You are here

قراءة كتاب The Gambler: A Novel

تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"

‏اللغة: English
The Gambler: A Novel

The Gambler: A Novel

تقييمك:
0
No votes yet
المؤلف:
دار النشر: Project Gutenberg
الصفحة رقم: 3

sinew of hospitality the world over. Unless they include a drop of something to put life into a man——"

He paused, turning round upon his guest.

"By Jupiter, that reminds me! Have a small drink before we go another step, just to take the cold out of you?"

Milbanke, who was close behind him, glanced up. He saw his host's face more clearly than he had seen it in the hall. His answer when it came was hurried and a little confused.

"No, Denis. No," he said. "Nothing; nothing, I assure you."

Asshlin laughed again.

"Still the same stickler?" he said. "How virtues cling to a man!"

He turned and began to mount the stairs. Then, reaching the first door on the wide corridor, he paused.

"Here's your habitation," he said. "Burke will bring up your belongings and get you whatever you want. We dine in a quarter of an hour."

He nodded; and was turning away, when a fresh thought struck him.

"You may as well take this candle," he said; "we haven't arrived at the civilisation of gas. You might stumble over something, looking for the matches. This is practically a bachelor establishment, you know—without any bachelor comforts."

Once more he laughed; and, thrusting the candle into his guest's hand, hurried away across the landing.

In silence Milbanke took the candle and, holding it uncertainly, waited until his host had disappeared. Then slowly he turned and entered the large, bare bedroom. For a moment he hesitated, his eyes wandering from the faded window-hangings to the stiff, old-fashioned furniture. Finally, laying aside the candlestick, he sat down upon the side of the forbidding-looking four-post bedstead.

What motive prompted him to the action he could scarcely have defined. He was strangely moved by the scene just gone through—stirred in a manner he could never have anticipated. For the moment the precise, matter-of-fact archaeologist was submerged; and the man—dry, narrow, pedantic perhaps, but nevertheless capable of human sentiments—was uppermost. The sight of Asshlin, the sound of his voice, and the touch of his hand had possessed an alchemy all their own. The past, that years of separation had dimmed and tarnished, had gleamed out from the shadows and taken shape before his eyes. The influence, the fascination that Asshlin had once exercised, had touched him again at the first contact of personalities. But it was an altered fascination. The alloy of doubt and apprehension had tainted the old feeling. The question he had been prompted to ask Burke had answered itself at the first glimpse of his host's face. Indisputably, unmistakably, Asshlin had changed.

And in what lay that change? That was the question he put to himself as he sat on the bed, unconsciously noting the long, wavering flicker of the candle-flame against the faded wall-paper. He had aged; but the change did not lie with age alone. Something more relentless and more corroding than time had drawn the worn, discontented lines about the mouth, kindled the unnatural, restless glitter in the eyes, and changed the note of the voice from spontaneous vitality to recklessness. The change lay deeper; it lay in the heart and the soul of the man himself.

With a sensation of doubt—of puzzled doubt and inexplicable disappointment—he rose, crossed the room, and, drawing the curtains over the windows, shut out the dark, damp night.

CHAPTER III

It was nearly three-quarters of an hour later that a tremendous bell, clanging through the house, announced that dinner had been served.

A wash, a change of clothes, and a half-hour of solitude had done much for Milbanke. He felt more normal, less alienated by unfamiliar surroundings than he had done in the first confused moments that had followed his arrival. The vague sense of disappointment and apprehension, the vague suspicion that Asshlin had undergone an immense alteration still tormented him—as half-apprehended evils ever torment the minds of those who see and study life as a thing apart from human nature; but the immediate effect of the feeling was less poignant. He unconsciously found himself anticipating the next glimpse of his old friend with a touch of curiosity; and when the announcement of dinner broke in upon his meditations, he was surprised at the readiness with which he obeyed the summons.

His first sight of the dining-room came pleasantly to his senses, numbed by the long drive and the bare coldness of his bedroom. It was large and lofty: three long curtained windows occupied one of its walls, while from the others numerous pictures of the dead-and-gone Asshlins looked out of their canvases from tarnished gold frames; the mahogany furniture, though of an ugly and ungainly type, was massive; and over the whole room, softening its severity and hiding the ravages of time, lay the warm red glow of a huge peat fire and the radiance of a dozen candles set in heavy silver sconces.

He stood for a moment in the doorway, agreeably conscious of the mingled shadow and light; then his attention was attracted to two figures already occupying the room.

Asshlin himself was standing by the hearth, his back to the fire, his feet apart, while by his side, in evident nervous embarrassment; stood a little girl of nine or ten. Instantly he saw his guest, Asshlin put his hand on the child's shoulder and pushed her forward.

"Here's the youngest shoot on the old tree, James!" he cried with a laugh. "Shake hands with him, Nance!"

Somewhat uncertainly and very shyly the child looked up and smiled. She was extremely pretty, with a gipsy-like prettiness new to Milbanke. The only attribute she had inherited from her father's family was the clear olive skin—that distinguished all the Asshlins. Her dark brown hair, her deep blue eyes, her peculiarly winning smile, had all come to her from her dead mother.

With an embarrassment almost equal to her own, Milbanke extended his hand. The average modern child he ignored with comfortable superiority, but this small girl, with her warm smile and her overwhelming shyness, was something infinitely more different to deal with. He shifted his position uneasily.

"How d'you do?" he hazarded. "How d'you do—Nance?"

The little brown fingers stirred nervously in his clasp, and the child, still smiling, made some totally unintelligible reply.

With a boisterous laugh, Asshlin ended the situation.

"Easily known you're not a father, James!" he cried. "Why, you'd have given her a kiss and clinched the business fifty seconds ago. But you're starving. Where's that scamp Clo?"

He turned again to the little girl who had drawn nearer to him for protection.

She replied, but in so low a tone that Milbanke heard nothing. A moment later he was enlightened by Asshlin's loud voice.

"Did you ever hear of a thing like that, James?" he exclaimed. "What would you say to a daughter who rides races on the strand in the dark of an October evening, with the mist enough to give your horses their death? 'Pon my word——" His face reddened; then suddenly he paused and laughed. "After all, what's bred in the bone—eh, James?" he said. "I believe I'd have done the same myself at fifteen—maybe worse."

He checked himself, laughed again; then sighed. But catching Milbanke's eye, he threw off the momentary depression, and turned once more to Nance.

"Tell Hannah we won't wait any longer, like a good child!" he said. "There's no counting on that scallywag."

As the child went quickly to the door he motioned Milbanke to the table, and took his own place at its head.

"No ceremony here," he said. "This is Liberty Hall."

Taking up a decanter, he poured some sherry into his friend's glass; then, filling his own, drank the wine with evident satisfaction.

"Gradual decay is what we're suffering from here, James," he went on. "Everything in this country is too damned old. The only things in this house that have stood it are the wine and the silver. The rest—the woodwork, myself, and

Pages