telling a yarn about a vessel which was carrying a snake in a crate from the West Indies. This snake got into the boiler when they were cleaning out the engine-room.

"The capt'in ses to me, 'Joe.' I ses, 'Yes-sir.' 'Joe,' says 'e, 'wot's to be done?'

"'Why,' ses I, 'thing is ter git this 'ere snake out ag'in!'

"'Jistso,' says the capt'in; 'but 'oo' ter do it?'—'E always left everythink ter me—and I ses, 'Why, sir, it's thiswise, if sobe all the others are afeared, I ain't, or my name's Double Dutch.'

"'Very good, melad,' ses the capt'in, 'I relies on you, Joe.'—'E always did—and would you believe it, I upped an' 'ooked that there great rattlesnake out of the boiler with an old hum-brella!"

There was a clerk who stood six-foot eight who was something of a "knut." He told me that at home he belonged to a "Lit'ry Society," and I asked him what books they had and which he liked.

"Books?" he asked. "'Ow d'yow mean?"

"You said a Literary Society, didn't you?"

"Oh yes, we 'ave got books. But, you know, we go down there and 'ave a concert, or read the papers, and 'ave a social, perhaps, you know; sometimes ask the girls round to afternoon tea."

I had a barrack-room full of these people to look after. Most of them got drunk. Once a young medical student tried to knife me with a Chinese jack-knife which his uncle, a missionary, had given him. He had "downed" too much whisky. Just as boys do at school, so these men formed into cliques, and "hung together" in twos and threes.

Some of them, like the "lit'ry society" clerk, had never seen much of life or people; had lived in a little suburban villa and pretended to be "City men." Others had knocked about all over the world. These were mostly seafaring men. Savage was such a one. He was one of the buccaneer type, strong and sunburnt, with tattooed arms. Often he sang an old sea-song, which always ended, "Forty-five fadom, and a clear sandy bottom!" He knew most of the sea chanties of the old days, one of which went something in this way—

An old Irish apple-woman used to come into the barracks, and sit by the side of the parade ground with two baskets of apples and a box of chocolate.

She did a roaring trade when we were dismissed from drill.

We always addressed her as "Mother." She looked so witch-like that one day I asked—

"Can you tell a fortune, Mother?"

"Lord-love-ye, no! Wad ye have the Cuss o' Jazus upon us all? Ye shud see the priest, sor."

"And can he?"

"No, Son! All witch-craftin' is forbid in the Book by the Holy Mother o' Gord, so they do be tellin' me."

"Can no one in all Ireland read a fortune now, Mother?"

"Ach, Son, 'tis died out, sure. Only in the old out-an'-away parts 'tis done; but 'tis terrible wicked!"

She was a good bit of colour. I have her still in my pocket-book. Her black shawl with her apples will always remind me of early barrack-days at Limerick if I live to be ninety.

CHAPTER V. I HEAR OF HAWK

Seldom are we lucky enough to meet in real life a character so strong and vivid, so full of subtle characteristics, that his appearance in a novel would make the author's name. Such a character was Hawk.

When you consider, you find that many an author of note has made a lasting reputation by evolving some such character; and in most cases this character has been "founded on fact." For example, Stevenson's "Long John Silver," Kipling's "Kim," and Rider Haggard's "Alan Quatermain."

Had Kipling met Hawk he would have worked him into a book of Indian soldier life; for