قراءة كتاب Cecilia: A Story of Modern Rome

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Cecilia: A Story of Modern Rome

Cecilia: A Story of Modern Rome

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دار النشر: Project Gutenberg
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"I will leave you at your door, and drive home, and we can meet at your aunt's."

"Very well."

They walked down the street and found a cab, scarcely speaking again until they parted at Guido's door.

He lived alone in a quiet apartment of the Palazzo Farnese, overlooking the Via Giulia and the river beyond. The afternoon sun was still streaming through the open windows of his sitting room, and the warm breeze came with it.

"There are two notes, sir," said his servant, who had followed him. "The one from the Princess is urgent. The man wished to wait for you, but I sent him away."

"That was right," said Guido, taking the letters from the salver. "Get my things ready. I have visits to make."

The man went out and shut the door. He was a Venetian, and had been in the navy, where he had served Lamberti during the affair in China. Lamberti had recommended him to his friend.

Guido remained standing while he opened the note. The first was an engraved invitation to a garden party from a lady he scarcely knew. It was the first he had ever received from her, and he was not aware that she ever asked people to her house. The second was from his aunt, begging him to come to tea that afternoon as he had promised, for a very particular reason, and asking him to let her know beforehand if anything made it impossible. It began with "Dearest Guido" and was signed "Your devoted aunt, Anatolie." She was evidently very anxious that he should come, for he was generally her "dear nephew," and she was his "affectionate aunt."

The handwriting was fine and hard to read, though it was regular. Some of the letters were quite unlike those of most people, and many of them were what experts call "blind."

Guido d'Este read the note through twice, with an expression of dislike, and then tore it up. He threw the invitation upon some others that lay in a chiselled copper dish on his writing table, lit a cigarette, and looked out of the window. His aunt's note was too affectionate and too anxious to bode well, and he was tempted to write that he could not go. It would be pleasant to end the afternoon with a book and a cup of tea, and then to dine alone and dream away the evening in soothing silence.

But he had promised to go; and, moreover, nothing was of any real importance at all, nothing whatsoever, from the moment of beginning life to the instant of leaving it. He therefore dressed and went out again.


CHAPTER II

Lamberto Lamberti never wasted time, whether he was at sea, doing his daily duty as an officer, or ashore in Africa, fighting savages, or on leave, amusing himself in Rome, or Paris, or London. Time was life, and life was far too good to be squandered in dawdling. In ten minutes after he had reached his room he was ready to go out again. As he took his hat and gloves, his eye fell on a note which he had not seen when he had come in.

He opened it carelessly and found the same formal invitation which Guido had received at the same time. The Countess Fortiguerra requested the pleasure of his company at the Villa Palladio between four and six, and the date was just a fortnight ahead.

Lamberti was a Roman, and though he had only seen the Countess three or four times in his life, he remembered very well that she had been twice married, and that her first husband had been a certain Count Palladio, whose name was vaguely connected in Lamberti's mind with South American railways, the Suez Canal, and a machine gun that had been tried in the Italian navy; but it was not a Roman name, and he could not remember any villa that was called by it. Palladio—it recalled something else, besides a great architect—something connected with Pallas—but Lamberti was no great scholar. Guido would know. Guido knew everything about literature, ancient and modern—or at least Lamberti thought so.

He had kept his cab while he dressed, and in a few minutes the little horse had toiled up the long hill that leads to Porta Pinciana, and Lamberti got out at the gate of one of those beautiful villas of which there are still a few within the walls of Rome. It belonged to a foreigner of infinite taste, whose love of roses was proverbial. A legend says that some of them were watered with the most carefully prepared beef tea from the princely kitchen. The rich man had gone back to his own country, and the Princess Anatolie had taken the villa and meant to spend the rest of her life there. She was only seventy years old, and had made up her mind to live to be a hundred, so that it was worth while to make permanent arrangements for her comfort.

Lamberti might have driven through the gate and up to the house, but he was not sure whether the Princess liked to see such plebeian vehicles as cabs in her grounds. He had a strong suspicion that, in spite of her royal blood, she had the soul of a snob, and thought much more about appearances than he did; and as for Monsieur Leroy, he was one of the most complete specimens of the snob species in the world. Therefore Lamberti, who now had reasons for wishing to propitiate the dwellers in the villa, left his cab outside and walked up the steep drive to the house.

He did not look particularly well in a frock coat and high hat. He was too muscular, his hair was too red, his neck was too sunburnt, and he was more accustomed to wearing a uniform or the rough clothes in which fighting is usually done. The footman looked at him and did not recognise him.

"Her Highness is not at home," said the man, coolly.

A private carriage was waiting at a little distance from the porch, and the footman who belonged to it was lounging in the vestibule within.

"Be good enough to ask whether her Highness will see me," said Lamberti.

The fellow looked at him again, and evidently made up his mind that it would be safer to obey a red-haired gentleman who had such a very unusual look in his eyes and spoke so quietly, for he disappeared without making any further objection.

When Lamberti entered the drawing-room, he was aware that the Princess was established in a high arm-chair near a tea-table, that Monsieur Leroy was coming towards him, and that an elderly lady in a hat was seated near the Princess in an attitude which may be described as one of respectful importance. He was aware of the presence of these three persons in the room, but he only saw the fourth, a young girl, standing beside the table with a cup in her hand, and just turning her face towards him with a look that was like a surprised recognition after not having seen him for a very long time. He started perceptibly as his eyes met hers, and he almost uttered an exclamation of astonishment.

He was checked by feeling Monsieur Leroy's toad-like hand in his.

"Her Highness is very glad to see you," said an oily voice in French, but with a thick and rolling pronunciation that was South American unless it was Roumanian.

For once Lamberti did not notice the sensual, pink and white face, the hanging lips, the colourless brown hair, the insolent eyes, the effeminate figure and dress of the little man he detested, and whose mere touch was disgusting to him. By a strong effort he went directly up to the Princess without looking again at the young girl whose presence had affected him so oddly.

Princess Anatolie was gracious enough to give him her hand to kiss; he bent over it, and his lips touched a few of the cold precious stones in the rings that loaded her fingers. She had not changed in the year that had passed since he had seen her, except that her eyes looked smaller than ever and nearer together. Her hair might or might not be her own, for it was carefully crimped and arranged upon her forehead; it was not certain that her excellent teeth were false; there was about her an air of youth and vitality that was really surprising, and yet it was impossible not to feel that she might be altogether a marvellous sham, on the verge of dissolution.

"This is most charming!" she said, in a voice

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