Guise” series of the National Garde-Meuble; and in this wide apartment there is a sense, not of the cramping necessities of the sea, but of all the leisured and spacious life of the land. Through this luxurious emptiness the imposing dignities of the dining-saloon are reached; and here indeed all the insolent splendour of the ship is centred. It was by far the largest room that had ever floated upon the seas, and by far the largest room that had ever moved from one place to another. The seventeenth-century style of Hatfield and Haddon Hall had been translated from the sombreness of oak to the lightness of enamelled white. Artist-plasterers had moulded the lovely Jacobean ceiling, artist-stainers had designed and made the great painted windows through which the bright sea-sunlight was filtered; and when the whole company of three hundred was seated at the tables it seemed not much more than half full, since more than half as many again could find places there without the least crowding. There, amid the strains of gay music and the hum of conversation and the subdued clatter of silver and china and the low throb of the engines, the gay company takes its first meal on the Titanic. And as our traveller sits there solitary, he remembers that this is not all, that in another great saloon farther off another three hundred passengers of the second-class are also at lunch, and that on the floor below him another seven hundred of the third-class, and in various other places near a thousand of the crew, are also having their meal. All a little oppressive to read about, perhaps, but wonderful to contrive and arrange. It is what everyone is thinking and talking about who sits at those luxurious tables, loaded not with sea-fare, but with dainty and perishable provisions for which half the countries of the world have been laid under tribute.

The music flows on and the smooth service accomplishes itself; Honour and Glory, high up under the wrought-iron dome of the staircase, are crowning another hour of Time; and our traveller comes up into the fresh air again in order to assure himself that he is really at sea. The electric lift whisks him up four storeys to the deck again; there all around him are the blue-gray waters of the Channel surging in a white commotion past the towering sides of the ship, spurned by the tremendous rush and momentum of these fifty thousand tons through the sea. This time our traveller stops short of the boat-deck, and begins to explore the far vaster B deck which, sheltered throughout its great length by the boat-deck above, and free from all impediments, extends like a vast white roadway on either side of the central deck. Here the busy deck stewards are arranging chairs in the places that will be occupied by them throughout the voyage. Here, as on the parade of a fashionable park, people are taking their walks in the afternoon sunshine.

From the staircase forward the deck houses are devoted to apartments which are still by force of habit called cabins, but which have nothing in fact to distinguish them from the most luxurious habitations ashore, except that no dust ever enters them and that the air is always fresh from the open spaces of the sea. They are not for the solitary traveller; but our friend perhaps is curious and peeps in through an uncurtained window. There is a complete habitation with bed-rooms, sitting-room, bath-room and service-room complete. They breathe an atmosphere of more than mechanical luxury, more than material pleasures. Twin bedsteads, perfect examples of Empire or Louis Seize, symbolize the romance to which the most extravagant luxury in the world is but a minister. Instead of ports there are windows—windows that look straight out on to the blue sea, as might the windows of a castle on a cliff. Instead of stoves or radiators there are open grates, where fires of sea-coal are burning brightly. Every suite is in a different style, and each and all are designed and furnished by artists; and the love and repose of millionaires can be celebrated in surroundings of Adam or Hepplewhite, or Louis Quatorze or the Empire, according to their tastes. And for the hire of each of these theatres the millionaire must pay some two hundred guineas a day, with the privilege of being quite alone, cut off from the common herd who are only paying perhaps five-and-twenty pounds a day, and with the privilege, if he chooses, of seeing nothing at all that has to do with a ship, not even the sea.

For there is one thing that the designers of this sea-palace seem to have forgotten and seem to be a little ashamed of—and that is the sea itself. There it lies, an eternal prospect beyond these curtained windows, by far the most lovely and wonderful thing visible; but it seems to be forgotten there. True, there is a smoke-room at the after extremity of the deck below this, whose windows look out into a great verandah sheeted in with glass from which you cannot help looking upon the sea. But in order to counteract as much as possible that austere and lovely reminder of where we are, trellis-work has been raised within the glass, and great rose-trees spread and wander all over it, reminding you by their crimson blossoms of the earth and the land, and the scented shelter of gardens that are far from the boisterous stress of the sea. No spray ever drifts in at these heights, no froth or spume can ever in the wildest storms beat upon this verandah. Here, too, as almost everywhere else on the ship, you can, if you will, forget the sea.

III

The first afternoon at sea seems long: every face is strange, and it seems as though in so vast a crowd none will ever become familiar, although one of the miracles of sea-life is the way in which the blurred crowd resolves itself into individual units, each of which has its character and significance. And if we are really to know and understand and not merely to hear with our ears the tale of what happened to the greatest ship in the world, we must first prepare and soak our minds in her atmosphere, and take in imagination that very voyage which began so happily on this April day. At the end of the afternoon came the coast of France, and Cherbourg—a sunset memory of a long breakwater, a distant cliff crowned with a white building, a fussing of tugs and hasty transference of passengers and mails; and finally the lighthouse showing a golden star against the sunset, when the great ship’s head was turned to the red west, and the muffled and murmuring song of the engines was taken up again. Perhaps our traveller, bent upon more discoveries, dined that night not in the saloon, but in the restaurant, and, following the illuminated electric signs that pointed the way along the numerous streets and roads of the ship, found his way aft to the Café-Restaurant; where instead of stewards were French waiters and a maître d’hotel from Paris, and all the perfection of that perfect and expensive service which condescends to give you a meal for something under a five-pound note; where, surrounded by Louis Seize panelling of fawn-coloured walnut, you may on this April evening eat your plovers’ eggs and strawberries, and drink your 1900 Clicquot, and that in perfect oblivion of the surrounding sea. Afterwards, perhaps, a stroll on the deck amid groups of people, not swathed in pea-jackets or oilskins, but attired as though for the opera; and all the time, in an atmosphere golden with light, and musical with low-talking voices and