class="chapname">—And People Went Out to Luncheon

205 XXVIII. —Which Tells of an Unexpected Turn of Events 216 XXIX. —The World Is So Large 223 XXX. —And Then Every One Went Home 233 XXXI. —And There Are People Who Do Not Care 237 XXXII. —A Man Must Act As He Thinks Best 244 XXXIII. —If You Would Only Let Yourself Go 249 XXXIV. —Which Speaks Only of Farewells 261 XXXV. —Which Tells of Pictures in the Fire 268 XXXVI. —People Don't Do That Sort of Thing 274 XXXVII. —It Is One Human Life Against the Other 287 XXXVIII. —The Hand of Death Was on Him Too 292 XXXIX. —A Mere Woman Fighting for the Thing She Loved 300 XL. —And Thus Her Hour Had Come 310 XLI. —Which Tells of the Contents of the Note Book 313 XLII. —Which Tells Once More of Commonplace Incidents 319

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THE HEART OF A WOMAN

BARONESS ORCZY

CHAPTER I
WHICH TELLS OF A VERY COMMONPLACE INCIDENT

No! No! she was not going to gush!—Not even though there was nothing in the room at this moment to stand up afterward before her as dumb witness to a moment's possible weakness. Less than nothing in fact: space might have spoken and recalled that moment . . . infinite nothingness might at some future time have brought back the memory of it . . . but these dumb, impassive objects! . . . the fountain pen between her fingers! The dull, uninteresting hotel furniture covered in red velvet—an uninviting red that repelled dreaminess and peace! The ormolu clock which had ceased long ago to mark the passage of time, wearied—as it no doubt was, poor thing—by the monotonous burden of a bronze Psyche gazing on her shiny brown charms, in an utterly blank and unreflective bronze mirror, while obviously bemoaning the fracture of one of her smooth bronze thighs! Indeed Louisa might well have given way to that overmastering feeling of excitement before all these things. They would neither see nor hear. They would never deride, for they could never remember.

But a wood fire crackled on the small hearth . . . and . . . and those citron-coloured carnations were favourite flowers of his . . . and his picture did stand on the top of that ugly little Louis Philippe bureau . . . No! No! it would never do to gush, for these things would see . . . and, though they might not remember, they would remind.

And Louisa counted herself one of the strong ones of this earth. Just think of her name. Have you ever known a Louisa who gushed? who called herself the happiest woman on earth? who thought of a man—just an ordinary man, mind you—as the best, the handsomest, the truest, the most perfect hero of romance that ever threw a radiance over the entire prosy world of the twentieth century?

Louisas, believe me, do no such things. The Mays and the Floras, the Lady Barbaras and Lady Edithas, look beatific and charming when, clasping their lily-white hands together and raising violet eyes to the patterned ceiling paper above them, they exclaim: "Oh, my hero and my king!"

But Louisas would only look ridiculous if they behaved like that . . . Louisa Harris, too! . . . Louisa, the eldest of three sisters, the daughter of a wealthy English gentleman with a fine estate in Kent, an assured position, no troubles, no cares, nothing in her life to make it sad, or sordid or interesting . . . Louisa Harris and romance! . . . Why, she was not even pretty. She had neither violet eyes nor hair of ruddy gold. The latter was brown and the former were gray. . . . How could romance come in the way of gray eyes, and of a girl named Louisa?

Can you conceive, for instance, one of those adorable detrimentals of low degree and empty pocket who have a way of arousing love in the hearts of the beautiful daughters of irascible millionaires, can you conceive such an interesting personage, I say, falling in love with Louisa Harris?

I confess that I cannot. To begin with, dear, kind Squire Harris was not altogether a