they afford collectively a clearer knowledge of the religion, culture, and domestic life of the people of their several periods than a Gibbon or a Bancroft could depict with their glowing pages.

The Danes are a cultured people, much more so, indeed, than the average classes of the continental States. The large number of book-stores was a noticeable feature of the capital, as well as the excellent character of the books which were offered for sale. These were in German, French, and English, the literature of the latter being especially well represented. Copenhagen has more daily and weekly newspapers, magazines, and current news publications than Edinburgh or Dublin, or most of the provincial cities of Great Britain. It may be doubted if even in this country, outside of New England, we have many districts more liberally supplied with free library accommodations, or with educational facilities for youth, than are the populous portions of Zeeland and Jutland. Even small country villages have their book-clubs and dramatic clubs. A very general taste for the drama prevails. Indeed, Denmark has a national drama of its own, which exercises a notable influence upon its people. This Government was the first in Europe to furnish the means of education to the people at large on a liberal scale, to establish schoolhouses in every parish, and to provide suitable dwellings and incomes for the teachers. The incipient steps towards this object began as far back as the time of Christian II., more than three centuries ago, while most of the European States were grovelling in ignorance. Copenhagen has two public libraries,—the Royal, containing over six hundred thousand books; and the University, which has between two hundred and fifty and three hundred thousand volumes, not to speak in detail of a particularly choice collection of manuscripts. These under reasonable restrictions are free to all, citizen or foreigner. The National University is of the first class, and supports a well organized lecture-system, like that of the Sorbonne in Paris, and which is also free to all, women having the same facilities afforded them as those enjoyed by the sterner sex. This institution, we were assured, is conducted upon the most modern educational system. It was founded in 1478, and at the present writing has between twelve and fifteen hundred students, instructed by about fifty able professors.

Though Denmark is a small kingdom, containing scarcely three millions of people, yet it has produced many eminent men of science, of art, and of literature. The names of Hans Christian Andersen, of Rasmus Rask the philologist, of Oersted the discoverer of electro-magnetism, of Forchhammer the mineralogist, and Eschricht the physiologist, will occur to the reader's mind in this connection. It is a country of legend and romance, of historic and prehistoric monuments, besides being the very father-land of fairy tales. The Vikings of old have left their footprints all over the country in barrows and tumuli. It is not, therefore, surprising that the cultured portion of the community are stimulated to antiquarian research. The masses are clearly a pleasure-loving people, easily amused and contented, troubling themselves very little about religious matters; the arts, poetry, and the drama being much more reverenced than the church. The accepted and almost universal doctrine is that of Lutheranism. One meets comparatively few intelligent persons who cannot speak English, while many speak French and German also. The Danish language is a modified form of the old Gothic, which prevailed in the earliest historic ages.

Copenhagen is liberally supplied with free hospitals and charitable institutions, but except the Communal Hospital, the buildings devoted to these purposes have no architectural merit. A child's home was pointed out to us designed for the children of the poor, whose parents are unable to take care of them during their working hours. Before going out to a day's labor, a mother can place her child in this temporary home, where it will be properly cared for and fed until she returns for it. "Is any charge made for this service?" we asked. "Certainly," replied our informant, himself an official of importance; and he named a sum equal to about five cents of our money as the price per day for the care of each infant. "If it were entirely gratuitous," he added, "it would not be nearly so well appreciated, and would lead to imposition. The payment of this trifling sum enhances the estimate of the privilege far beyond its cost." The institution could not be sustained by such limited charges however; its real support is by the local government. Another institution was visited, designed for the sick and poor, where they can be properly nursed when temporarily ill, yet not sufficiently so to seek admission to a regular hospital. There have been as many as eight thousand patients admitted within a twelve-month to this establishment. There are also homes for old men and old women, intended for indigent persons who are too old to work. From the latter "home" there was observed driving upon the Lange Linie, beside the sea, a large open wagon full of dames who were enjoying a healthful outing. As the vehicle passed us, the driver was pointing out to his charges the distant view of Sweden, across the intervening Sound. The Royal Theatre or Opera House, situated on the King's Square, was to us a surprise,—it is so similar, at first sight, to the more elaborate and costly Opera House in the Place de l'Opéra in Paris, and as it antedates that elegant structure, it would certainly seem to have suggested some of its best lines. The Danish theatre will accommodate seventeen hundred persons, and is usually well filled, the royal box being seldom empty. The corridors are remarkable for spaciousness, and form a popular promenade for both sexes during the intervals between the acts. This furnishes an agreeable social break to the often long-protracted performances. On one side of the theatre facing the Square is a hideous bronze statue of Adam Oehlenschlaeger, the Danish lyric author; and on the opposite side is another representing Ludwig von Holberg, the Norwegian dramatist. This latter, in an artistic sense, is still more objectionable than the first named. The ballet as represented here is unique, being mostly designed to illustrate the early history of Scandinavia.

On one of the main thoroughfares leading from the Square already named, the triple domes of a Russian church dazzle the eye with their bright gilded surface and long hanging chains, depending from cross and crescent of the same metal, the whole reflecting the sun's rays with the force of a Venetian mirror. The interior, however, is plain, though rich in white marble, here and there carved in lattice pattern to form balustrades and dädos. Near by this church is the residence of the Russian Minister. On this same street, called the Bredgade, is the Frederick's Church, begun as long ago as 1749, after a grand design, and not yet finished. It is half surrounded to-day by a broad high staging, upon which groups of mechanics were seen busily at work, as has been the case for so many generations. This is known as the Marble Church, and is surmounted by a grand if not graceful dome of immense proportions. The English residents of the city are building an Episcopal church on the Esplanade, the local government having given the ground for this purpose. The corner-stone was laid by the Prince of Wales in 1885, with a grand ceremony, at which the Emperor and Empress of Russia assisted, with all the Danish royal family. It is the first English church erected in the country. On the Amaliegade, which runs parallel with the Bredgade and which is the next street to it, are four spacious palaces, which form a