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قراءة كتاب Moran of the Lady Letty

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‏اللغة: English
Moran of the Lady Letty

Moran of the Lady Letty

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دار النشر: Project Gutenberg
الصفحة رقم: 7

nest," exclaimed Wilbur. "It's Jim, see, he's waving his arms."

"Well, whaduz he wave his dam' fool arms for?" growled Kitchell, angry because something was going forward he did not understand.

"There, he's shouting again. Listen—I can't make out what he's yelling."

"He'll yell to a different pipe when I get my grip of him. I'll twist the head of that swab till he'll have to walk back'ard to see where he's goin'. Whaduz he wave his arms for—whaduz he yell like a dam' philly-loo bird for? What's him say, Charlie?"

"Jim heap sing, no can tell. Mebbee—tinkum sing, come back chop-chop."

"We'll see. Oars out, men, give way. Now, son, put a little o' that Yale stingo in the stroke."

In the crow's nest Jim still yelled and waved like one distraught, while the dory returned at a smart clip toward the schooner. Kitchell lathered with fury.

"Oh-h," he murmured softly through his gritted teeth. "Jess lemmee lay mee two hands afoul of you wunst, you gibbering, yellow philly-loo bird, believe me, you'll dance. Shut up!" he roared; "shut up, you crazy do-do, ain't we coming fast as we can?"

The dory bumped alongside, and the Captain was over the rail like quicksilver. The hands were all in the bow, looking and pointing to the west. Jim slid down the ratlines, bubbling over with suppressed news. Before his feet had touched the deck Kitchell had kicked him into the stays again, fulminating blasphemies.

"Sing!" he shouted, as the Chinaman clambered away like a bewildered ape; "sing a little more. I would if I were you. Why don't you sing and wave, you dam' fool philly-loo bird?"

"Yas, sah," answered the coolie.

"What you yell for? Charlie, ask him whaffo him sing."

"I tink-um ship," answered Charlie calmly, looking out over the starboard quarter.

"Ship!"

"Him velly sick," hazarded the Chinaman from the ratlines, adding a sentence in Chinese to Charlie.

"He says he tink-um ship sick, all same; ask um something—ship velly sick."

By this time the Captain, Wilbur, and all on board could plainly make out a sail some eight miles off the starboard bow. Even at that distance, and to eyes so inexperienced as those of Wilbur, it needed but a glance to know that something was wrong with her. It was not that she failed to ride the waves with even keel, it was not that her rigging was in disarray, nor that her sails were disordered. Her distance was too great to make out such details. But in precisely the same manner as a trained physician glances at a doomed patient, and from that indefinable look in the face of him and the eyes of him pronounces the verdict "death," so Kitchell took in the stranger with a single comprehensive glance, and exclaimed:

"Wreck!"

"Yas, sah. I tink-um velly sick."

"Oh, go to 'll, or go below and fetch up my glass—hustle!"

The glass was brought. "Son," exclaimed Kitchell—"where is that man with the brains? Son, come aloft here with me." The two clambered up the ratlines to the crow's nest. Kitchell adjusted the glass.

"She's a bark," he muttered, "iron built—about seven hundred tons, I guess—in distress. There's her ensign upside down at the mizz'nhead—looks like Norway—an' her distress signals on the spanker gaff. Take a blink at her, son—what do you make her out? Lord, she's ridin' high."

Wilbur took the glass, catching the stranger after several clumsy attempts. She was, as Captain Kitchell had announced, a bark, and, to judge by her flag, evidently Norwegian.

"How she rolls!" muttered Wilbur.

"That's what I can't make out," answered Kitchell. "A bark such as she ain't ought to roll thata way; her ballast'd steady her."

"What's the flags on that boom aft—one's red and white and square-shaped, and the other's the same color, only swallow-tail in shape?"

"That's H. B., meanin: 'I am in need of assistance.'"

"Well, where's the crew? I don't see anybody on board."

"Oh, they're there right enough."

"Then they're pretty well concealed about the premises," turned Wilbur, as he passed the glass to the Captain.

"She does seem kinda empty," said the Captain in a moment, with a sudden show of interest that Wilbur failed to understand.

"An' where's her boats?" continued Kitchell. "I don't just quite make out any boats at all." There was a long silence.

"Seems to be a sort of haze over her," observed Wilbur.

"I noticed that, air kinda quivers oily-like. No boats, no boats—an' I can't see anybody aboard." Suddenly Kitchell lowered the glass and turned to Wilbur. He was a different man. There was a new shine in his eyes, a wicked line appeared over the nose, the jaw grew salient, prognathous.

"Son," he exclaimed, gimleting Wilbur with his contracted eyes; "I have reemarked as how you had brains. I kin fool the coolies, but I can't fool you. It looks to me as if that bark yonder was a derelict; an' do you know what that means to us? Chaw on it a turn."

"A derelict?"

"If there's a crew on board they're concealed from the public gaze—an' where are the boats then? I figger she's an abandoned derelict. Do you know what that means for us—for you and I? It means," and gripping Wilbur by the shoulders, he spoke the word into his face with a savage intensity. "It means salvage, do you savvy?—salvage, salvage. Do you figger what salvage on a seven-hundred-tonner would come to? Well, just lemmee drop it into your think tank, an' lay to what I say. It's all the ways from fifty to seventy thousand dollars, whatever her cargo is; call it sixty thousand—thirty thou' apiece. Oh, I don't know!" he exclaimed, lapsing to landman's slang. "Wha'd I say about a million to one on the unexpected at sea?"

"Thirty thousand!" exclaimed Wilbur, without thought as yet.

"Now y'r singin' songs," cried the Captain. "Listen to me, son," he went on, rapidly shutting up the glass and thrusting it back in the case; "my name's Kitchell, and I'm hog right through." He emphasized the words with a leveled forefinger, his eyes flashing. "H—O—G spells very truly yours, Alvinza Kitchell—ninety-nine swine an' me make a hundred swine. I'm a shoat with both feet in the trough, first, last, an' always. If that bark's abandoned, an' I says she is, she's ours. I'm out for anything that there's stuff in. I guess I'm more of a beach-comber by nature than anything else. If she's abandoned she belongs to us. To 'll with this coolie game. We'll go beach-combin', you and I. We'll board that bark and work her into the nearest port—San Diego, I guess—and get the salvage on her if we have to swim in her. Are you with me?" he held out his hand. The man was positively trembling from head to heel. It was impossible to resist the excitement of the situation, its novelty—the high crow's nest of the schooner, the keen salt air, the Chinamen grouped far below, the indigo of the warm ocean, and out yonder the forsaken derelict, rolling her light hull till the garboard streak flashed in the sun.

"Well, of course, I'm with you, Cap," exclaimed Wilbur, gripping Kitchell's hand. "When there's thirty thousand to be had for the asking I guess I'm a 'na'chel bawn' beach-comber myself."

"Now, nothing about this to the coolies."

"But how will you make out with your owners, the Six Companies? Aren't you bound to bring the 'Bertha' in?"

"Rot my owners!" exclaimed Kitchell. "I ain't a skipper of no oil-boat any longer. I'm a beach-comber." He fixed the wallowing bark with glistening eyes. "Gawd strike me," he murmured, "ain't she a daisy? It's a little Klondike. Come on, son."

The two went down the ratlines, and Kitchell ordered a couple of the hands into the dory that had been rowing astern. He and Wilbur followed. Charlie was left on board, with directions to lay the schooner to. The dory flew over the water, Wilbur setting the stroke. In a few moments she was well up with the bark. Though a larger boat than the "Bertha Millner," she was rolling in lamentable fashion, and every

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