familiar with them. On this account the text is made as untechnical as possible, and description takes the place of criticism. The work is intended to answer the purpose of a handbook and guide which shall acquaint the reader with the principal facts and accomplishments in this very interesting form of composition. The favor so generously accorded to the “Standard Operas” and “Standard Oratorios” leads the author to hope that this volume will also be welcome to music-lovers, and will find a place by the side of its companions in their libraries.

G. P. U.

Chicago, September, 1887.

CONTENTS.

PAGE

PREFACE 3

THE CANTATA 13

BACH 29

Ich Hatte viel Bekümmerniss 31

Gottes Zeit 33

Festa Ascensionis Christi 37

Ein’ Feste Burg 38

BALFE 44

Mazeppa 45

BEETHOVEN 48

The Ruins of Athens 49

The Glorious Moment 53

BENEDICT 56

St. Cecilia 57

BENNETT 62

The May Queen 64