapes and in the ruined castles. The distinguished connoisseur and painter whose sketches are here reproduced, has gone back to the Border Country a dozen times and more, always to find there a renewal of his first pleasure and a host of fresh subjects, that form a delightful connecting-link between each to-day and the armoured epochs of the long ago.

And if the Border Country, with its enchanted places and memories, delights a landscape-painter, it is equally attractive to students of architecture, to lovers of folk-lore and literary history, to writers of romance in search of traditions and local colour, and to those of us also who indulge a passion for collecting either as botanists or as geologists. The rivers and streams have a rare fascination, and anglers, having made their choice, can come by all the sport which they desire. As to the hills, they have a certain modesty of height deceptive to the unwary, for although they have not won for themselves a reputation for fatalities to be described as Alpine, they are yet so dangerous when a mist gathers about them and thickens, that a climber may lose his life there quite comfortably, and without enjoying more than the customary amount of rashness or inexperience. Briefly, men may find in the Border Country nearly all their hobbies, and nearly all their professional studies.

In this book the historical notes are written by one who lives by the Tweed, and whose name is associated with Border subjects. Mr. Crockett's work is filled with the Past, while the outdoor sketches by Mr. Orrock are at once so faithful topographically, and so much in sympathy with the classic traditions of English Water-Colour, that they show us what the Border Country is to-day, when seen through the medium of a painter's observation and knowledge.

W. SHAW SPARROW.

PLATES IN COLOUR
BY JAMES ORROCK, R.I.