strength knew no faltering. For he proved insistent; wooed her—soberly—decorously—as became the dignity of five decades completed; wooed her with reasons of urgency, and implications of sentiment. He was to depart on a mission to the New World; wished to bear her promise with him. He would treasure it; would think of the new light to shine in his household. But within her lay an unfailing inspiration, and her innermost soul stood like a tower impregnable; though she was all wounds and distress, and quivered with the hurt. Was not her heart with her Prince Charming? her one dream in life the privilege of helping him?

Mr. Shanner had to sail away disconsolate!

But, though Miss Robinson's mind was occupied day and night with this problem of Wyndham's salvation, she could arrive at no plausible solution. For how should she ever dare to give him a sign? She who would have yielded her life for him could only watch him drifting downwards with an agonised sense of her helplessness.

And he all the while unsuspecting of this obscure, loving historian of his existence; of the warm heart that beat for him in these evil days on which he had fallen!

II

For hours the rain had beaten against his windows, and at last, now that a lull had declared itself, Wyndham dragged himself to the door, and looked out into the gray afternoon. His eye took in the familiar vista, but, as it rested on the great bow-windowed house at the corner where the road branched into two, he turned away with a shudder. For years the sight of that house had irritated him: its ugly brick bulk had been symbolic of all Suburbia, of everything in life to which he was instinctively hostile as an artist and a gentleman.

But presently he laughed: it had struck him as comic that he should have preserved in its freshness his full youthful contempt for all this Philistine universe!—he, a half-starved devil of an artist, down in the mouth, with a solitary half-crown in his pocket, speculating with bitter humiliation whether his hard-worked sister had yet a little to spare for him, after all the life-blood which, leech-like, he had sucked out of her! Nay, more, he was conscious that his distaste for this surrounding wilderness of affluent homes, in the midst of which he had so long dwelt as an isolated superior intelligence, had grown more marked in direct proportion as he had become poorer and poorer.

The prosperous figure of the owner of the bow-windowed house rose before him. Immersed in his own existence, Wyndham had deigned to notice very few indeed of his neighbours. But old Mr. Robinson was one of the few, not only because of the regularity with which he passed the studio every day at six o'clock as he came home from business, but also because he invariably bore something in a plaited rush-bag that had a skewer thrust through it, suggesting visits to Leadenhall Market, and purchases of game or salmon for the good wife according to season. But Mr. Robinson's mild aspect, benevolent white beard, and gentle amble had never impressed Wyndham with much of a sense of human fellowship. He might concede that the old man was "a decent sort, no doubt, in his own way"; but they were creatures belonging to different planets.

Still amused at his own disdain, though the corners of his mouth were set a trifle grimly, Wyndham turned back into the studio with the idea of making himself presentable and going to see his sister—since it now seemed possible to get across town without the prospect of an absolute drenching. Happily his wardrobe had substantial resources: in the old days he had kept it well replenished, and his simple life of late here in the studio had made small demands on it. Thus he could still go out faultlessly clad and shod. Nobody need suspect his poverty, he flattered himself, if he ever chose to dip into his own world again. Only he did not choose; there was always so much questioning to face. "We've seen nothing of yours in the last two or three Academies—when are you going to give us another masterpiece?" "Still on the big picture? How is it getting along?" However genially thrown out, such usual interrogation annoyed him beyond measure. It was so long since anything had been "getting along." On all sides he was regarded as a doomed man, and suspected it: suspecting it, he was morbidly sensitive. His life was unnatural and not worth the living. Months and months had been wasted in apathy. Each day he dreamt of a new lease of energy and courage to begin on the morrow; but, after making his bed and clearing away his breakfast and purchasing his food for the day, he would find himself dejected and incapable of a single stroke.

And yet he could not wholly realise the change that had come over the scene. He rubbed his eyes sometimes, as if expecting to awake from an unhappy dream. Was not the flourish of early trumpets still in his ears? The dazzle of admiration still on his retina? The gush of extensive and important family connections still tickling his self-esteem? The sweeter approval of a superior art-clique still flattering his deeper vanity?

He had been born with a silver spoon; his childhood and youth had been ideally happy. From the playing-fields of Eton he had passed to the quadrangles of Oxford. A distinguished student of his college?—not in the ordinary grooves; yet favourably known as an intellect with enthusiasms. Phidias was more of an inspiration to him than Aristotle; Titian more actual than Todhunter. Ruskin, Pater, Turner, had stirred him; left his mind subdued to their colours. From boyhood had been his the swift skill with pencil that ran as easily to grace as to mockery. And, left early arbiter of his own existence, with gold enough for freedom, he had made for the one career that called to him.

Genius cannot prove itself at a stroke: it has its adventurings to make. Seldom it realises at the outset that it is adventuring in the dark, therein to grope as best it may to self-discovery. Even this first stage may be long deferred; yet, however sure of himself at last, the artist has still to tread the unending road with the great light of self-realisation ever in the distance. There are the years of strenuous search, of faithful labour; of bitterest failure on failure to bring the deep, mysterious impulses to bloom and fruition. But there is yet another, if independent, adventuring. The great light that crowns the artist's journey shines only in his own spirit. The world sees and knows nothing of it. He has none the less to find his way into that other light—the lurid, mocking limelight of the world's acceptance; to seek a place beside or beneath the charlatan. This is the bitterest stage of all—- to stand shivering in marketplaces that are knee-deep with dung and offal; to be upholding precious things to the vision of swine. What wonder if in the course of so harsh a journeying, as he lives and breathes in his own universe of striving, his precise moral relation to things external grows dim, intangible; and, if money one day give out, he clutches at any crust for sustenance.

Wyndham began his journeyings. His advantages were many and obvious; his disadvantages subtle and unseen. There was the danger that facile talent and social prestige might bring him an early delusive success; a failure, rightly seen, however tricked out with glamour.

His beginnings, indeed, were pleasant: it was great fun throwing himself into this new queer Bohemian world of art. He worked hard as a student, the sheer interest of his labours lightening them astonishingly. And, after some preliminary swayings in varying directions, he at last "found himself," as he supposed;