You are here

قراءة كتاب A History of English Poetry: an Unpublished Continuation

تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"

‏اللغة: English
A History of English Poetry: an Unpublished Continuation

A History of English Poetry: an Unpublished Continuation

تقييمك:
0
No votes yet
المؤلف:
دار النشر: Project Gutenberg
الصفحة رقم: 6

lines, and such as will be least offensive.

Some talk of Ganymede th' Idalian boy,
And some of faire Adonis make their boast;
Some talke of him whom louely Leda lost
And some of Echo's loue that was so coy, &c.[36]

Afterwards, falling in love with a lady, he closes these sonnets with a palinode.[37]

I have before found occasion to cite the Sonnets of H. C. called Diana printed in 1592.[38] As also Dieella [sic], or Sonnets by R. L. printed in 1596.[39] With these may be mentioned a set of Sonnets, entitled Fidessa more chaste than kinde. By B. Griffin, Gent. At London. Printed by the Widow Orwin for Matthew Lownes, 1596.[40] They are dedicated to Mr William Essex of Lambourne in Berkshire. Then follows a deprecatory address to the gentlemen of the Inns of Court, who are earnestly requested to protect at least to approve this first attempt of a stranger; and who promises, if now successful, to publish a pastoral the next time. It is possible that some other writers of this class may have escaped my searches. I do not wish to disturb their repose, which is likely to be lasting.


NOTES TO THE TEXT

Warton's notes, which in the manuscript are designated by letters or symbols, have been numbered. Brackets enclose all the editor's corrections, expansions, and comments. The parentheses are Warton's.

[1] [Thomas Warton's original version began "The temporary vogue which ..." The final version, here parenthesized in the text, represents, it seems fairly certain, Joseph Warton's expansion. Although this deprecatory comment seems rather abrupt coming after five sections devoted to the Elizabethan satirists, Joseph Warton is not disparaging where his brother praised. Thomas Warton had already (IV, 69) belittled the "innumerable crop of satirists, and of a set of writers differing but little more than in name, and now properly belonging to the same species, Epigrammatists."]

[2] [Warton here combined several remarks in Dryden's essay "The Original and Progress of Satire." See John Dryden, Essays, ed. W. P. Ker (Oxford, 1900), II, 111-112. There were six, not four editions of Holiday's Persius.]

[3] [Warton refers presumably to Isaac Reed's Collection of Old Plays (London, 1780).]

[4] [Jehan de] Nostredam [e]. [Les] Vies des [...] Poet[es] Provens[aux]. [Lyon, 1575] n. 59. pag. 199.

[5] [William Hayley. An] Ess[ay] on Epic Poetry. [London, 1782] Notes, Ess. iii. v. 81. p. 171.

[6] They are entered to him, feb. 4, under that year [1591/92]. Registr. Station. B. fol. 284. a. In sixteens. I have a copy. Wh[ite] Lett[er i. e., roman]. With vignettes.

[7] [Daniel was tutor to her son William Herbert and preceptor to Ann Clifford, Countess of Pembroke, but Sidney's sister seems to have been the patroness rather than the pupil of Daniel.]

[8] His sister married John Florio, author of a famous Italian dictionary, and tutor to queen Anne, consort of James the first, in Italian, under whom Daniel was groom of the Privy-Chamber. [Anthoney a] Wood, Ath[enae] Oxon[ienses]. [London, 1691-92.] i. 379. col. 1. [Warton's mention of "Daniel's Life" refers presumably to the brief biography by Wood, here cited.]

Pages