You are here
قراءة كتاب Man and Maid
تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"
been because it was alive, and I ought to have been glad, because the man was my friend. But all the same, if it had moved I should have gone mad.”
“Yes,” said Edward; “that’s just exactly it.”
Vincent called for a second absinthe.
“But a dead body’s different to wax-works,” he said. “I can’t understand any one being frightened of them.”
“Oh, can’t you?” The contempt in the other’s tone stung him. “I bet you wouldn’t spend a night alone in that place.”
“I bet you five pounds I do!”
“Done!” said Edward briskly. “At least, I would if you’d got five pounds.”
“But I have. I’m simply rolling. I’ve sold my Dejanira, didn’t you know? I shall win your money, though, anyway. But you couldn’t do it, old man. I suppose you’ll never outgrow that childish scare.”
“You might shut up about that,” said Edward shortly.
“Oh, it’s nothing to be ashamed of; some women are afraid of mice or spiders. I say, does Rose know you’re a coward?”
“Vincent!”
“No offence, old boy. One may as well call a spade a spade. Of course, you’ve got tons of moral courage, and all that. But you are afraid of the dark—and wax-works!”
“Are you trying to quarrel with me?”
“Heaven in its mercy forbid; but I bet you wouldn’t spend a night in the Musée Grévin and keep your senses.”
“What’s the stake?”
“Anything you like.”
“Make it, that if I do, you’ll never speak to Rose again—and what’s more, that you’ll never speak to me,” said Edward, white-hot, knocking down a chair as he rose.
“Done!” said Vincent; “but you’ll never do it. Keep your hair on. Besides, you’re off home.”
“I shall be back in ten days. I’ll do it then,” said Edward, and was off before the other could answer.
Then Vincent, left alone, sat still, and over his third absinthe remembered how, before she had known Edward, Rose had smiled on him; more than on the others, he had thought. He thought of her wide, lovely eyes, her wild-rose cheeks, the scented curves of her hair, and then and there the devil entered into him.
In ten days Edward would undoubtedly try to win his wager. He would try to spend the night in the Musée Grévin. Perhaps something could be arranged before that. If one knew the place thoroughly! A little scare would serve Edward right for being the man to whom that last glance of Rose’s had been given.
Vincent dined lightly, but with conscientious care—and as he dined, he thought. Something might be done by tying a string to one of the figures, and making it move, when Edward was going through that impossible night among the effigies that are so like life—so like death. Something that was not the devil said: “You may frighten him out of his wits.” And the devil answered: “Nonsense! do him good. He oughtn’t to be such a schoolgirl.”
Anyway, the five pounds might as well be won to-night as any other night. He would take a great coat, sleep sound in the place of horrors, and the people who opened it in the morning to sweep and dust would bear witness that he had passed the night there. He thought he might trust to the French love of a sporting wager to keep him from any bother with the authorities.
So he went in among the crowd, and looked about among the wax-works for a place to hide in. He was not in the least afraid of these lifeless images. He had always been able to control his nervous tremors. He was not even afraid of being frightened, which, by the way, is the worst fear of all. As one looks at the room of the poor little Dauphin, one sees a door to the left. It opens out of the room on to blackness. There were few people in the gallery. Vincent watched, and in a moment when he was alone he stepped over the barrier and through this door. A narrow passage ran round behind the wall of the room. Here he hid, and when the gallery was deserted he looked out across the body of little Capet to the gaolers at the window. There was a soldier at the window, too. Vincent amused himself with the fancy that this soldier might walk round the passage at the back of the room and tap him on the shoulder in the darkness. Only the head and shoulders of the soldier and the gaoler showed, so, of course, they could not walk, even if they were something that was not wax-work.
Presently he himself went along the passage and round to the window where they were. He found that they had legs. They were full-sized figures dressed completely in the costume of the period.
“Thorough the beggars are, even the parts that don’t show—artists, upon my word,” said Vincent, and went back to his doorway, thinking of the hidden carving behind the capitols of Gothic cathedrals.
But the idea of the soldier who might come behind him in the dark stuck in his mind. Though still a few visitors strolled through the gallery, the closing hour was near. He supposed it would be quite dark then. And now he had allowed himself to be amused by the thought of something that should creep up behind him in the dark, he might possibly be nervous in that passage round which, if wax-works could move, the soldier might have come.
“By Jove!” he said, “one might easily frighten oneself by just fancying things. Suppose there were a back way from Marat’s bath-room, and instead of the soldier Marat came out of his bath, with his wet towels stained with blood, and dabbed them against your neck.”
When next the gallery was empty he crept out. Not because he was nervous, he told himself, but because one might be, and because the passage was draughty, and he meant to sleep.
He went down the steps into the Catacombs, and here he spoke the truth to himself.
“Hang it all!” he said, “I was nervous. That fool Edward must have infected me. Mesmeric influences, or something.”
“Chuck it and go home,” said Commonsense.
“I’m damned if I do!” said Vincent.
There were a good many people in the Catacombs at the moment—live people. He sucked confidence from their nearness, and went up and down looking for a hiding-place.
Through rock-hewn arches he saw a burial scene—a corpse on a bier surrounded by mourners; a great pillar cut off half the still, lying figure. It was all still and unemotional as a Sunday School oleograph. He waited till no one was near, then slipped quickly through the mourning group and hid behind the pillar. Surprising—heartening too—to find a plain rushed chair there, doubtless set for the resting of tired officials. He sat down in it, comforted his hand with the commonplace lines of its rungs and back. A shrouded waxen figure just behind him to the left of his pillar worried him a little, but the corpse left him unmoved as itself. A far better place this than that draughty passage where the soldier with legs kept intruding on the darkness that is always behind one.
Custodians went along the passages issuing orders. A stillness fell. Then suddenly all the lights went out.
“That’s all right,” said Vincent, and composed himself to sleep.