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قراءة كتاب A Bit of Old China

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‏اللغة: English
A Bit of Old China

A Bit of Old China

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دار النشر: Project Gutenberg
الصفحة رقم: 6

marshland, and a semi-rustic population, we ask our way to the pest-house. Yonder it lies, surrounded by that high white fence on the hill-top, above a marsh once clouded with clamorous water-fowl, but now all, all under the spell of the quarantine, and desolate beyond description. Our road winds up the hill-slope, sown thick with stones, and stops short at the great solid gate in the high rabbit fence that walls in the devil's acre, if I may so call it. We ring the dreadful bell—the passing-bell, that is seldom rung save to announce the arrival of another fateful body clothed in living death.

The doctor welcomes us to an enclosure that is utterly whitewashed; the detached houses within it are kept sweet and clean. Everything connected with the lazaret is of the cheapest description; there is a primitive simplicity, a modest nakedness, an insulated air about the place that reminds one of a chill December in a desert island. Cheap as it is and unhandsome, the hospital is sufficient to meet all the requirements of the plague in its present stage of development. The doctor has weeded out the enclosure, planted it, hedged it about with the fever-dispelling eucalyptus, and has already a little plot of flowers by the office window,—but this is not what we have come to see. One ward in the pest-house is set apart for the exclusive use of the Chinese lepers, who have but recently been isolated. We are introduced to the poor creatures one after another, and then we take them all in at a glance, or group them according to their various stages of decomposition, or the peculiar character of their physical hideousness.

They are not all alike; with some the flesh has begun to wither and to slough off, yet they are comparatively cheerful; as fatalists, it makes very little difference to them how soon or in what fashion they are translated to the other life. There is one youth who doubtless suffers some inconveniences from the clumsy development of his case. This lad, about eighteen years of age, has a face that is swollen like a sponge saturated with corruption; he cannot raise his bloated eyelids, but, with his head thrown back, looks downward over his cheeks. Two of these lepers are as astonishing specimens as any that have ever come under my observation, yet I have morbidly sought them from Palestine to Molokai. In these cases the muscles are knotted, the blood curdled; masses of unwholesome flesh cover them, lying fold upon fold; the lobes of their ears hang almost to the shoulder; the eyes when visible have an inhuman glance that transfixes you with horror. Their hands are shapeless stumps that have lost all natural form or expression.

Of old there was a law for the leprosy of a garment and of a house; yet, in spite of the stringency of that Mosaic law, the isolation, the purging with hyssop, and the cleansing by fire, St. Luke records: "There met Him ten men who were lepers, who stood afar off; and they lifted up their voices and cried, Jesus, Master, have mercy on us!" And today, more than eighteen hundred years later, lepers gather on the slopes of Mount Zion, and hover at the gates of Jerusalem, and crouch in the shadow of the tomb of David, crying for the bread of mercy. Leprosy once thoroughly engrafted on our nation, and nor cedar-wood, nor scarlet, nor hyssop, nor clean birds, nor ewes of the first year, nor measures of fine flour, nor offerings of any sort, shall cleanse us for evermore.

Let us turn to pleasanter prospects—the Joss House, for instance, one of the several temples whither the Chinese frequently repair to propitiate the reposeful gods. It is an unpretentious building, with nothing external to distinguish its facade from those adjoining, save only a Chinese legend above the door. There are many crooks and turns within it; shrines in a perpetual state of fumigation adorn its nooks and corners; overhead swing shelves of images rehearsing historical tableaux; there is much carving and gilding, and red and green paint. It is the scene of a perennial feast of lanterns, and the

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