effect, but am quite certain that he never witnessed the infringement of his command.

At the time of which I speak, my father's family all lived in our immediate neighborhood. He had considerably distanced his brothers in fortune, and had built for himself the beautiful house of which I have already spoken. In the same street with us lived my music-loving uncle, Henry, somewhat given to good cheer, and of a genial disposition. In a house nearer to us resided my grandfather, Samuel Ward, with an unmarried daughter and three bachelor sons, John, Richard, and William. The outings of my young girlhood were confined to this family circle. I went to school, indeed, but never to dancing-school, a sober little dancing-master giving us lessons at home. I used to hear, with some envy, of Monsieur Charnaud's classes and of his "publics," where my schoolfellows disported themselves in their best clothes. My grandfather was a stately old gentleman, a good deal more than six feet in height, very mild in manner, and fond of a game of whist. With us children he used to play a very simple game called "Tom, come tickle me." Cards were not allowed in my father's house, and my brothers used to resort to the grand-paternal mansion when they desired this diversion.

The eldest of my father's unmarried brothers was my uncle John, a man more tolerant than my father, and full of kindly forethought for his nieces and nephews. In his youth he had sustained an injury which deprived him of speech for more than a year. His friends feared that he would never speak again, but his mother, trying one day to render him some small assistance, did not succeed to her mind, and said, "I am a poor, awkward old woman." "No, you are not!" he exclaimed, and at once recovered his power of speech. He was anxious that his nieces should be well instructed in practical matters, and perhaps he grudged a little the extra time which we were accustomed to devote to books and music. He was fond of sending materials for dresses to me and my sisters, but insisted that we should make them up for ourselves. This we managed to do, with a good deal of help from the family seamstress. When I had published my first literary venture, uncle John showed me in a newspaper a favorable notice of my work, saying, "This is my little girl who knows about books, and writes an article and has it printed, but I wish that she knew more about housekeeping,"—a sentiment which in after years I had occasion to echo with fervor.

CHAPTER II

LITERARY NEW YORK

Although the New York of my youth had little claim to be recognized as a literary centre, it yet was a city whose tastes and manners were much influenced by people of culture. One of these, Robert Sands, was the author of a poem entitled "Yamoyden," its theme being an Indian story or legend. His family dated back to the Sands who once owned a considerable part of Block Island, and from whom Sands Point takes its name. If I do not mistake, these Sands were connected by marriage with one of my ancestors, who were also settlers in Block Island. I remember having seen the poet Sands in my childhood, a rather awkward, near-sighted man. His life was not a long one. A sister of his, Julia Sands, wrote a biographical sketch of her brother, and was spoken of as a literary woman.

William Cullen Bryant resided in New York many years. He took a prominent part in politics, but mingled little in general society, being much absorbed in his duties as editor of the "Evening Post," of which he was also the founder.

I first heard of Fitz-Greene Halleck as the author of various satirical pieces of verse relating to personages and events of nearly eighty years ago. He is now best remembered by his "Marco Bozzaris," a noble lyric which we have heard quoted in view of recent lamentable encounters between Greek and Barbarian.

Among the lecturers who visited New York, I remember Professor Silliman of Yale College, Dr. Follen, who spoke of German literature, George Combe, and Mr. Charles Lyell.

Charles King, for many years editor of a daily paper entitled "The New York American," was a man of much literary taste. He had been a pupil at Harrow when Byron was there. He was an appreciative friend of my father, although as convivial in his tastes as my father was the reverse. I remember that once, when a temperance meeting was going on in one of our large parlors, Mr. King called and, finding my father thus engaged, began to frolic with us young people. He even dared to say: "How I should like to open those folding doors just wide enough to fire off a bottle of champagne at those temperance folks!"

He was the patron of my early literary ventures, and kindly allowed my fugitive pieces to appear in his paper. He always advocated the abolition of slavery, and could never forgive Henry Clay his part in effecting the Missouri Compromise. He and his brother James, my father's junior partner, were sons of Rufus King, a man eminent in public life. I was a child of perhaps eight years when I heard my elders say with regret that "old Mr. King was dying."

Quite late in his life, Mr. Charles King became President of Columbia College. This institution, with the houses of its officers, occupied the greater part of Park Place. Its professors were well known in society. The college was very conservative in its management. The professor of mathematics was asked one day by one of his class whether the sun did not really stand still in answer to the prayer of Joshua. He laughed at the question, and was in consequence reprimanded by the faculty.

Professor Anthon, of the college, became known through his school and college editions of many Latin classics. Professor Moore, in the department of Hellenics, was popular among the undergraduates, partly, it was said, on account of his very indulgent method of conducting examinations. Professor McVickar, in the chair of Philosophy, was one of the early admirers of Ruskin. The families of these gentlemen mingled a good deal in the society of the time, and contributed no doubt to impart to it a tone of polite culture. I should say that before the forties the sons of the best families of New York city were usually sent to Columbia College. My own brothers, three in number, were among its graduates. New York parents in those days looked upon Harvard as a Unitarian institution, and shunned its influence for their sons.

The venerable Lorenzo Da Ponte was for many years a resident of New York, and a teacher of the Italian language and literature. When Dominick Lynch introduced the first opera troupe to the New York public, sometime in the twenties, the audience must surely have comprised some of the old man's pupils, well versed in the language of the librettos. In earlier life, he had furnished the text of several of Mozart's operas, among them "Don Giovanni" and "Le Nozze di Figaro."

Dominick Lynch, whom I have just mentioned, was an enthusiastic lover of music. His visits to my father's house were occasions of delight to me. He was without a rival as an interpreter of ballads, and especially of the songs of Thomas Moore. His voice, though not powerful, was clear and musical, and his touch on the pianoforte was perfect. I remember creeping under the instrument to hide my tears when I heard him sing the ballad of "Lord Ullin's Daughter."

Charles Augustus Davis, the author of the "Letters of J. Downing, Major, Downingville Militia, Second Brigade, to his old Friend Mr. Dwight, of the New York Daily Advertiser," was a gentleman well known in the New York society of my youth. The letters in question contained imaginary reports of a tour which the writer