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قراءة كتاب Two plays for dancers

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‏اللغة: English
Two plays for dancers

Two plays for dancers

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دار النشر: Project Gutenberg
الصفحة رقم: 4
If someone of their race forgave at last
Lip would be pressed on lip.

YOUNG MAN

Oh, never, never
Will Dermot and Dervorgilla be forgiven.
You have told your story well, so well indeed
I could not help but fall into the mood
And for a while believe that it was true
Or half believe, but better push on now.
The horizon to the East is growing bright.

(They go once round stage)

So here we're on the summit. I can see
The Aran Islands, Connemara Hills,
And Galway in the breaking light; there too
The enemy has toppled wall and roof
And torn from ancient walls to boil his pot
The oaken panelling that had been dear
To generations of children and old men.
But for that pair for whom you would have my pardon
It might be now like Bayeux or like Caen
Or little Italian town amid its walls
For though we have neither coal nor iron ore
To make us rich and cover heaven with smoke
Our country, if that crime were uncommitted
Had been most beautiful. Why do you dance?
Why do you gaze and with so passionate eyes
One on the other and then turn away
Covering your eyes and weave it in a dance,
Who are you? what are you? you are not natural.

THE GIRL

Seven hundred years our lips have never met.

YOUNG MAN

Why do you look so strangely at one another,
So strangely and so sweetly?

THE GIRL

Seven hundred years.

YOUNG MAN

So strangely and so sweetly. All the ruin,
All, all their handiwork is blown away
As though the mountain air had blown it away
Because their eyes have met. They cannot hear,
Being folded up and hidden in their dance.
The dance is changing now. They have dropped their eyes,
They have covered up their eyes as though their hearts
Had suddenly been broken—never, never
Shall Dermot and Dervorgilla be forgiven.
They have drifted in the dance from rock to rock.
They have raised their hands as though to snatch the sleep
That lingers always in the abyss of the sky
Though they can never reach it. A cloud floats up
And covers all the mountain head in a moment.
And now it lifts and they are swept away.
I had almost yielded and forgiven it all—
This is indeed a place of terrible temptation.

(The Musicians begin unfolding and folding a black cloth. The First Musician comes forward to the front of the stage, at the centre. He holds the cloth before him. The other two come one on either side and unfold it. They afterwards fold it up in the same way. While it is unfolded, the Young Man leaves the stage)

THE MUSICIANS

I

(singing) At the grey round of the hill
Music of a lost kingdom
Runs, runs and is suddenly still.
The winds out of Clare-Galway
Carry it: suddenly it is still.
I have heard in the night air
A wandering airy music;
And moidered in that snare
A man is lost of a sudden,
In that sweet wandering snare.
What finger first began
Music of a lost kingdom.
They dreamed that laughed in the sun.
Dry bones that dream are bitter,
They dream and darken our sun.
Those crazy fingers play
A wandering airy music;
Our luck is withered away,
And wheat in the wheat-ear withered,
And the wind blows it away.

II

My heart ran wild when it heard
The curlew cry before dawn
And the eddying cat-headed bird;
But now the night is gone.
I have heard from far below
The strong March birds a-crow,
Stretch neck and clap the wing,
Red cocks, and crow.

THE ONLY JEALOUSY OF EMER

Enter Musicians, who are dressed as in the earlier play. They have the same musical instruments, which can either be already upon the stage or be brought in by the First Musician before he stands in the centre with the cloth between his hands, or by a player when the cloth is unfolded. The stage as before can be against the wall of any room.

FIRST MUSICIAN

(During the unfolding and folding of the cloth)

A woman's beauty is like a white
Frail bird, like a white sea-bird alone
At daybreak after stormy night
Between two furrows upon the ploughed land:
A sudden storm and it was thrown
Between dark furrows upon the ploughed land.
How many centuries spent
The sedentary soul
In toils of measurement
Beyond eagle or mole,
Beyond hearing or seeing,
Or Archimedes guess,
To raise into being
That loveliness?
A strange unserviceable thing,
A fragile, exquisite, pale shell,
That the vast

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