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In the Border Country

In the Border Country

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The Project Gutenberg eBook, In the Border Country, by W. S. (William Shillinglaw) Crockett, Illustrated by James Orrock

Title: In the Border Country

Author: W. S. (William Shillinglaw) Crockett

Release Date: March 17, 2010 [eBook #31678]

Language: English

Character set encoding: ISO-8859-1

***START OF THE PROJECT GUTENBERG EBOOK IN THE BORDER COUNTRY***

 

E-text prepared by Juliet Sutherland, Peter Vickers,
and the Project Gutenberg Online Distributed Proofreading Team
(http://www.pgdp.net)

 


 

 

 

IN THE BORDER COUNTRY


POPULAR BOOKS ON ART.

Edited by W. Shaw Sparrow


THE ART AND LIFE LIBRARY. 1. "The British Home of To-Day" (out of print). 2. "The Gospels in Art." 3. "Women Painters of the World." 4. "The Old Testament in Art," Vol. I. 5. "The Modern Home" (out of print). 6. "The Old Testament in Art," Vol. II. 7. "The Apostles in Art."

HISTORY, TRAVEL, RUSTIC LIFE. 1. "Mary Queen of Scots," with 26 Pictures in Colour by Sir James Linton, R.I., and James Orrock, R.I.; the text by Walter Wood. 2. "In The Border Country," with 25 Pictures in Colour by James Orrock, R.I., and Historical Notes by W. S. Crockett. 3. "In Rustic England," with 25 Pictures in Colour by Birket Foster; the text by A. B. Daryll.

THE ART AND LIFE MONOGRAPHS. 1. "Etchings by Van Dyck," in Rembrandt Photogravure the full size of the Original Proofs. Also an Édition de Luxe with Carbon Print Photographs of all the Etchings; the text by Prof. Dr. H. W. Singer. 2. "Ingres—Master of Pure Draughtsmanship." Twenty-four Rembrandt Photogravures of important Drawings and Pictures; the introductions by Arsène Alexandre and W. Shaw Sparrow.

ARTISTS OF THE PRESENT DAY. I. "Frank Brangwyn, A.R.A." the introductions by Léonce Bénédite and W. Shaw Sparrow. 2. "Lucy E. Kemp-Welch," the introductions by Professor Hubert von Herkomer and Edward F. Strange.

SERIES OF BIBLE PICTURES. "The Saviour in Modern Art."


London: Hodder & Stoughton


VIEW OF DUNSTANBOROUGH
FRONTISPIECE

VIEW OF DUNSTANBOROUGH

FROM A WATER-COLOUR SKETCH
PAINTED BY

JAMES ORROCK, R.I.


In The Border Country

DEDICATED
TO THE MEMORY
OF
SIR WALTER SCOTT


PREFACE

Most of us prefer to spend our holiday tours away from our own country. There is a feeling of mild adventure when the land we behold is unknown to us, and when the language we hear filters into our questioning minds through an interpreter's suavity and chatter. And if we go to Switzerland we may earn even a reputation for intrepid pluck among the friends who listen to us on our return home, while the unlucky guides, who found for our trembling feet a pathway around each danger, will amuse their families during the winter with little tales at our expense, told with rough satire and with short, gruff peals of laughter resembling the noise of a crackling ice-sheet when it begins to slip downhill.

No doubt, heroism on the hillside has a vast attraction to brave, fearless hearts like our own; but we should find, here in our own country, quite as much adventure as is good for us, and quite as much novelty also, if only we could bring ourselves to believe that knowledge of native scenes and traditions does not come to us in baptism or by virtue of our birth as British folk. If you ask a friend whether he knows the Border Country, he will probably answer yes, and then go on to say that he when a lad at school was a great reader of Scott, and thank heaven! his memory is a good one. Push the matter further, ask whether he has verified the truth of Scott's descriptions by a visit to the places described, and you will probably hear that your friend would rather dream of the North Pole or be bitten fiercely by the swarms of lively insects treasured throughout Brittany in every cottage and hotel.

All this being somewhat commonplace, you may wish to get closer to this subject, and your friend at last, driven to bay, comes to the real point that pricks and distresses him. "You see," he will say, "a holiday tour at home is such a dickens of a gamble. You can't say how much it will cost. The only thing at all certain about it is that the cost will be more than you can afford. Wherever you go you become a goose to be plucked."

Let us rebel against this iniquity! It is not a question of cheating, it is a trait of the national character. In Great Britain, as among the Americans, the gift of long sight in business has become very common, and few persons think it worth their while to see the practical good things within easy reach of the blessed short sight of common sense. Our chief aim is not to keep a market open and steady, but to glut it with over-production or to block it with excessive prices. "Here is a holiday-tripper, so let us make him pay!" That seems to be the unconquerable maxim at all seaside resorts and in every place where tired workers seek rest and health. I have known a week's holiday in the New Forest to cost as much as a tour of three weeks in the beautiful and bracing Ardennes. The Belgian is content to draw his customers back to him, while the Englishman grasps all he can get and sends us away discontented.

It is true that the railway companies are doing all in their power to make holidays at home welcome and inexpensive. Their enterprise in this respect has no limits. But we cannot live on cheap railway tickets alone, whether single or return. Something should be done—and the newspapers could help—to establish in all attractive districts a reasonable tariff for board and lodging. It is only thus that Great Britain will be made popular during the holiday season, and that the great stream of gold—the holiday-making Pactolus—will be drawn from the Continent to nourish our own country sides and rural folk.

It seems to be certain that, during the reign of the old stage coach, life in rustic England was cheaper than it is to-day. At any rate we must account in some way or other for the immense number of county histories and illustrated topographical books which teemed from the press from the middle of the eighteenth century to the time of J. M. W. Turner. To study these works is to be sure that our forefathers took the greatest delight in their own country, and that huge sums of money were spent in procuring fine sketches and adequate engravings. Side by side with these books on British topography were volumes on foreign travel, like those by William Alexander, who in 1792 accompanied Lord Macartney's embassy to China, where he made many exquisite

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