and another prayer, Aloys trudged home.

Thus things went on till Aloys reached his nineteenth year, when, on New-Year's day, Mary Ann made him a present of a shirt, the hemp of which she had broken herself, and had spun, bleached, and sewed it. He was overjoyed, and only regretted that it would not do to walk the street in shirt-sleeves: though it was bitter cold, he would not have cared for that in the least; but people would have laughed at him, and Aloys was daily getting more and more sensitive to people's laughter.

The main cause of this was the old squire's² new hand who had come into the village last harvest. He was a tall, handsome fellow, with a bold, dare-devil face appropriately set off with a reddish mustache. George (for such was his name) was a cavalry soldier, and almost always wore the cap belonging to his uniform. When he walked up the village of a Sunday, straight as an arrow, turning out his toes and rattling his spurs, every thing about him said, as plainly as words could speak, "I know all the girls are in love with me;" and when he rode his horses down to Jacob's pump to water them, poor Aloys' heart was ready to burst as he saw Mary Ann look out of the window. He wished that there were no such things as milk and butter in the world, so that he too might be a horse-farmer.

Inexperienced as Aloys was, he knew all about the three classes or "standings" into which the peasants of the Black Forest are divided. The cow-farmers are the lowest in the scale: their draught-cattle, in addition to their labor, must yield them milk and calves. Then come the ox-farmers, whose beasts, after having served their time, may be fattened and killed. The horse-farmers are still more fortunate: their beasts of draught yield neither milk nor meat, and yet eat the best food and bring the highest prices.

Whether Aloys took the trouble to compare this arrangement with the four castes of Egypt, or the three estates of feudalism, is doubtful.

On this New-Year's day, George derived a great advantage from his horses. After morning service, he took the squire's daughter and her playmate Mary Ann sleighing to Impfingen; and, though the heart of poor Aloys trembled within him, he could not refuse George's request to help him hitch the horses and try them in the sleigh. He drove about the village, quite forgetting the poor figure he cut beside the showy soldier. When the girls were seated, Aloys led the horses a little way, running beside them until they were fairly started, and then let them go. George drove down the street, cracking his whip; the horses jingled their bells; half the commune looked out of their windows; and poor Aloys stared after them long after they were out of sight; and then went sadly home, cursing the snow which brought the water to his eyes. The village seemed to have died out when Mary Ann was not to be in it for a whole day.

All this winter Aloys was often much cast down. At his mother's house the girls frequently assembled to hold their spinning-frolics,--a custom much resembling our quiltings. They always prefer to hold these gatherings at the house of a comrade recently married or of a good-natured widow; elder married men are rather in the way. So the girls often came to Mother Maria, and the boys dropped in later, without waiting to be invited. Hitherto Aloys had never troubled himself about them so long as they left him undisturbed: he had sat in a corner doing nothing. But now he often said to himself, "Aloys, this is too bad: you are nineteen years old now, and must begin to put yourself forward." And then again he would say, "I wish the devil would carry that George away piecemeal!" George was the object of his ill-humor, for he had soon obtained a perfect control over the minds of all the boys, and made them dance to his whistle. He could whistle and sing and warble and tell stories like a wizard. He taught the boys and girls all sorts of new songs. The first time he sang the verse,--

"Do thy cheeks with gladness tingle
Where the snows and scarlet mingle?"--

Aloys suddenly rose: he seemed taller than usual; he clenched his fists and gnashed his teeth with secret joy. He seemed to draw Mary Ann toward him with his looks, and to see her for the first time as she truly was; for, just as the song ran, so she looked.

The girls sat around in a ring, each having her distaff with the gilt top before her, to which the hemp was fastened with a colored ribbon; they moistened the thread with their lips, and twirled the spindle, which tumbled merrily on the floor. Aloys was always glad to put "a little moistening," in the shape of some pears or apples, on the table, and never failed to put the plate near Mary Ann, so that she might help herself freely.

Early in the winter Aloys took his first courageous step in right of his adolescence. Mary Ann had received a fine new distaff set with pewter. The first time she brought it into the spinning-room and sat down to her work, Aloys came forward, took hold of it, and repeated the old rhyme:--

"Good lassie, give me leave,
Let me shake your luck out of this sleeve;
Great goodhap and little goodhap
Into my lassie's lap.
Lassie, why are you so rude?
Your distaff is only of wood;
If it had silver or gold on't,
I'd have made a better rhyme on't."

His voice trembled a little, but he got through without stammering. Mary Ann first cast her eyes down with shame and fear lest he should "balk;" but now she looked at him with beaming eyes. According to custom, she dropped the spindle and the whirl,³ which Aloys picked up, and exacted for the spindle the promise of a dumpling, and for the whirl that of a doughnut. But the best came last. Aloys released the distaff and received as ransom a hearty kiss. He smacked so loud that it sounded all over the room, and the other boys envied him sorely. He sat down quietly in a corner, rubbed his hands, and was contented with himself and with the world. And so he might have remained to the end of time, if that marplot of a George had not interfered again.

Mary Ann was the first voice in the church-choir. One evening George asked her to sing the song of the "Dark-Brown Maid." She began without much hesitation, and George fell in with the second voice so finely and sonorously that all the others who had joined in also lapsed into silence one by one, and contented themselves with listening to the two who sang so well. Mary Ann, finding herself unsupported by her companions, found her voice trembling a little, and nudged her companions to go on singing; but, as they would not, she took courage, and sang with much spirit, while George seemed to uphold her as with strong arms. They sang:--