Saloon, or else he'd ride up and lie around under the trees along the top of the Pass and just think—or, like he was today, he'd practise drawing and throwing down on trees and rocks.

Guess he always wanted to be tough. Really tough. He tried to walk with tough men, and, as we found out later, just about all he ever thought about while he was lying around was how he could be tougher than the next two guys. Maybe you've known characters like that—for some damfool reason they just got to be able to whup anybody who comes along, and they feel low and mean when they can't, as if the size of a man's fist was the size of the man.

So that's Buck Tarrant—a halfsized, poisonous, no-good kid who wanted to be a hardcase.

But he'd never be, not in a million years. That's what made it funny—and kind of pitiful too. There wasn't no real strength in him, only a scared hate. It takes guts as well as speed to be tough with a gun, and Buck was just a nasty little rat of a kid who'd probably always counterpunch his way through life when he punched at all. He'd kite for cover if you lifted a lip.

I heard another shot, and looked up the slope. I was near enough now to see that the card he was shooting at was a ten of diamonds—and that he was plugging the pips one by one. Always could shoot, like I said.

Then he heard me coming, and whirled away from the tree, his gun holstered, his hand held out in front of him like he must have imagined Hickock or somebody held it when he was ready to draw.

I stopped my horse about ten feet away and just stared at him. He looked real funny in his baggy old levis and dirty checkered shirt and that big gun low on his hip, and me knowing he couldn't handle it worth a damn.

"Who you trying to scare, Buck?" I said. I looked him up and down and snickered. "You look about as dangerous as a sheepherder's wife."

"And you're a son of a bitch," he said.

I stiffened and shoved out my jaw. "Watch that, runt, or I'll get off and put my foot in your mouth and pull you on like a boot!"

"Will you now," he said nastily, "you son of a bitch?"

And he drew on me ... and I goddam near fell backwards off my saddle!

I swear, I hadn't even seen his hand move, he'd drawn so fast! That gun just practically appeared in his hand!

"Will you now?" he said again, and the bore of his gun looked like a greased gate to hell.

I sat in my saddle scared spitless, wondering if this was when I was going to die. I moved my hands out away from my body, and tried to look friendlylike—actually, I'd never tangled with Buck, just razzed him a little now and then like everybody did; and I couldn't see much reason why he'd want to kill me.

But the expression on his face was full of gloating, full of wildness, full of damn-you recklessness—exactly the expression you'd look to find on a kid like Buck who suddenly found out he was the deadliest gunman alive.

And that's just what he was, believe me.

Once I saw Bat Masterson draw—and he was right up there with the very best. Could draw and shoot accurately in maybe half a second or so—you could hardly see his hand move; you just heard the slap of hand on gunbutt, and a split-second later the shot. It takes a lot of practise to be able to get a gun out and on target in that space of time, and that's what makes gunmen. Practise, and a knack to begin with. And, I guess, the yen to be a gunman, like Buck Tarrant'd always had.

When I saw Masterson draw against Jeff Steward in Abilene, it was that way—slap, crash, and Steward was three-eyed. Just a blur of motion.

But when Buck Tarrant drew on me, right now in the Pass, I didn't see any motion atall. He just crouched, and then his gun was on me. Must have done it in a millionth of a second, if a second has