قراءة كتاب The Oriental Rug A Monograph on Eastern Rugs and Carpets, Saddle-Bags, Mats & Pillows, with a Consideration of Kinds and Classes, Types, Borders, Figures, Dyes, Symbols, etc. Together with Some Practical Advice to Collectors.

تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"

‏اللغة: English
The Oriental Rug
A Monograph on Eastern Rugs and Carpets, Saddle-Bags, Mats & Pillows, with a Consideration of Kinds and Classes, Types, Borders, Figures, Dyes, Symbols, etc. Together with Some Practical Advice to Collectors.

The Oriental Rug A Monograph on Eastern Rugs and Carpets, Saddle-Bags, Mats & Pillows, with a Consideration of Kinds and Classes, Types, Borders, Figures, Dyes, Symbols, etc. Together with Some Practical Advice to Collectors.

تقييمك:
0
No votes yet
دار النشر: Project Gutenberg
الصفحة رقم: 2

class="pginternal" tag="{http://www.w3.org/1999/xhtml}a">X.

Auctions, Auctioneers, and Dealers   107 XI. Inscriptions and Dates   121 XII. General Observations and Particular Advice   131

 

 


LIST OF PLATES

Plate
I. Ladik   Frontispiece
II. Koniah   Facing page 22
III. Kazak   " " 36
IV. Sehna   " " 44
V. Chichi   " " 50
VI. Kabistan   " " 62
VII. Gheordez   " " 70
VIII. Koulah   " " 72
IX. Melez   " " 74
X. Beluchistan   " " 80
XI. Anatolian Pillows   " " 94
XII. Bergama   " " 124

 

 


THE MYSTERY OF THE RUG

 

 

The Oriental Rug

 

Chapter I

THE MYSTERY OF THE RUG

To judge of an Oriental rug rightly, it must be looked at from several points of view, or, at least, from two aspects; against the light and with the light. From the first standpoint, against the light of knowledge, speaking figuratively, there may be seen only a number of rude and awkward figures in crude colours scattered erratically on a dark or dingy-looking background, a fringe of coarse and ragged strings at either end, and rough frays of yarn at the sides. This is what is accepted by many people as an Oriental rug. And indeed this is what most rugs are.

If, on the other hand, we view our rugs with the light of a better wisdom and happier experience, we will see the richest and softest of colours, the most harmonious shadings and blendings, medallions brilliant as jewels, or geometrical designs beautiful as the rose windows of a cathedral; or, again, graceful combinations of charmingly conventionalized flowers and delicate traceries and arabesques,—all these displaying new glories of ever changing and never tiring beauty. Each woven picture, too, is as soft to tread upon as a closely mown lawn, and caresses the feet that sink into its pile. These are Oriental rugs as their admirers know and love them.

Perhaps the chief charm of all such beautiful rugs is in their mystery. Their designs are odd and strange and full of hidden meanings, and their effects are often evolved from the crudest and clumsiest figures, hooks and squares and angles; they owe their wealth of colour to simple vegetable dyes from the woods and fields and gardens, and yet the secret of many of these dyes is still a secret, or has long ago been lost. The places whence the rugs come, the people who make them and those who sell them, all are mysterious and hard to know and understand.

Moreover, broadly speaking, there are no experts on the subject, no authorities, no literature. He who would know them must learn them by experience. The rug dealers, for the most part, seem to treat their wares merely as so much merchandise, and what knowledge concerning them they are willing to impart is so contradictory as to be almost valueless. Few of them would agree upon the

Pages