‘Get out and save yourself, if possible; I am old and stiff, but I will follow you in an instant.’ ‘Out with the lady! let the lady out!’ shouted several voices at once; ‘the other horses are about to plunge, and then all will be over.’ I made a lighter spring than many a lady does in a cotillon, and jumped upon a cake of ice. Mr. P. followed, and we stood (I trembling like a leaf) expecting every moment that the next plunge of the drowning horses would detach the piece of ice upon which we were standing, and send us adrift; but, thank Heaven, after working for ten or fifteen minutes, by dint of ropes, and cutting them away from the other horses, they dragged the poor creatures out more dead than alive. Mother, don’t you think I displayed some courage? I jumped into the stage again, and shut the door, while Mr. P. remained outside, watching the movement of affairs. We at length reached here, and I am alive, as you see, to tell the story of my woes.”

At the spring vacation, Lucretia returned to her loved home; but the joy of her parents at once more embracing their darling daughter, was damped by observing that the fell destroyer had set its well-known mark upon her cheek. Her father called in another physician to consult with him, and, strange to say, it was decided that she should return to school in Albany, where she arrived May, 1825, and where her reception, 27 her accommodations and prospects, seem to have given her much delight, and where she entered upon her career of study with her wonted ardor. But her physical strength could not sustain the demands upon it. She thus writes to her mother: “I am very wretched: am I never to hear from you again? I am homesick. I know I am foolish, but I cannot help it. To tell the truth, I am half sick, I am so weak, so languid. I cannot eat. I am nervous; I know I am. I weep most of the time. I have blotted the paper so that I cannot write. I cannot study much longer if I do not hear from you.” Her disease appears now to have assumed a fixed character, and in her next letter, she expresses a fear that it is beyond the reach of human art. Her mother, herself ill, set off at once for Albany, and was received by her child with rapture. “O mamma, I thought I should never have seen you again! But, now I have you here, I can lay my aching head upon your bosom. I shall soon be better.”

The journey homeward, though made in the heats of July, was attended with less suffering than was anticipated. “Her joy,” says her mother, “upon finding herself at home, operated for a time like magic.” The progress of disease seemed to be suspended. Those around her received new hope; but she herself was not deceived, and she calmly waited for that great change which for her possessed no terrors, for her hopes as to the future rested upon a sure foundation.

But one fear disturbed her, to which she refers in the following, the last piece she ever composed, and which is left unfinished:—

She died on the 27th August, 1825. Her literary labors will surprise all who remember that she had not yet reached her seventeenth birthday. They consist of two hundred and seventy-eight poetical pieces, of which there are five regular poems, of several cantos each; three unfinished romances; a complete tragedy, written at thirteen years of age; and twenty-four school exercises; besides letters, of which forty are preserved, written in the course of a few months, to her mother alone. Indeed, we cannot but look upon Lucretia Davidson as one of the wonders of humanity. Her early productions excited even the admiration of Byron; and the delicacy, dutifulness, and exaltation, of her character seemed almost to have realized angelic purity and beauty of soul, in a tenement of clay.

The little Margaret, as we have seen, was the object of Lucretia’s fondest affection. She used to gaze upon her little sister with delight, and, remarking the brightness and beauty of her eyes, would exclaim, “She must, she will be a poet!” She did not live to see her prediction verified, but to use her mother’s fond expressions, “On ascending to the skies, it seemed as if her poetic mantle fell, like a robe of light, on her infant sister.”

Though Margaret was but two years and a half old, the death of her sister made a strong impression on her, and an incident which occurred a few months afterwards showed that she appreciated her character. As Mrs. Davidson was seated, at twilight, conversing with a female friend, Margaret entered the room with a light, elastic step, for which she was remarked. “That child never walks,” said the lady; then turning to her, she said, “Margaret, where are you flying now?” “To heaven!” replied Margaret, pointing up with her fingers, “to meet my sister Lucretia, when I get my new wings.” “Your new wings! When will you get them?” “O, soon, very soon; and then I shall fly!” “She loved,” says her mother, “to sit, hour after hour, on a cushion at my feet, her little arms resting upon my lap, and her full, dark eyes fixed upon mine, listening to anecdotes of her sister’s life, and details of the events which preceded her death, often exclaiming, while her face beamed with mingled emotions, ‘O mamma, I will try to fill her place! Teach me to be like her!’”

Warned by their dreadful experience in the former instance, the parents endeavored to repress the intellectual 30 activity of Margaret. She was not taught to read till she was four years old; but so rapid was her progress after that period, under her mother’s instructions, that at six she read not only well, but elegantly, and was wont to solace her mother’s hours of protracted illness, by reading to her the works of Thomson, Campbell, Cowper, Milton, Byron, Scott, &c., in which she took enthusiastic delight, and in discriminating their beauties and defects, she showed wonderful taste and intelligence. The Scriptures were her daily study; not hurried over as a task, but she would spend an hour or two in commenting with her mother upon the chapter she had read.

“Her religious impressions,” says her mother, “seemed to be interwoven with her existence. From the very first exercise of reason, she evinced strong devotional feelings, and, although she loved play, she would at any time prefer seating herself beside me, and, with every faculty absorbed in the subject, listen while I attempted to recount the wonders of Providence, and point out the wisdom and benevolence of God, as manifested in the works of creation.”

About the age of six years, she began to exhibit a talent for rhyming. One of her earliest pieces, if not remarkable for poetical merit, is worthy of transcription, from the incident which gave occasion to its composition; it also exhibits in a striking manner that conscientiousness for which her sister was so distinguished, and a power of self-examination of rare existence in one so