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قراءة كتاب Their Silver Wedding Journey — Volume 3

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Their Silver Wedding Journey — Volume 3

Their Silver Wedding Journey — Volume 3

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دار النشر: Project Gutenberg
الصفحة رقم: 9

Leipsic and partly in Gotha, where he had amused himself in rubbing up his rusty German. As soon as he realized that Wurzburg was so near he had slipped down from Gotha for a glimpse of the manoeuvres. He added that he supposed March was there to see them, and he asked with a quite unembarrassed smile if they had met Mr. Adding in Carlsbad, and without heeding March's answer, he laughed and added: "Of course, I know she must have told Mrs. March all about it."

March could not deny this; he laughed, too; though in his wife's absence he felt bound to forbid himself anything more explicit.

"I don't give it up, you know," Kenby went on, with perfect ease. "I'm not a young fellow, if you call thirty-nine old."

"At my age I don't," March put in, and they roared together, in men's security from the encroachments of time.

"But she happens to be the only woman I've ever really wanted to marry, for more than a few days at a stretch. You know how it is with us."

"Oh, yes, I know," said March, and they shouted again.

"We're in love, and we're out of love, twenty times. But this isn't a mere fancy; it's a conviction. And there's no reason why she shouldn't marry me."

March smiled gravely, and his smile was not lost upon Kenby. "You mean the boy," he said. "Well, I like Rose," and now March really felt swept from his feet. "She doesn't deny that she likes me, but she seems to think that her marrying again will take her from him; the fact is, it will only give me to him. As for devoting her whole life to him, she couldn't do a worse thing for him. What the boy needs is a man's care, and a man's will—Good heavens! You don't think I could ever be unkind to the little soul?" Kenby threw himself forward over the table.

"My dear fellow!" March protested.

"I'd rather cut off my right hand!" Kenby pursued, excitedly, and then he said, with a humorous drop: "The fact is, I don't believe I should want her so much if I couldn't have Rose too. I want to have them both. So far, I've only got no for an answer; but I'm not going to keep it. I had a letter from Rose at Carlsbad, the other day; and—"

The waiter came forward with a folded scrap of paper on his salver, which March knew must be from his wife. "What is keeping you so?" she wrote. "I am all ready." "It's from Mrs. March," he explained to Kenby. "I am going out with her on some errands. I'm awfully glad to see you again. We must talk it all over, and you must—you mustn't—Mrs. March will want to see you later—I—Are you in the hotel?"

"Oh yes. I'll see you at the one-o'clock table d'hote, I suppose."

March went away with his head whirling in the question whether he should tell his wife at once of Kenby's presence, or leave her free for the pleasures of Wurzburg, till he could shape the fact into some safe and acceptable form. She met him at the door with her guide-books, wraps and umbrellas, and would hardly give him time to get on his hat and coat.

"Now, I want you to avoid the Stollers as far as you can see them. This is to be a real wedding-journey day, with no extraneous acquaintance to bother; the more strangers the better. Wurzburg is richer than anything I imagined. I've looked it all up; I've got the plan of the city, so that we can easily find the way. We'll walk first, and take carriages whenever we get tired. We'll go to the cathedral at once; I want a good gulp of rococo to begin with; there wasn't half enough of it at Ansbach. Isn't it strange how we've come round to it?"

She referred to that passion for the Gothic which they had obediently imbibed from Ruskin in the days of their early Italian travel and courtship, when all the English-speaking world bowed down to him in devout aversion from the renaissance, and pious abhorrence of the rococo.

"What biddable little things we were!" she went on, while March was struggling to keep Kenby in the background of his consciousness. "The rococo must have always had a sneaking charm for us, when we were pinning our faith to pointed arches; and yet I suppose we were perfectly sincere. Oh, look at that divinely ridiculous Madonna!" They were now making their way out of the crooked footway behind their hotel toward the street leading to the cathedral, and she pointed to the Blessed Virgin over the door of some religious house, her drapery billowing about her feet; her body twisting to show the sculptor's mastery of anatomy, and the halo held on her tossing head with the help of stout gilt rays. In fact, the Virgin's whole figure was gilded, and so was that of the child in her arms. "Isn't she delightful?"

"I see what you mean," said March, with a dubious glance at the statue, "but I'm not sure, now, that I wouldn't like something quieter in my Madonnas."

The thoroughfare which they emerged upon, with the cathedral ending the prospective, was full of the holiday so near at hand. The narrow sidewalks were thronged with people, both soldiers and civilians, and up the middle of the street detachments of military came and went, halting the little horse-cars and the huge beer-wagons which otherwise seemed to have the sole right to the streets of Wurzburg; they came jingling or thundering out of the aide streets and hurled themselves round the corners reckless of the passers, who escaped alive by flattening themselves like posters against the house walls. There were peasants, men and women, in the costume which the unbroken course of their country life had kept as quaint as it was a hundred years before; there were citizens in the misfits of the latest German fashions; there were soldiers of all arms in their vivid uniforms, and from time to time there were pretty young girls in white dresses with low necks, and bare arms gloved to the elbows, who were following a holiday custom of the place in going about the streets in ball costume. The shop windows were filled with portraits of the Emperor and the Empress, and the Prince-Regent and the ladies of his family; the German and Bavarian colors draped the facades of the houses and festooned the fantastic Madonnas posing above so many portals. The modern patriotism included the ancient piety without disturbing it; the rococo city remained ecclesiastical through its new imperialism, and kept the stamp given it by the long rule of the prince-bishops under the sovereignty of its King and the suzerainty of its Kaiser.

The Marches escaped from the present, when they entered the cathedral, as wholly as if they had taken hold of the horns of the altar, though they were far from literally doing this in an interior so grandiose. There area few rococo churches in Italy, and perhaps more in Spain, which approach the perfection achieved by the Wurzburg cathedral in the baroque style. For once one sees what that style can do in architecture and sculpture, and whatever one may say of the details, one cannot deny that there is a prodigiously effective keeping in it all. This interior came together, as the decorators say, with a harmony that the travellers had felt nowhere in their earlier experience of the rococo. It was, unimpeachably perfect in its way, "Just," March murmured to his wife, "as the social and political and scientific scheme of the eighteenth century was perfected in certain times and places. But the odd thing is to find the apotheosis of the rococo away up here in Germany. I wonder how much the prince-bishops really liked it. But they had become rococo, too! Look at that row of their statues on both sides of the nave! What magnificent swell! How they abash this poor plain Christ, here; he would like to get behind the pillar; he knows that he could never lend himself to the baroque style. It expresses the eighteenth century, though. But how you long for some little hint of the thirteenth, or even the nineteenth."

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