old ones, was the novel of 'Jane Eyre,' which I took in very imperfectly, and which I associate with the first rumor of the Rochester Knockings, then just beginning to reverberate through a world that they have not since left wholly at peace. It was a gloomy Sunday afternoon when the book came under my hand; and mixed with my interest in the story was an anxiety lest the pictures on the walls should leave their nails and come and lay themselves at my feet; that was what the pictures had been doing in Rochester and other places where the disembodied spirits were beginning to make themselves felt. The thing did not really happen in my case, but I was alone in the house, and it might very easily have happened.

If very little came to me in those days from books, on the other hand my acquaintance with the drama vastly enlarged itself. There was a hapless company of players in the town from time to time, and they came to us for their printing. I believe they never paid for it, or at least never wholly, but they lavished free passes upon us, and as nearly as I can make out, at this distance of time, I profited by their generosity, every night. They gave two or three plays at every performance to houses ungratefully small, but of a lively spirit and impatient temper that would not brook delay in the representation; and they changed the bill each day. In this way I became familiar with Shakespeare before I read him, or at least such plays of his as were most given in those days, and I saw "Macbeth" and "Hamlet," and above all "Richard III.," again and again. I do not know why my delight in those tragedies did not send me to the volume of his plays, which was all the time in the bookcase at home, but I seem not to have thought of it, and rapt as I was in them I am not sure that they gave me greater pleasure, or seemed at all finer, than "Rollo," "The Wife," "The Stranger," "Barbarossa," "The Miser of Marseilles," and the rest of the melodramas, comedies, and farces which I saw at that time. I have a notion that there were some clever people in one of these companies, and that the lighter pieces at least were well played, but I may be altogether wrong. The gentleman who took the part of villain, with an unfailing love of evil, in the different dramas, used to come about the printing-office a good deal, and I was puzzled to find him a very mild and gentle person. To be sure he had a mustache, which in those days devoted a man to wickedness, but by day it was a blond mustache, quite flaxen, in fact, and not at all the dark and deadly thing it was behind the footlights at night. I could scarcely gasp in his presence, my heart bounded so in awe and honor of him when he paid a visit to us; perhaps he used to bring the copy of the show-bills. The company he belonged to left town in the adversity habitual with them.

Our own adversity had been growing, and now it became overwhelming. We had to give up the paper we had struggled so hard to keep, but when the worst came it was not half so bad as what had gone before. There was no more waiting till midnight for the telegraphic news, no more waking at dawn to deliver the papers, no more weary days at the case, heavier for the doom hanging over us. My father and his brothers had long dreamed of a sort of family colony somewhere in the country, and now the uncle who was most prosperous bought a milling property on a river not far from Dayton, and my father went out to take charge of it until the others could shape their business to follow him. The scheme came to nothing finally, but in the mean time we escaped from the little city and its sorrowful associations of fruitless labor, and had a year in the country, which was blest, at least to us children, by sojourn in a log-cabin, while a house was building for us.

VI. LONGFELLOW'S "SPANISH STUDENT"

This log-cabin had a loft, where we boys slept, and in the loft were stored in barrels the books that had now begun to overflow the bookcase. I do not know why I chose the loft to renew my long-neglected friendship with them. The light could not have been good, though if I brought my books to the little gable window that overlooked the groaning and whistling gristmill I could see well enough. But perhaps I liked the loft best because the books were handiest there, and because I could be alone. At any rate, it was there that I read Longfellow's "Spanish Student," which I found in an old paper copy of his poems in one of the barrels, and I instantly conceived for it the passion which all things Spanish inspired in me. As I read I not only renewed my acquaintance with literature, but renewed my delight in people and places where I had been happy before those heavy years in Dayton. At the same time I felt a little jealousy, a little grudge, that any one else should love them as well as I, and if the poem had not been so beautiful I should have hated the poet for trespassing on my ground. But I could not hold out long against the witchery of his verse. The "Spanish Student" became one of my passions; a minor passion, not a grand one, like 'Don Quixote' and the 'Conquest of Granada', but still a passion, and I should dread a little to read the piece now, lest I should disturb my old ideal of its beauty. The hero's rogue servant, Chispa, seemed to me, then and long afterwards, so fine a bit of Spanish character that I chose his name for my first pseudonym when I began to write for the newspapers, and signed my legislative correspondence for a Cincinnati paper with it. I was in love with the heroine, the lovely dancer whose 'cachucha' turned my head, along with that of the cardinal, but whose name even I have forgotten, and I went about with the thought of her burning in my heart, as if she had been a real person.

VII. SCOTT

All the while I was bringing up the long arrears of play which I had not enjoyed in the toil-years at Dayton, and was trying to make my Spanish reading serve in the sports that we had in the woods and by the river. We were Moors and Spaniards almost as often as we were British and Americans, or settlers and Indians. I suspect that the large, mild boy, the son of a neighboring farmer, who mainly shared our games, had but a dim notion of what I meant by my strange people, but I did my best to enlighten him, and he helped me make a dream out of my life, and did his best to dwell in the region of unrealities where I preferably had my being; he was from time to time a Moor when I think he would rather have been a Mingo.

I got hold of Scott's poems, too, in that cabin loft, and read most of the tales which were yet unknown to me after those earlier readings of my father's. I could not say why "Harold the Dauntless" most took my fancy; the fine, strongly flowing rhythm of the verse had a good deal to do with it, I believe. I liked these things, all of them, and in after years I liked the "Lady of the Lake" more and more, and from mere love of it got great lengths of it by heart; but I cannot say that Scott was then or ever a great passion with me. It was a sobered affection at best, which came from my sympathy with his love of nature, and the whole kindly and humane keeping of his genius. Many years later, during the month when I was waiting for my passport as Consul for Venice, and had the time on my hands, I passed it chiefly in reading all his novels, one after another, without the interruption of other reading. 'Ivanhoe' I had known before, and the 'Bride of Lammermoor' and 'Woodstock', but the rest had remained in that sort of abeyance which is often the fate of books people expect to read as a matter of course, and come very near not reading at all, or read only very late. Taking them in this swift sequence, little or nothing of them remained with me, and my experience with them is against that sort of ordered and regular reading, which I have so often heard advised for young people by their elders. I always suspect their elders of not having done that kind of